· Private foundation
Peters Family Art Foundation
Its FY2020 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2019.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2019
- Under $10k23 grants · $33k
- $10k–50k2 grants · $46k
| Recipient | Amount |
|---|---|
| BUFFALO BILL CENTER OF THE WEST | $30,000 |
| NATIONAL MUSEUM OF WILDLIFE ART | $16,000 |
| DESERT X | $5,000 |
| MUSEUM OF NEW MEXICO FOUNDATION | $3,000 |
| CENTER FOR INITIATIVE IN ARTS & CULTURE | $2,500 |
| THE METROPOLITAN MUSEUM OF ART | $2,500 |
| WILDIZE FOUNDATION | $2,000 |
| Individual grant recipient | $1,500 |
| DISCOVERY EYE FOUNDATION | $1,000 |
| COUSE FOUNDATION | $1,000 |
| TESUQUE VOLUNTEER FIRE DEPARTMENT | $1,000 |
| SANTA FE CHAMBER MUSIC FESTIVAL | $1,000 |
| THE BRINTON MUSEUM | $1,000 |
| SALVATION ARMY OF SANTA FE | $1,000 |
| LA FAMILIA MEDICAL CENTER | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY18–19) land where the poverty rate runs at 11%, against an area that typically sits at 12%. 27% of your dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The santa fe botanical garden celebrates, cultivates and conserves the rich botanical heritage and biodiversity of our region. in partnership with nature, we demonstrate our commitment through education, science, conservation, community…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
Nurture empathy and connection by engaging communities with socially relevant contemporary art
To inspire, educate and cultivate curiosity through great works of art.
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
The figge art museum actively serves the public by promoting appreciation and creation of visual art through education and by collecting, conserving, and exhibiting art. as a vital, responsive institution, the museum brings art and people…
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
For reference, the grantee most central to the portfolio’s shape is Museum of New Mexico Foundation and the most unlike its peers is Friends of Tesuque Vol Fire Dept. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
15 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 15 of the 25 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NATIONAL MUSEUM OF WILDLIFE ART OF THE UNITED STATES ↗
- Who funds PALM SPRINGS ART MUSEUM ↗
- Who funds CENTER FOR INITIATIVES IN ART & CULTURE INC ↗
- Who funds THE DESERT BIENNIAL DBA DESERT X ↗
- Who funds MUSEUM OF NEW MEXICO FOUNDATION ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds DISCOVERY EYE FOUNDATION ↗
- Who funds THE COUSE FOUNDATION ↗
- Who funds FRIENDS OF TESUQUE VOL FIRE DEPT ↗
- Who funds KITCHEN ANGELS INC ↗
- Who funds SANTA FE FARMERS MARKET INSTITUTE ↗
- Who funds LA FAMILIA MEDICAL CENTER ↗
- Who funds SANTA FE CHAMBER MUSIC FESTIVAL LTD ↗
- Who funds THE NEW MUSEUM AT THE BRADFORD BRINTON RANCH ↗
- Who funds SAINT ELIZABETH SHELTER CORPORATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Abeles Foundation · American Endowment Foundation · St Vincent Hospital · Nancy Ann Mellen Foundation · Anchorum St Vincent · Santa Fe Community Foundation · Vanguard Charitable Endowment Program · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · National Philanthropic Trust · Morgan Stanley Global Impact Funding Trust Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Peters Family Art Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Peters Family Art Foundation?
Find your warmest path to Peters Family Art Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.