· Private foundation
Stockman Family Foundation Trust
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- $50k–250k4 grants · $546k
- $250k+3 grants · $775k
| Recipient | Amount |
|---|---|
| BRYN MAWR SCHOOL | $275,000 |
| SOUTHERN VERMONT ARTS CENTER | $250,000 |
| WASHINGTON NATIONAL CATHEDRAL | $250,000 |
| HILLWOOD ESTATE MUSEUM AND GARDEN | $200,000 |
| THE NATURE CONSERVANCY | $170,500 |
| THE CONSERVATION FUND | $100,000 |
| FAIRBANKS MUSEUM & PLANETARIUM | $75,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY19–25) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 89% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +27% since the first grant, against +8% for the ones you funded once.
12 repeat relationships — 4 still active in FY2025, 8 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 70% of grant dollars renewed an existing relationship; $350k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- HEHILLWOOD ESTATE MUSEUM & GARDENS5× · 2019–2025 · $777k · revenue +27%
- FMFAIRBANKS MUSEUM & PLANETARIUM6× · 2019–2025 · $657k · revenue +85%
- BSBUFFALO STATE COLLEGE FOUNDATION INC2× · 2019–2022 · $250k · revenue +167%
Funded once
UNIVERSITY OF DELAWAREone grant, 2022 · $250k · revenue +6%- FMFLAGLER MUSEUMone grant, 2024 · $175k
- COCORPORATION OF THE FINE ARTS MUSEUMSone grant, 2024 · $160k · revenue -7%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
Museum has a mission to create opportunties for everyone to experience art that broadens understanding of the past, fosters community connections to the present, and creates diverse possbilities for the future.
See schedule o for the organization's mission statement.please see description for part i, line 1, above.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
Cincinnati museum center inspires people of all ages to learn more about our world through science, regional history, and educational, engaging and meaningful experiences.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
For reference, the grantee most central to the portfolio’s shape is Cincinnati Museum Association and the most unlike its peers is Southern Vermont Arts Center Inc Po Box 617. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
17 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 17 of the 27 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds HILLWOOD ESTATE MUSEUM & GARDENS ↗
- Who funds FAIRBANKS MUSEUM & PLANETARIUM ↗
- Who funds FRANK LLOYD WRIGHT'S MARTIN HOUSE CORPORATION ↗
- Who funds SOUTHERN VERMONT ARTS CENTER INC PO BOX 617 ↗
- Who funds UNIVERSITY OF DELAWARE ↗
- Who funds BUFFALO STATE COLLEGE FOUNDATION INC ↗
- Who funds JOHNS HOPKINS UNIVERSITY ↗
- Who funds THE NATURE CONSERVANCY ↗
- Who funds CORPORATION OF THE FINE ARTS MUSEUMS ↗
- Who funds HYDROCEPHALUS ASSOCIATION ↗
- Who funds CONSTELLATION THEATRE COMPANY ↗
- Who funds THE CONSERVATION FUND A NONPROFIT CORPORATION ↗
- Who funds RINGLING COLLEGE OF ART AND DESIGN INC ↗
- Who funds GEORGIA O'KEEFFE MUSEUM ↗
- Who funds CINCINNATI MUSEUM ASSOCIATION ↗
- Who funds THEATREWASHINGTON ↗
- Who funds ArtsCentric Inc ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Morgan Stanley Global Impact Funding Trust Inc · Donor Advised Charitable Giving Inc · The Bank of America Charitable Foundation Inc · Vanguard Charitable Endowment Program · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Stockman Family Foundation Trust funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- University of Delaware — 30% of income from government
- Johns Hopkins University — 12% of income from government
- Fairbanks Museum & Planetarium — 7% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Stockman Family Foundation Trust?
Find your warmest path to Stockman Family Foundation Trust through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.