· Private foundation
The Evelyn Sharp Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k10 grants · $40k
- $10k–50k20 grants · $320k
- $50k–250k8 grants · $644k
- $250k+1 grant · $250k
| Recipient | Amount |
|---|---|
| Solomon R Guggenheim Foundation | $250,000 |
| California Institute of the Arts | $150,000 |
| California Institute of the Arts | $132,000 |
| Park Avenue Armory | $75,000 |
| Solomon R Guggenheim Foundation | $67,000 |
| The Rand Corporation | $60,000 |
| The Rand Corporation | $60,000 |
| Solomon R Guggenheim Foundation | $50,000 |
| Works and Process | $50,000 |
| Park Avenue Armory | $25,000 |
| Paul Taylor Dance Company | $25,000 |
| Metropolitan Opera | $25,000 |
| The WOW Foundation | $25,000 |
| Martha's Vineyard Boys Girls Club | $25,000 |
| Individual grant recipient | $20,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY18–20, $70k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
44 repeat relationships: 22 still active in FY2025, 22 since wound down; 10 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 93% of grant dollars renewed an existing relationship; $94k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- SRSOLOMON R GUGGENHEIM FOUNDATION9× · 2017–2025 · $2.2M · revenue +43%
- CICALIFORNIA INSTITUTE OF THE ARTS7× · 2017–2025 · $1.2M · revenue +30%
The Rand Corporation7× · 2019–2025 · $410k · revenue +16%
Funded once
- CCALARTSone grant, 2021 · $55k
- IGIndividual grant recipientone grant, 2023 · $30k
- TPThe Peddie Schoolgraduatedone grant, 2017 · $25k · revenue +42%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Alvin ailey dance foundation's mission is to further the pioneering vision of the choreographer, dancer, and cultural leader alvin ailey by building an extended cultural community which provides dance performances, training and education,…
To create, to present, to preserve, and to extend the great repertoire of classical dancing through exciting performances and educational programming of the highest quality, presented to the widest possible audience. american ballet…
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
Move|nyc| is a civic arts and social justice organization committed to cultivating a more diverse and inclusive society through transforming the field of professional dance. more than an arts organization, move|nyc| is a movement for…
Amda is committed to providing an unsurpassed performing arts education to a diverse community of creative artists. amda seeks to be both the school and the stage, where students are given the support and the freedom to find their voice…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
Producing and developing plays and musicals.
How this is measured
68 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 68 of the 107 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds SOLOMON R GUGGENHEIM FOUNDATION ↗
- Who funds CALIFORNIA INSTITUTE OF THE ARTS ↗
- Who funds The Rand Corporation ↗
- Who funds WORKS AND PROCESS INC ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds THE YARD INC ↗
- Who funds Vineyard Arts Project Limited ↗
- Who funds MOLIERE IN THE PARK INC ↗
- Who funds GOOD SHEPHERD SERVICES ↗
- Who funds BROOKLYN ACADEMY OF MUSIC INC ↗
- Who funds Spectrum Dance Theater ↗
- Who funds AMERICANS FOR OXFORD INC ↗
- Who funds MIAMI CITY BALLET INC ↗
- Who funds MARTHA'S VINEYARD BOYS & GIRLS CLUB INC ↗
- Who funds THE GEORGE BALANCHINE FOUNDATION INC ↗
- Who funds DISCALCED INC ↗
- Who funds TURQUOISE MOUNTAIN FOUNDATION (US) ↗
- Who funds The Peddie School ↗
- Who funds CHARITIES AID FOUNDATION AMERICA ↗
- Who funds PLAYWRIGHTS HORIZONS INC ↗
- Who funds The New York Public Library Astor Lenox and Tilden Foundations ↗
- Who funds ENTERPRISE COMMUNITY PARTNERS INC ↗
- Who funds THE PERFORMANCE ZONE INC ↗
- Who funds FRIENDS OF THE HIGH LINE INC ↗
- Who funds MIDDLE EAST CHILDREN'S INSTITUTE ↗
- Who funds THE TOM GOLD DANCE FOUNDATION 51 WEST 81ST STREET ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The New York Community Trust · Jerome Robbins Foundation · Arnhold Foundation Inc · The Ford Foundation · The Howard Gilman Foundation Inc · New England Foundation for the Arts Incorporated · The Andrew W Mellon Foundation · The Harkness Foundation for Dance Inc · Mertz Gilmore Foundation · New Music USA Inc · Rockefeller Brothers Fund Inc · The Shubert Foundation Inc
How this is measured
How much its grantees rely on government
Each dot is one organization The Evelyn Sharp Foundation funds: left to right is the share of its income from government, bottom to top the share from The Evelyn Sharp Foundation. Bigger dots raise more.
- Martha's Vineyard Boys & Girls Club Inc: 30% of income from government
- The Yard Inc: 28% of income from government
- Enterprise Community Partners Inc: 22% of income from government
- Martha's Vineyard Preservation Trust Inc: 4% of income from government
- Boston Modern Orchestra Project Inc: 4% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Evelyn Sharp Foundation?
Find your warmest path to The Evelyn Sharp Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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