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Plinth

· Private foundation

Marieluise Hessel Foundation

Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.

$539k
Granted FY2024still arriving
5
Grants FY2024still arriving
2
States reached
$520k
Largest
01What you fund
0196% classified

What you funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year — across FY20172024.

Arts & Culture$34MPhilanthropy$11kHealth$10kOther$0
02FY2024 · 5 grants

Where the money goes

Your grants by size, and where they go.

By grant size · FY2024

  • Under $10k3 grants · $9k
  • $10k–50k1 grant · $10k
  • $250k+1 grant · $520k
$5,000
Median grant
2
States reached
$44M
Total assets
Largest grants
RecipientAmount
BARD COLLEGE-CENTER FOR CURATORIAL STUDIES$520,000
JUPITER MEDICAL CENTER FOUNDATION$10,000
ARTTABLE$5,000
RED HOOK RESPONDS INC$3,000
PARK AVENUE ARMORY$500
02The need
03

Do your dollars go where the need is?

Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.

show:

Dollar for dollar, your grants (FY17–24) land where the poverty rate runs at 9%, against an area that typically sits at 10%. 0% of your dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.

area typical 10%ROSE ART MUSEUM AT BRANDEIS UNIVERSITY: $5k → 8%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $26.1M → 9%THE ASCIENZO FAMILY FOUNDATION: $2k → 16%PERFORMA: $1k → 17%JUPITER MEDICAL CENTER FOUNDATION: $10k → 11%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $1.7M → 9%WHITE COLUMNS INC: $5k → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $1.7M → 9%ARTTABLE: $5k → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $1.2M → 9%STUDIO MUSEUM IN HARLEM: $1k → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $1.1M → 9%STUDIO MUSEUM IN HARLEM: $1k → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $784k → 9%SWISS INSTITUTE: $1k → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $645k → 9%PARK AVENUE ARMORY: $500 → 17%BARD COLLEGE-CENTER FOR CURATORIAL STUDIES: $520k → 9%THE SOLOMAN R GUGGENHEIM MUSEUM AND FOUNDATION: $5k → 17%RED HOOK RESPONDS INC: $3k → 9%PARTICIPANT INC: $5k → 17%RED HOOK RESPONDS INC: $3k → 9%THE DRAWING CENTER: $5k → 17%RED HOOK RESPONDS INC: $3k → 9%ARTISTS SPACE: $3k → 17%THE DRAWING CENTER: $1k → 17%INDEPENDENT CURATORS INTERNATIONAL: $1k → 17%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount

Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.

US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.

03Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

100%of every dollar goes to organizations you’ve funded before.
$34M · 3 repeat orgs$45k to everyone else

And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +33% since the first grant, against +31% for the ones you funded once.

3 repeat relationships — 2 still active in FY2024, 1 since wound down; 3 grantees were first funded in FY2024 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

3
10

Total granted

$34M
$30k

Median revenue growth · since first grant

+33%
+31%

Still filing today

67%
80%

New vs renewed · share of each year

In FY2024, 97% of grant dollars renewed an existing relationship; $16k went to new ones.

50%100%’17’18’19’20’21’22’23’24
RenewedFirst-time

Where new relationships form · theme of each grantee’s first grant

’17’18’19’20’21’22’23’24
Arts & CulturePhilanthropyPublic BenefitOther

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.

Backed again, and grew

  • BC
    BARD COLLEGE-CENTER FOR CURATORIAL STUDIES
    8× · 2017–2024 · $34M
  • RH
    RED HOOK RESPONDS INCORPORATED
    3× · 2022–2024 · $9k · revenue +22%
  • TD
    THE DRAWING CENTER INC
    2× · 2021–2022 · $6k · revenue +33%

Funded once

  • PI
    PARTICIPANT INCgraduated
    one grant, 2022 · $5k · revenue +146%
  • WC
    WHITE COLUMNS INC
    one grant, 2022 · $5k · revenue -29%
  • RA
    ROSE ART MUSEUM AT BRANDEIS UNIVERSITY
    one grant, 2022 · $5k

Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.

04Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
Kadist Collection Manager Inc
Arts & Culture
2
Berggruen Institute
Education
3
International Contemporary Art Foundatio
Arts & Culture
4
The Neue Galerie New York
Arts & Culture
5
Institute of Contemporary Art Miami Inc

The institute of contemporary art, miami (ica miami), is dedicated to promoting the work of contemporary artists, and to the exchange of art and ideas throughout the miami region and internationally. through an energetic calendar of…

Arts & Culture
6
California Institute of Contemporary Art
7
The Florence Center for Contemporary Music
Arts & Culture
8
Artpace Inc (Audit)

Artpace san antonio is a nonprofit residency program which supports texas, national, and international artists in the creation of new art. see schedule o for continuation.

