· Private foundation
Richard and Mary L Gray Foundation
Its FY2020 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2020.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2020
- Under $10k27 grants · $92k
- $10k–50k13 grants · $285k
- $50k–250k1 grant · $100k
- $250k+2 grants · $7.6M
| Recipient | Amount |
|---|---|
| THE CHICAGO COMMUNITY FOUNDATION | $6,370,664 |
| CHICAGO SYMPHONY ORCHESTRA | $1,197,655 |
| PIERPONT MORGAN LIBRARY | $100,000 |
| ACCESS LIVING OF METROPOLITAN CHICAGO | $40,000 |
| ART INSTITUTE OF CHICAGO | $40,000 |
| REGENTS OF THE UNIVERSITY OF CALIFORNIA | $25,000 |
| NEWBERRY LIBRARY | $25,000 |
| UNIVERSITY OF CHICAGO | $25,000 |
| WINDOW TO THE WORLD COMMUNICATIONS | $25,000 |
| CHICAGO HUMANITIES FESTIVAL | $25,000 |
| LYRIC OPERA OF CHICAGO | $20,000 |
| MUSEUM OF CONTEMPORARY ART | $15,000 |
| BRYN MAWR COLLEGE | $15,000 |
| MUSIC AND DANCE THEATER CHICAGO | $10,000 |
| STEPPENWOLF THEATRE COMPANY | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–20, $16k) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
109 repeat relationships — 39 still active in FY2020, 70 since wound down; 4 grantees were first funded in FY2020 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2020, 20% of grant dollars renewed an existing relationship; $6.4M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
University of Chicago3× · 2017–2020 · $4.8M · revenue +56%- TATHE ART INSTITUTE OF CHICAGO4× · 2017–2020 · $3.9M · revenue +45%
- CSChicago Symphony Orchestra4× · 2017–2020 · $1.4M · revenue +58%
Funded once
- GCGRAY COLLECTION TRUSTone grant, 2017 · $799k · revenue -69%
- UOU OF C GRAY CENTER FOR ARTS & INQUIRYone grant, 2018 · $50k
- MCMUSEUM CAMPUS CORPORATIONone grant, 2017 · $5k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
The arts club of chicago was formed as a means to encourage, foster, and develop higher standards of arts craftsmanship, and to maintain the city of chicago facility for the housing of galleries and exhibitions open to the public and free…
To collect, display and interpret objects in craft art and design.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The music institute of chicago ("music institute") leads people toward a lifelong engagement with music, by providing widely accessible resources for high quality music teaching, performing, and service activities.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The driehaus museum engages and inspires the global community through exploration and ongoing conversations in art, architecture, and design of the late nineteenth and early twentieth centuries. its permanent collection and temporary…
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
To spark curiosity and creativity in all young children through positive, play-based learning experiences.
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
For reference, the grantee most central to the portfolio’s shape is Illinois Humanities Council Inc and the most unlike its peers is Colby College Charitable Tr. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 49 years old; the field is 18. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
127 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 127 of the 157 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds University of Chicago ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds Chicago Symphony Orchestra ↗
- Who funds WINDOW TO THE WORLD COMMUNICATIONS INC ↗
- Who funds GRAY COLLECTION TRUST ↗
- Who funds Chicago Humanities Festival ↗
- Who funds THE NEWBERRY LIBRARY ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds Access Living of Metropolitan Chicago ↗
- Who funds Lyric Opera of Chicago ↗
- Who funds BRYN MAWR COLLEGE ↗
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds CHICAGO SHAKESPEARE THEATER ↗
- Who funds MUSIC AND DANCE THEATER CHICAGO INC ↗
- Who funds STEPPENWOLF THEATRE COMPANY ↗
- Who funds CHICAGO THEATRE GROUP INC ↗
- Who funds THE JOFFREY BALLET ↗
- Who funds LANDMARKS PRESERVATION COUNCIL OF ILLINOIS ↗
- Who funds HUMAN RIGHTS WATCH INC ↗
- Who funds THE SOLTI FOUNDATION US CO Fiona Queen ↗
- Who funds NATIONAL TRUST FOR HISTORIC PRESERVATION IN THE UNITED STATES ↗
- Who funds The Frick Collection ↗
- Who funds HYDE PARK ART CENTER ↗
- Who funds FIELD MUSEUM OF NATURAL HISTORY ↗
- Who funds LOOKINGGLASS THEATRE COMPANY ↗
- Who funds The Chicago Community Trust ↗
- Who funds FAMILY FOCUS LEGACY ↗
- Who funds Kenneth C Griffin Museum of Science and Industry ↗
- Who funds MASTER DRAWINGS ASSOCIATION INC ↗
- Who funds HUBBARD STREET DANCE CHICAGO ↗
- Who funds MADISON SQUARE PARK CONSERVANCY INC ↗
- Who funds THE CHICAGO HIGH SCHOOL FOR THE ARTS ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: John D and Catherine T Macarthur Foundation · The Chicago Community Trust · Lloyd a Fry Foundation · Polk Bros Foundation Inc · Ncrc Community Development Fund Inc · Jewish Federation of Metropolitan Chicago · Arie and Ida Crown Memorial · The Robert Thomas Bobins Foundation · The Irving Harris Foundation · Fulk Family Foundation Inc · Alphawood Foundation · Circle of Service Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Richard and Mary L Gray Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Bennington College Corporation — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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Find your warmest path to Richard and Mary L Gray Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.