· Private foundation
The Good Works Foundation
Its FY2024 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2024
- Under $10k24 grants · $88k
- $10k–50k9 grants · $196k
- $50k–250k1 grant · $150k
| Recipient | Amount |
|---|---|
| ICA LA | $150,000 |
| HAMMER MUSEUM | $30,000 |
| PORTLAND ART MUSEUM | $25,000 |
| SARAH LAWRENCE COLLEGE | $25,000 |
| PERFORMANCE ART MUSEUM | $25,000 |
| Individual grant recipient | $25,000 |
| TACAW | $20,700 |
| ASPEN MUSIC FESTIVAL AND SCHOOL | $20,000 |
| LOS ANGELES OPERA | $15,000 |
| CENTER FOR ART AND ADVOCACY | $10,000 |
| JAPANCRAFT21 | $7,500 |
| MUSEUM OF CONTEMPORARY ART | $5,000 |
| LOS ANGELES COUNTY MUSEUM OF ART | $5,000 |
| BETH MORRISON PROJECTS | $5,000 |
| DOCTORS WITHOUT BORDERS | $5,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY17–17, $2k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +41% since the first grant, against 0% for those funded once.
67 repeat relationships: 31 still active in FY2024, 36 since wound down; 3 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 87% of grant dollars renewed an existing relationship; $58k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- ILICA LA8× · 2017–2024 · $1.4M · revenue +236% · 25% of their budget
- AMART MATTERS INC4× · 2017–2020 · $1.1M · revenue +39% · 92% of their budget
SARAH LAWRENCE COLLEGE6× · 2017–2024 · $870k · revenue +14%
Funded once
- CFCoalition for Engaged Educationone grant, 2017 · $30k · revenue -8%
- TATHE ART INSTITUTE OF CHICAGOone grant, 2022 · $15k · revenue +12%
- WCWatershed Collaborative Incone grant, 2018 · $10k · revenue -59%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
The los angeles conservancy is a nonprofit membership organization that works through education and advocacy to recognize, preserve, and revitalize the historic architectural and cultural resources of los angeles county.
Arts for la leads communities, artists and organizations to advocate for an equitable, healthy, and creative los angeles region through the arts.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
See schedule osculpturecenter leads the conversation on contemporary art by supporting artistic innovation and independent thought highlighting sculpture's specific potential to change the way we engage with the world. positioning artists'…
To serve the public by producing world-class opera that preserves, promotes and advances the art form while embodying the diversity, spirit and artistic sensibility unique to los angeles. we envision an engaged and enlightened community in…
The specific purpose of this corporation is to: expand knowledge and appreciation of modern and contemporary latin american tine art that has been created since world war ii; to operate a museum; to collect and display latin american…
How this is measured
66 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 66 of the 100 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds ICA LA ↗
- Who funds ART MATTERS INC ↗
- Who funds SARAH LAWRENCE COLLEGE ↗
- Who funds ARMAND HAMMER MUSEUM OF ART AND CULTURAL CENTER INC ↗
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds THE BUILDERS ASSOCIATION INC ↗
- Who funds CROSSROADS SCHOOL FOR ARTS AND SCIENCES ↗
- Who funds MUSIC ASSOCIATES OF ASPEN INC ↗
- Who funds WORLD CENTRAL KITCHEN INC ↗
- Who funds THE CENTER FOR HUMANS AND NATURE ↗
- Who funds THE INDUSTRY PRODUCTIONS INC ↗
- Who funds ANDERSON RANCH ARTS CENTER ↗
- Who funds Coalition for Engaged Education ↗
- Who funds CLOCKSHOP ↗
- Who funds MEDECINS SANS FRONTIERES USA INC ↗
- Who funds THE MUSEUM OF CONTEMPORARY ART LOS ANGELES ↗
- Who funds PORTLAND ART MUSEUM ↗
- Who funds NATURAL RESOURCES DEFENSE COUNCIL INC ↗
- Who funds THE PERFORMANCE ART MUSEUM ↗
- Who funds ASPEN CENTER FOR ENVIRONMENTAL STUDIES ↗
- Who funds MUSEUM ASSOCIATES ↗
- Who funds BETH MORRISON PROJECTS INC ↗
- Who funds ASPEN ART MUSEUM ↗
- Who funds United States Artists Inc ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds VENICE FAMILY CLINIC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Gaylord and Dorothy Donnelley Foundation · California Community Foundation · The J Paul Getty Trust · The Andrew W Mellon Foundation · Pasadena Art Alliance · The Mike Kelley Foundation for the Arts · Audrey & Sydney Irmas Charitable Foundation · The Wilhelm Family Foundation Co Cascade Wilhelm · Perenchio Foundation · Robert Rauschenberg Foundation · The Andy Warhol Foundation for the Visual Arts Inc · Liberty Hill Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Good Works Foundation funds: left to right is the share of its income from government, bottom to top the share from The Good Works Foundation. Bigger dots raise more.
- Portland Art Museum: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Good Works Foundation?
Find your warmest path to The Good Works Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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