· Private foundation
The Greenwich Collection Ltd
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2018.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2018
- Under $10k9 grants · $51k
- $10k–50k10 grants · $121k
| Recipient | Amount |
|---|---|
| FIVE MYLES | $15,000 |
| Individual grant recipient | $15,000 |
| PRINTED MATTER | $15,000 |
| ELIZABETH FOUNDATION | $14,000 |
| BROOKLYN ARTS COUNCIL | $12,000 |
| YADDO | $10,000 |
| NY STUDIO SCHOOL | $10,000 |
| SKOWHEGAN SCHOOL | $10,000 |
| ISPC | $10,000 |
| CITY AS LIVING LABORATORY | $10,000 |
| IPCNY | $8,000 |
| ARTISTS SPACE | $8,000 |
| PARTICIPANT INC | $5,100 |
| Individual grant recipient | $5,000 |
| ART IN GENERAL | $5,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–18) land where the poverty rate runs at 17%, against an area that typically sits at 14%. 100% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
18 repeat relationships: 18 still active in FY2018, 0 since wound down; 1 grantees were first funded in FY2018 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2018, 94% of grant dollars renewed an existing relationship; $10k went to new ones.
How this is measured
Backed again, and grew
- BABROOKLYN ARTS COUNCIL INC2× · 2017–2018 · $47k · revenue +58%
- PMPRINTED MATTER INC2× · 2017–2018 · $30k · revenue +15%
- ASARTISTS SPACE INC2× · 2017–2018 · $18k · revenue +259%
Funded once
- DCDIA CENTER FOR THE ARTS INCgraduatedone grant, 2017 · $125M · revenue +150%
- IGIndividual grant recipientone grant, 2017 · $10k
- VAVISUAL AIDS FOR THE ARTS INCgraduatedone grant, 2017 · $5k · revenue +91%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Support an open exchange of ideas and risk-taking by women and non-binary artists in order to provide support and visibility. as an artist-run organization, artists in residence fosters involvement through multiple tiers of representation:…
To promote armenian contemporary experimental art
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
How this is measured
12 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 12 of the 23 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds Five Myles Inc ↗
- Who funds BROOKLYN ARTS COUNCIL INC ↗
- Who funds PRINTED MATTER INC ↗
- Who funds THE CORPORATION OF YADDO ↗
- Who funds ARTISTS SPACE INC ↗
- Who funds ART IN GENERAL INC ↗
- Who funds CANOPY CANOPY CANOPY INC ↗
- Who funds PARTICIPANT INC ↗
- Who funds PRIMARY INFORMATION INC ↗
- Who funds VISUAL AIDS FOR THE ARTS INC ↗
- Who funds URBANGLASS NEW YORK CONTEMPORARY GLASS CENTER INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · Brownstone Family Foundation · Milton and Sally Avery Arts Foundation · Shelley & Donald Rubin Foundation · The Cowles Charitable Trust · Low Road Foundation · Via Art Fund Inc · Daniel M Neidich & Brooke Garber Foundation · Arison Arts Foundation · Helen Frankenthaler Foundation Inc · Robert Rauschenberg Foundation · Ag Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Greenwich Collection Ltd funds: left to right is the share of its income from government, bottom to top the share from The Greenwich Collection Ltd. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Greenwich Collection Ltd?
Find your warmest path to The Greenwich Collection Ltd through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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