· Private foundation
Nlt Foundation Inc
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k14 grants · $46k
- $10k–50k17 grants · $227k
| Recipient | Amount |
|---|---|
| MANIFEST CREATIVE RESEARCH GALLERY AND DRAWING CENTER | $27,500 |
| BOYS & GIRLS CLUBS OF GREATER CINCINNATI | $15,000 |
| KIDSINGERS | $15,000 |
| CROWN CINCINNATI | $15,000 |
| COASTAL MOUNTAINS LAND TRUST | $15,000 |
| ORANGE COUNTY COASTKEEPER | $15,000 |
| BOY & GIRLS CLUBS OF DORCHESTER | $15,000 |
| LINTON INCORPORATED | $15,000 |
| CINCINNATI BOYCHOIR | $12,500 |
| CHILDREN'S THEATRE OF CINCINNATI | $11,750 |
| JOY OUTDOOR EDUCATION CENTER FOUNDATION INC | $10,000 |
| CINCINNATI LANDMARK PRODUCTIONS | $10,000 |
| PACIFIC SYMPHONY | $10,000 |
| MAINE COAST FISHERMEN'S ASSOCIATION | $10,000 |
| PRICE HILL WILL | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–24, $33k) land where the poverty rate runs at 16%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +55% since the first grant, against +25% for the ones you funded once.
52 repeat relationships — 20 still active in FY2024, 32 since wound down; 11 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 70% of grant dollars renewed an existing relationship; $81k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- ETENSEMBLE THEATRE OF CINCINNATI7× · 2017–2024 · $63k · revenue +10%
- BGBOYS & GIRLS CLUBS OF GREATER CINCINNATI6× · 2018–2024 · $60k · revenue +381%
- MCManifest Creative Research Gallery3× · 2020–2024 · $45k · revenue +667%
Funded once
- GUGREEN UMBRELLAone grant, 2021 · $30k · revenue -70%
- BDBi-Okoto Drum & Dance Theatreone grant, 2022 · $15k · revenue +17%
- MCMOTHER CAROLINE ACADEMY & EDUCATION CENTERgraduatedone grant, 2021 · $15k · revenue +78%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The CAC is a lab for understanding ourselves, others, and the world around us through the experience and creation of all contemporary art forms.
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
Cincinnati Public Radio is the trusted, independent source of journalism, music and culture empowering a vibrant, engaged and informed community.
Choristers' mission is to provide the highest quality choral music education and performance opportunities to the culturally and economically diverse children and youth of northeast Ohio.
Boston center for the arts (bca) is a not-for-profit performing and visual arts campus that supports working artists to create, perform, and exhibit new works; develops new audiences; and connects the arts to the community.
The Center's mission is to inspire, entertain, educate, and serve all in Northern Michigan year-round by presenting exceptional experiences across the full spectrum of the performing arts and offering impactful educational opportunities.
The mission of Constellation Stage & Screen is to produce world-class theater and film that impacts the national performing arts industry through new work development. Constellation's productions, community events, and education programs…
To educate the public about important art and improving the public's access to it through curated programming.
Occidental Center for the Arts exists to provide a welcoming and accessible venue for the performing and visual arts in Sonoma County California for local regional national and international artists. our mission is to enrich our community…
To provide a vibrant, contemporary cultural center through arts education, exhibitions and community outreach that will inspire creativity and enhance people's lives
To support, in partnership with Cincinnati Public Schools, the School for Creative and Performing Arts near Music Hall.
The District of Columbia Arts Center serves the Washington DC area by presenting high caliber and challenging works. It encourages professionalism among artists by providing a forum for educational and cultural exchange. DCAC was founded…
For reference, the grantee most central to the portfolio’s shape is Arts for Learning Massachusetts Inc and the most unlike its peers is The William a Farnsworth Library and Art Museum Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 28 years old; the field is 19. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 3% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 0.9% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
101 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 101 of the 128 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ENSEMBLE THEATRE OF CINCINNATI ↗
- Who funds Cincinnati Playhouse in the Park ↗
- Who funds BOYS & GIRLS CLUBS OF GREATER CINCINNATI ↗
- Who funds Manifest Creative Research Gallery ↗
- Who funds KIDSINGERS ↗
- Who funds CINCINNATI SHAKESPEARE COMPANY ↗
- Who funds ART OPPORTUNITIES INC ↗
- Who funds LONG BEACH STATE FOUNDATION ↗
- Who funds Orange County Coastkeeper ↗
- Who funds TAFT MUSEUM OF ART ↗
- Who funds LAGUNA ART MUSEUM ↗
- Who funds GREEN UMBRELLA ↗
- Who funds LAGUNA COLLEGE OF ART & DESIGN ↗
- Who funds CINCINNATI NATURE CENTER ↗
- Who funds Coastal Mountains Land Trust ↗
- Who funds ART ACADEMY OF CINCINNATI ↗
- Who funds CINCINNATI BOYCHOIR INC ↗
- Who funds Elementz ↗
- Who funds Ohio River Foundation ↗
- Who funds BOYS & GIRLS CLUBS OF DORCHESTER INC ↗
- Who funds ACTORS' SHAKESPEARE PROJECT ↗
- Who funds ARTS & LEARNING CORPORATION ↗
- Who funds MAKING MUSIC MATTERS INC ↗
- Who funds The Children's Theatre of Cincinnati ↗
- Who funds THE CARNEGIE VISUAL & PERFORMING ARTS CENTER ↗
- Who funds Mutual Dance Theatre and Arts Centers ↗
- Who funds Pacific Symphony ↗
- Who funds ST BOTOLPH CLUB FOUNDATION ↗
- Who funds Activities Beyond the Classroom ↗
- Who funds Maine Coast Heritage Trust ↗
- Who funds BLOC MINISTRIES INC ↗
- Who funds Joy Outdoor Education Center Foundation Inc ↗
- Who funds Cincinnati Chamber Orchestra ↗
- Who funds GET INSPIRED ↗
- Who funds LEAPS OF IMAGINATION INC ↗
- Who funds LINTON INCORPORATED ↗
- Who funds Bi-Okoto Drum & Dance Theatre ↗
- Who funds Imago ↗
- Who funds CIVIC GARDEN CENTER OF GREATER CINCINNATI ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Louise Taft Semple Foundation · The Greater Cincinnati Foundation · Charles H Dater Foundation Inc · Carol Ann and Ralph V Haile Jr Foundation · Andrew Jergens Foundation · Cincinnati Institute of Fine Arts · The Thomas J Emery Memorial · Millstone Fund · John a Schroth Family Char Tr · The Frances R Luther Charitable Trust · Elsa M Heisel Sule Charitable Trust 2005 · Josephine S Russell Charitable
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Nlt Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Balletrox Inc — 15% of income from government
- Boston Music Project Inc — 9% of income from government
- Open Table Inc — 7% of income from government
- Boys & Girls Clubs of Dorchester Inc — 7% of income from government
- South Shore Childrens Chorus Corp — 6% of income from government
- Actors' Shakespeare Project — 6% of income from government
- Musiconnects Inc — 5% of income from government
- Gaining Ground Inc — 5% of income from government
- Arts for Learning Massachusetts Inc — 4% of income from government
- Theatrezone Inc — 3% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Nlt Foundation Inc?
Find your warmest path to Nlt Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.