· Private foundation
Low Road Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
The 53 grants below total $6,597,313 — the rows itemised in this filing. The $7,421,250 headline is the total grant expense reported on the return, so the remaining $823,937 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2022
- Under $10k26 grants · $106k
- $10k–50k16 grants · $331k
- $50k–250k3 grants · $210k
- $250k+8 grants · $6.0M
| Recipient | Amount |
|---|---|
| Low Road Sharon, Inc | $1,500,000 |
| Philadelphia Museum of Art | $1,250,000 |
| Save Sharon Hospital | $1,000,000 |
| Coastal Community Foundation | $610,000 |
| Greenville County Museum of Art | $590,000 |
| American Academy of Arts & Sciences | $500,000 |
| Foundation for Contemporary Arts | $250,000 |
| American Academy of Arts and Letters | $250,000 |
| The American Academy of Art | $100,000 |
| Sharon Volunteer Ambulance Squad | $60,000 |
| Bard Prison Initiative (BPI) | $50,000 |
| Foundation for Contemporary Arts Inc. | $40,000 |
| North East Community Center | $35,000 |
| Art in General, Inc | $31,393 |
| Yale University School of Art | $25,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
14 repeat relationships — 14 still active in FY2022, 0 since wound down; 37 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 6% of grant dollars renewed an existing relationship; $5.6M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- AAAMERICAN ACADEMY IN ROME2× · 2020–2022 · $25k · revenue +57%
- SLSHARON LAND TRUST INC2× · 2020–2022 · $11k · revenue ×16
- TDTHE DRAWING CENTER INC2× · 2020–2022 · $10k · revenue +67%
Funded once
AMERICAN CIVIL LIBERTIES UNION FOUNDATION INCgraduatedone grant, 2020 · $500k · revenue +65%- SHSharon Hospitalone grant, 2020 · $100k
- TATHE AMERICAN AGORA FOUNDATION INCone grant, 2020 · $5k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
A pioneering advocate for cultural equity, the bronx council on the arts nurtures the development of diverse artists and arts organizations and build strong cultural connections in and beyond the bronx.
To collect, display and interpret objects in craft art and design.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
See schedule o for the organization's mission statement.please see description for part i, line 1, above.
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
Guided by artists, rooted in new mexico, site santa fe celebrates contemporary creative expression.
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
The museum encourages an appreciation of modern and contemporary art through exhibitions, education, and public programs for diverse audiences.inspired by the natural setting and historical artistic community of long island's east end, the…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
As the leader in its field, public art fund brings dynamic contemporary art to a broad audience in new york city and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences…
For reference, the grantee most central to the portfolio’s shape is Foundation for Contemporary Arts Inc and the most unlike its peers is Low Road Sharon Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 40 years old; the field is 21. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 5% of your grantees by number, and just 48% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
47 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 47 of the 81 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Low Road Sharon, Inc ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds SAVE SHARON HOSPITAL INC ↗
- Who funds COASTAL COMMUNITY FOUNDATION OF SOUTH CAROLINA INC ↗
- Who funds FOUNDATION FOR CONTEMPORARY ARTS INC ↗
- Who funds AMERICAN CIVIL LIBERTIES UNION FOUNDATION INC ↗
- Who funds AMERICAN ACADEMY OF ARTS & SCIENCES ↗
- Who funds AMERICAN ACADEMY OF ARTS AND LETTERS ↗
- Who funds NORTHEAST COMMUNITY CENTER INC ↗
- Who funds ART IN GENERAL INC ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds PRINTED MATTER INC ↗
- Who funds NEW YORK STUDIO SCHOOL ↗
- Who funds ARTISTS SPACE INC ↗
- Who funds INDIAN MOUNTAIN SCHOOL INC ↗
- Who funds SHARON LAND TRUST INC ↗
- Who funds THE DRAWING CENTER INC ↗
- Who funds STEPHEN PETRONIO DANCE COMPANY INC ↗
- Who funds THE CORNER FOOD PANTRY INC ↗
- Who funds SALISBURY VISITING NURSE ASSOCIATION INC ↗
- Who funds COLUMBIA MUSEUM OF ART ↗
- Who funds AMERICAN PHILOSOPHICAL SOCIETY ↗
- Who funds TRISHA BROWN COMPANY INC ↗
- Who funds SHAKER MUSEUM AND LIBRARY ↗
- Who funds FRESH AIR FUND ↗
- Who funds THE POETRY PROJECT LTD ↗
- Who funds SHARON HISTORICAL SOCIETY INC ↗
- Who funds JONAH BOKAER ARTS FOUNDATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Berkshire Taconic Community Foundation Inc · Peter and Helen Haje Foundation · The Jm Kaplan Fund Inc · The Hallingby Family Foundation Inc · Ag Foundation · Easton Family Fund · Helen Frankenthaler Foundation Inc · The Cowles Charitable Trust · Jewish Communal Fund · Milton and Sally Avery Arts Foundation · The Goldman Sachs Charitable Gift Fund · Arison Arts Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Warm introductions · Powered by PlinthPlus
How do I get to Low Road Foundation?
Find your warmest path to Low Road Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.