· Private foundation
Michael and Chandra Rudd Foundation Inc
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k12 grants · $48k
- $10k–50k14 grants · $240k
- $50k–250k1 grant · $110k
| Recipient | Amount |
|---|---|
| INSTITUTE OF CONTEMPORARY ART MIAMI | $110,000 |
| LOUISVILLE ORCHESTRA | $25,000 |
| LOTUS HOUSE SHELTER | $25,000 |
| AMERICAN CIVIL LIBERTIES UNION FOUNDATION OF FLORIDA INC | $25,000 |
| UNIVERSITY OF CALIFORNIA SAN FRANCISCO FOUNDATION | $25,000 |
| SAN FRANCISCO OPERA FOUNDATION | $25,000 |
| GREATER MIAMI JEWISH FEDERATION | $25,000 |
| NEW WORLD SYMPHONY INC | $20,000 |
| THE MARSHALL PROJECT | $10,000 |
| THE MUSEUM OF CONTEMPORARY ART | $10,000 |
| FINE ARTS MUSEUMS OF SAN FRANCISCO | $10,000 |
| UNIVERSITY OF CALIFORNIA BERKELEY FOUNDATION | $10,000 |
| FACING HISTORY FACING OURSELVES | $10,000 |
| THE JOHN & MABLE RINGLING MUSEUM OF ART FOUNDATION INCORPORATED | $10,000 |
| CENTER FOR THE ADVANCEMENT OF JEWISH EDUCATION | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–24) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 82% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
21 repeat relationships — 14 still active in FY2024, 7 since wound down; 12 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 71% of grant dollars renewed an existing relationship; $109k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TLTHE LOUISVILLE ORCHESTRA INC6× · 2018–2024 · $80k · revenue +118%
- TMThe Musical Arts Association3× · 2020–2023 · $60k · revenue +45%
- COCORPORATION OF THE FINE ARTS MUSEUMS7× · 2017–2024 · $47k · revenue +19%
Funded once
- TUTHE UNIVERSITY OF CALIFORNIA BOTANICAL GARDENone grant, 2019 · $9k
- KRKENTUCKY REFUGEE MINISTRIES INCgraduatedone grant, 2018 · $5k · revenue +220%
- TMTHE MUSEUM OF CONTEMPORARY ART LOS ANGELESgraduatedone grant, 2023 · $5k · revenue +74%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
See Form 990, Part I, Line 1, Description of Organization Mission.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The hammer museum at ucla believes in the promise of art and ideas to illuminate our lives and build a more just world.
The specific purpose of this corporation is to: expand knowledge and appreciation of modern and contemporary latin american tine art that has been created since world war ii; to operate a museum; to collect and display latin american…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The museum of contemporary art jacksonville (moca), a cultural institute of the university of north florida, promotes the discovery, knowledge, and advancement of the art, artists, and ideas of our time. moca serves the community and…
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
To collect, display and interpret objects in craft art and design.
For reference, the grantee most central to the portfolio’s shape is Museum of Contemporary Art Inc and the most unlike its peers is Manna Meal Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 49 years old; the field is 12. You back the established end — and your money leans older still.
The field is 27% startups (under 5 years old) — 3% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 17% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
34 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 34 of the 47 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds GREATER MIAMI JEWISH FEDERATION INC ↗
- Who funds INSTITUTE OF CONTEMPORARY ART MIAMI INC ↗
- Who funds PACIFIC VISION FOUNDATION ↗
- Who funds THE LOUISVILLE ORCHESTRA INC ↗
- Who funds SAN FRANCISCO OPERA ASSOCIATION ↗
- Who funds The Musical Arts Association ↗
- Who funds CORPORATION OF THE FINE ARTS MUSEUMS ↗
- Who funds UNIVERSITY OF CALIFORNIA SAN FRANCISCO FOUNDATION ↗
- Who funds AMERICAN CIVIL LIBERTIES UNION FOUNDATION OF FLORIDA INC ↗
- Who funds NEW WORLD SYMPHONY INC ↗
- Who funds DELANCEY STREET CALIFORNIA ↗
- Who funds CENTER FOR THE ADVANCEMENT OF JEWISH EDUCATION ↗
- Who funds JEWISH COMMUNITY OF LOUISVILLE INC ↗
- Who funds THE MARSHALL PROJECT INC ↗
- Who funds THE WOOSTER GROUP INC ↗
- Who funds UNIVERSITY OF CALIFORNIA BERKELEY FOUNDATION ↗
- Who funds THE JOHN & MABLE RINGLING MUSEUM OF ART FOUNDATION INCORPORATED ↗
- Who funds MUSEUM OF CONTEMPORARY ART INC ↗
- Who funds OPERA AMERICA INC ↗
- Who funds MANNA MEAL INC ↗
- Who funds KENTUCKY REFUGEE MINISTRIES INC ↗
- Who funds 1000 FRIENDS OF FLORIDA INC ↗
- Who funds FLORIDA AUDUBON SOCIETY INC ↗
- Who funds THE MUSEUM OF CONTEMPORARY ART LOS ANGELES ↗
- Who funds KENTUCKY RIVER CHILD ADVOCACY CENTE ↗
- Who funds THE SENTENCING PROJECT ↗
- Who funds Merola Opera Program ↗
- Who funds ALICE LLOYD COLLEGE ↗
- Who funds THE MIAMI CENTER FOR RACIAL JUSTICE INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: National Philanthropic Trust · The Lewis and Gladys Bass Family Charitable Foundation · The Gheens Foundation Inc · The Andrew W Mellon Foundation · Vanguard Charitable Endowment Program · The Miami Foundation Inc · Mightycause Charitable Foundation · T Rowe Price Program for Charitable Giving Inc · American Endowment Foundation · Morgan Stanley Global Impact Funding Trust Inc · The Ayco Charitable Foundation · Jpmorgan Chase Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Michael and Chandra Rudd Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- New World Symphony Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Michael and Chandra Rudd Foundation Inc?
Find your warmest path to Michael and Chandra Rudd Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.