Arts & Culture
9
San Francisco Museum of Modern Art

See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…

Arts & Culture
10
Museum of the City of New York

The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…

Arts & Culture
11
Matthew and Iris Strauss Family Foundation Inc
Arts & Culture
12
The Sculpture Center Inc

See schedule osculpturecenter leads the conversation on contemporary art by supporting artistic innovation and independent thought highlighting sculpture's specific potential to change the way we engage with the world. positioning artists'…

Arts & Culture

For reference, the grantee most central to the portfolio’s shape is Artists Space Inc and the most unlike its peers is The Ascienzo Family Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

04the grantee network

12 grantees tracked through their own filings, 2017–2025.

Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 20172025, not grant rows in a single year — so this will not match the grant count on the cover. 12 of the 16 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.

0
Load-bearing (≥25% of a budget)
2
Early backer (in before they grew)
12/12
Grantees still filing
8/12
Grew since you first funded

Where your money sits — by cause, then by grantee

BARD COLLEGE-CENTER FOR CURATORIAL STUDIES — $33,703,118 · OtherBARD COLLEGE-CENTER FOR CURATORIAL STUDIES+3 more — $10,350 · OtherTHE DRAWING CENTER INC — $6,000 · Arts & CulturePARTICIPANT INC — $5,000 · Arts & CultureWHITE COLUMNS INC — $5,000 · Arts & CultureARTISTS SPACE INC — $3,000 · Arts & CultureTHE STUDIO MUSEUM IN HARLEM — $2,026 · Arts & CultureINDEPENDENT CURATORS INTERNATIONAL — $1,000 · Arts & CultureSWISS INSTITUTE — $1,000 · Arts & CulturePERFORMA INC — $1,000 · Arts & CultureJupiter Medical Center Foundation Inc — $10,000 · PhilanthropyRED HOOK RESPONDS INCORPORATED — $9,000 · PhilanthropyTHE ASCIENZO FAMILY FOUNDATION — $2,000 · PhilanthropyARTTABLE INC — $5,000 · Public Benefit
Other$33,713,468Arts & Culture$24,026Philanthropy$21,000Public Benefit$5,000

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%$1.0M$10Mgrantee revenue →↑ your share of their budgetJupiter Medical Center Foundation Inc — $10,000 over 1y, 0.0% of budgetRED HOOK RESPONDS INCORPORATED — $9,000 over 3y, 1.9% of budgetTHE DRAWING CENTER INC — $6,000 over 2y, 0.1% of budgetPARTICIPANT INC — $5,000 over 1y, 0.7% of budgetWHITE COLUMNS INC — $5,000 over 1y, 0.3% of budgetARTTABLE INC — $5,000 over 1y, 0.9% of budgetARTISTS SPACE INC — $3,000 over 1y, 0.1% of budgetTHE STUDIO MUSEUM IN HARLEM — $2,026 over 1y, 0.0% of budgetTHE ASCIENZO FAMILY FOUNDATION — $2,000 over 1y, 0.7% of budgetINDEPENDENT CURATORS INTERNATIONAL — $1,000 over 1y, 0.1% of budgetSWISS INSTITUTE — $1,000 over 1y, 0.0% of budgetPERFORMA INC — $1,000 over 1y, 0.0% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

The Andy Warhol Foundation for the Visual Arts IncNY17.8× affinity6 shared granteesties to 10 of 10Hover any node to trace its alignments.Compare side by side →

Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · Via Art Fund Inc · Arison Arts Foundation · The Judelson Family Foundation · Ag Foundation · National Philanthropic Trust · Morgan Stanley Global Impact Funding Trust Inc · Vanguard Charitable Endowment Program · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

Government reliance of your grantees

Every dot is one organization Marieluise Hessel Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.

2024
202122232425
no gov · 10%0%1%3%5%your share of their income ↑0%4%8%11%15%share of the org’s income from government
    no gov moneyreceives it· size = income
    1get no government money at all
    5report government grants on their 990 we could not trace to a source (not plotted)
    0rely on government for over half their income
    ⤢ axis zoomed · 0–15%
    typical government reliance, FY2025

    Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.

    On method. Every financial figure here is read directly from IRS e-file XML — your own 990/990-PF and the multi-year returns of the 16 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year)— each linked to its source. Grantee achievements and outcomes are each organization’s own program-service reporting (Form 990, Part III); we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

    Generated from your IRS Form 990-PF e-file return for fiscal year 2024, released 2024. Filings run roughly 12–24 months behind; figures are dated accordingly.

    Source object · view filing

    More from the funding graph