· Private foundation
Mary and James G Wallach Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k7 grants · $24k
- $10k–50k2 grants · $40k
- $50k–250k4 grants · $400k
- $250k+2 grants · $3.1M
| Recipient | Amount |
|---|---|
| NEW YORK PHILHARMONIC | $1,865,000 |
| METROPOLITAN MUSEUM OF ART | $1,258,390 |
| WESTCHESTER COMMUNITY COLLEGE FOUNDATION INC | $200,000 |
| INTERNATIONAL RESCUE COMMITTEE INC | $100,000 |
| FEEDING WESTCHESTER | $50,000 |
| FOCUS FOR A FUTURE INC | $50,000 |
| JAPANESE ART SOCIETY OF AMERICA | $30,000 |
| THE METROPOLITAN OPERA | $10,000 |
| HARLEM ACADEMY | $5,000 |
| PAN MASSACHUSETTS CHALLENGE INC | $5,000 |
| NEW YORK YOUTH SYMPHONY INC | $5,000 |
| PLANNED PARENTHOOD OF GREATER NEW YORK | $3,000 |
| NATIONAL PHILANTHROPIC TRUST | $3,000 |
| FRICK COLLECTION | $1,643 |
| AMERICAN JEWISH COMMITTEE | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–21, $25k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
24 repeat relationships — 12 still active in FY2025, 12 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 100% of grant dollars renewed an existing relationship; $7k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TPTHE PHILHARMONIC SYMPHONY SOCIETY OF NY INC7× · 2019–2025 · $10M · revenue +32%
- MMMETROPOLITAN MUSEUM OF ART7× · 2019–2025 · $6.6M · revenue +76%
- IRInternational Rescue Committee INC6× · 2020–2025 · $595k · revenue +63%
Funded once
- MSMEDECINS SANS FRONTIERS USA INC DOCTORS WITHOUT BORDERSone grant, 2020 · $50k
EVERYTOWN FOR GUN SAFETY SUPPORT FUND INCone grant, 2019 · $35k · revenue +10%- SLSLE LUPUS FOUNDATION INCone grant, 2020 · $25k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Nyu is a private university with approximately 60,000 matriculating students in 20 schools and institutes. nyu's primary missions are education, research and scholarship, and patient care.
The institute for advanced study (the institute) is one of the world's leading centers for theoretical research and intellectual inquiry. see schedule o.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
Chartered by a unanimous act of congress, the museum is america's national institution for the documentation, study, interpretation, and education of holocaust history and serves as our country's memorial to the victims of the holocaust.…
To make the mind more curious, the heart more open, and the spirit more joyful through excellent audio programming that is deeply rooted in new york.
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
Bard college seeks to provide a challenging academic program and a supportive environment that fosters a collaborative interchange of ideas in the classroom as well as ambition to achieve excellence.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
To educate students to be ethical and socially responsible leaders in a global community.
The University of New Haven is a student-centered comprehensive university with an emphasis on excellence in liberal arts and professional education. Our mission is to prepare our students to lead purposeful and fulfilling lives in a…
For reference, the grantee most central to the portfolio’s shape is The Philharmonic Symphony Society of Ny Inc and the most unlike its peers is Focus for a Future Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 62 years old; the field is 17. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
54 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 54 of the 64 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE PHILHARMONIC SYMPHONY SOCIETY OF NY INC ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds WESTCHESTER COMMUNITY COLLEGE FOUNDATION INC ↗
- Who funds International Rescue Committee INC ↗
- Who funds CENTRAL PARK CONSERVANCY INC ↗
- Who funds THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK ↗
- Who funds JAPANESE ART SOCIETY OF AMERICA INC ↗
- Who funds LUPUS RESEARCH ALLIANCE INC ↗
- Who funds FEEDING WESTCHESTER INC ↗
- Who funds FOCUS FOR A FUTURE INC ↗
- Who funds WNET ↗
- Who funds EVERYTOWN FOR GUN SAFETY SUPPORT FUND INC ↗
- Who funds SEVENTH REGIMENT ARMORY CONSERVANCY INC ↗
- Who funds ANTI-DEFAMATION LEAGUE ↗
- Who funds THE CARNEGIE HALL CORPORATION ↗
- Who funds FRIENDS OF THE WORLD FOOD PROGRAM INC ↗
- Who funds NATIONAL PHILANTHROPIC TRUST ↗
- Who funds NEW YORK BOTANICAL GARDEN ↗
- Who funds THE ROCKEFELLER UNIVERSITY ↗
- Who funds PAN-MASSACHUSETTS CHALLENGE INC ↗
- Who funds CITY HARVEST INC ↗
- Who funds New York Historical Society ↗
- Who funds PLANNED PARENTHOOD OF GREATER NEW YORK INC ↗
- Who funds AMERICAN JEWISH COMMITTEE ↗
- Who funds PREP FOR PREP ↗
- Who funds JUILLIARD SCHOOL ↗
- Who funds THE INTERNATIONAL COUNCIL OF THE MUSEUM OF MODERN ART INC ↗
- Who funds THE HOWARD UNIVERSITY ↗
- Who funds American Museum of Natural History ↗
- Who funds NEW YORK YOUTH SYMPHONY INC ↗
- Who funds American National Red Cross & Its Constituent Chapters and Branches ↗
- Who funds GIFFORDS LAW CENTER TO PREVENT GUN VIOLENCE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: National Philanthropic Trust · American Endowment Foundation · Vanguard Charitable Endowment Program · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Mary and James G Wallach Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Pan-Massachusetts Challenge Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Mary and James G Wallach Foundation?
Find your warmest path to Mary and James G Wallach Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.