· Private foundation
The Atsuhiko and Ina Goodwin Tateuchi Foundation
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- $10k–50k4 grants · $65k
- $50k–250k4 grants · $320k
| Recipient | Amount |
|---|---|
| THE SEATTLE FOUNDATION | $120,000 |
| JAPANESE AMERICAN NATIONAL MUSEUM | $100,000 |
| SEATTLE SYMPHONY | $50,000 |
| AMERICAN FOUNDATION FOR THE BLIND | $50,000 |
| ASIAN ART MUSEUM OF SAN FRANCISCO | $25,000 |
| PBS HAWAII | $20,000 |
| CHAMBER MUSIC HAWAII | $10,000 |
| JAPAN-AMERICA SOCIETY OF HAWAII | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–24, $105k) land where the poverty rate runs at 7%, against an area that typically sits at 10%. 5% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
17 repeat relationships — 7 still active in FY2024, 10 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SASEATTLE ART MUSEUM3× · 2021–2023 · $700k · revenue +13%
- UOUNIVERSITY OF WASHINGTON FOUNDATION3× · 2020–2022 · $527k · revenue +7%
JAPANESE AMERICAN NATIONAL MUSEUM3× · 2020–2024 · $300k · revenue +53%
Funded once
- BBBELLEVUE BOTANICAL GARDEN SOCIETYgraduatedone grant, 2022 · $250k · revenue +105% · 30% of their budget
- OHOVERLAKE HOSPITAL FOUNDATIONone grant, 2023 · $200k · revenue -15%
- OMOVERLAKE MEDICAL CENTERone grant, 2020 · $95k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To create relevant and transformative experiences through the study, preservation, presentation and creation of art.
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
To present symphonic music of the highest quality in a distinctive way for the cultural enrichment, education, engagement and enjoyment of the people of our community.
To foster international cultural awareness and understanding through the medium of film. to act as a creative pipeline for hawaii and the pacific, showcasing new and emerging talent from hawaii, asia, americas, europe, and the pacific…
Hawaii medical association is dedicated to serving physicians, their patients and community through representation, advocacy, and public service. core activities: advocacy, education
Provide an independent forum for those who dare to read, think, speak, and write to advance the professional, literary, and scientific understanding of sea power and other issues critical to global security.
To promote, sponsor, maintain, develop, improve and protect the annual event known as the honolulu festival and other similar celebrations of cultural understanding, economic cooperation and racial harmony between and among the people of…
The mission of the isamu noguchi foundation and garden museum is to advance the understanding and appreciation of isamu noguchi's art and legacy.the isamu noguchi foundation and garden museum seeks to protect and preserve isamu noguchi's…
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
The school provides instruction to students who are of age to attend the compulsory education system of japan and to students who desire to learn the japanese language compatible with the standard educational curricula in japan; to enable…
For reference, the grantee most central to the portfolio’s shape is Japanese Cultural Center of Hawaii and the most unlike its peers is American Foundation for the Blind Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
20 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 20 of the 29 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds SEATTLE FOUNDATION ↗
- Who funds SEATTLE ART MUSEUM ↗
- Who funds UNIVERSITY OF WASHINGTON FOUNDATION ↗
- Who funds JAPANESE AMERICAN NATIONAL MUSEUM ↗
- Who funds BELLEVUE BOTANICAL GARDEN SOCIETY ↗
- Who funds OVERLAKE HOSPITAL FOUNDATION ↗
- Who funds AMERICAN FOUNDATION FOR THE BLIND INC ↗
- Who funds JAPAN-AMERICA SOCIETY OF HAWAII ↗
- Who funds HAWAII PUBLIC TELEVISION FOUNDATION DBA PBS HAWAII ↗
- Who funds HAWAII SYMPHONY ORCHESTRA ↗
- Who funds WING LUKE MEMORIAL FOUNDATION ↗
- Who funds CHAMBER MUSIC HAWAII ↗
- Who funds HAWAII OPERA THEATRE ↗
- Who funds JAPANESE CULTURAL CENTER OF HAWAII ↗
- Who funds SEATTLE PARKS FOUNDATION ↗
- Who funds THE JAPAN SOCIETY OF NORTHERN CALIFORNIA ↗
- Who funds BELLEVUE COLLEGE FOUNDATION ↗
- Who funds COMMUNITY SCHOOL OF MUSIC AND ARTS ↗
- Who funds Nihonmachi Little Friends ↗
- Who funds JAPANESE AMERICAN MUSEUM OF OREGON ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Kosasa Foundation · Seattle Foundation · John R Halligan Charitable Fund · The Cades Foundation · First Insurance Company of Hawaii Charitable Foundation · Cooke Foundation Limited · Tradewind Group Foundation · Atherton Family Foundation · Puget Sound Energy Foundation · The Bank of America Charitable Foundation Inc · Donor Advised Charitable Giving Inc · American Online Giving Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Atsuhiko and Ina Goodwin Tateuchi Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Japanese American Museum of Oregon — 5% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.