· Private foundation
The David a Dechman Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 21 grants below total $1,061,763 — the rows itemised in this filing. The $1,161,763 headline is the total grant expense reported on the return, so the remaining $100,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k2 grants · $6k
- $10k–50k13 grants · $215k
- $50k–250k5 grants · $325k
- $250k+1 grant · $516k
| Recipient | Amount |
|---|---|
| Museum of Modern Art | $515,513 |
| MOMA | $125,000 |
| Movement Advancement Project | $50,000 |
| Voter Participation Center | $50,000 |
| Amalgamated Foundation | $50,000 |
| MOMA | $50,000 |
| National Fdn for Advancement in the Arts | $30,000 |
| JewBelong | $25,000 |
| New York Live Arts | $25,000 |
| Friends of the High Line | $25,000 |
| Brooklyn Museum | $25,000 |
| MOMA | $15,000 |
| Aperture Foundation | $10,000 |
| Dana Farber Cancer Institute | $10,000 |
| National Gallery of Art | $10,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +21% since the first grant, against 0% for the ones you funded once.
15 repeat relationships — 8 still active in FY2025, 7 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 80% of grant dollars renewed an existing relationship; $200k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
Dana-Farber Cancer Institute Inc4× · 2022–2025 · $585k · revenue +30%- MMMEDIA MATTERS FOR AMERICA3× · 2021–2024 · $175k · revenue +16%
- NYNEW YORK LIVE ARTS INC4× · 2022–2025 · $115k · revenue +4%
Funded once
- FFFreedom for All Americansone grant, 2021 · $250k
- AFAll Forney Centerone grant, 2023 · $100k
- CLCENTERLINE LIBERTIES INCgraduatedone grant, 2023 · $100k · revenue +196%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The mint museum welcomes all to be inspired and transformed through the power of art and creativity.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
To inspire, educate and cultivate curiosity through great works of art.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
The architectural league of new york supports critically transformative work in the allied fields that shape the built environment. as a vital, independent forum, the league stimulates thinking, debate, and action on today's (continued on…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
For reference, the grantee most central to the portfolio’s shape is National Foundation for Advancement in the Arts Inc and the most unlike its peers is Dana-Farber Cancer Institute Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 44 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 4% of your grantees by number, and just 5% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
28 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 28 of the 40 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Dana-Farber Cancer Institute Inc ↗
- Who funds MEDIA MATTERS FOR AMERICA ↗
- Who funds Amalgamated Charitable Foundation Inc ↗
- Who funds GLSEN INC ↗
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds CENTERLINE LIBERTIES INC ↗
- Who funds APERTURE FOUNDATION INC ↗
- Who funds MOVEMENT ADVANCEMENT PROJECT ↗
- Who funds EQUALITY FLORIDA INSTITUTE INC ↗
- Who funds THE VOTER PARTICIPATION CENTER ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds STUDIO IN A SCHOOL ASSOCIATION INC ↗
- Who funds THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES ↗
- Who funds NATIONAL FOUNDATION FOR ADVANCEMENT IN THE ARTS INC ↗
- Who funds JEWBELONG INC ↗
- Who funds INTERNATIONAL CENTER OF PHOTOGRAPHY ↗
- Who funds FRIENDS OF THE HIGH LINE INC ↗
- Who funds FOUNDATION FOR CONTEMPORARY ARTS INC ↗
- Who funds LINCOLN CENTER FOR THE PERFORMING ARTS INC ↗
- Who funds MUSEUM OF THE CITY OF NEW YORK ↗
- Who funds ASPEN COMMUNITY FOUNDATION ↗
- Who funds National Gallery of Art ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds EYELLIANCE INC ↗
- Who funds BAILEY HOUSE INC ↗
- Who funds NAACP LEGAL DEFENSE & EDUC FUND INC ↗
- Who funds NEW YORK CITY BALLET INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Horace W Goldsmith Foundation · National Philanthropic Trust · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.