· Private foundation
George & Ada Ultch Memorial Fund
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| SUPPORT KANSAS CITY INC | $2,500 |
| KANSAS CITY PUBLIC SCHOOLS EDUCATION FOUNDATION | $2,000 |
| BASE ACADEMY OF MUSIC | $1,700 |
| KANSAS CITY ARTISTS COALITION | $1,500 |
| THE RABBIT HOLE KC | $1,500 |
| THEATRE IN THE PARK | $1,500 |
| SECRET ORDER OF THE KEY INCORPORATED | $1,500 |
| CROSS-LINES COMMUNITY OUTREACH INC | $1,500 |
| FRIENDSHIP INN KC INC | $1,500 |
| BISHOP SULLIVAN CENTER INC 052196 | $1,500 |
| LAZARUS MINISTRIES KC | $1,500 |
| KANSAS CITY BALLET ASSOCIATION | $1,014 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $27k) land where the poverty rate runs at 9%, against an area that typically sits at 8%. 40% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +65% since the first grant, against +24% for the ones you funded once.
9 repeat relationships — 3 still active in FY2025, 6 since wound down; 9 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 29% of grant dollars renewed an existing relationship; $14k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SKSupport Kansas City Inc6× · 2019–2025 · $15k · revenue +33%
- KCKANSAS CITY BALLET ASSOCIATION3× · 2021–2025 · $4k · revenue +65%
- KCKANSAS CITY PUBLIC SCHOOLS EDUCATION FOUNDATION2× · 2022–2025 · $4k · revenue +176%
Funded once
- NCNORTHEAST COMMUNITY CENTERgraduatedone grant, 2021 · $6k · revenue +53%
- KCKansas City Music Foundationone grant, 2019 · $2k
- UIUNITED INNER CITY SERVICES DBA EARLYSTARTone grant, 2024 · $2k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Kansas City Public Theatre provides access to the arts through year-round theatre entertainment free of charge to the public This mission is carried out in two activities first by producing aesthetically and ideologically diverse new works…
Our mission is to attract diverse people, nuture artists, and strengthen kansas city economically by producing cultural, education, accessible, and affordable events that connect audiences, artists, businesses, and civic organizations. the…
To enrich the lives of everyone in our community through extraordinary and diverse performing arts experiences. these experiences are provided through programs, customer service, and education.(continued on schedule o)programs: showcase a…
The performance of fine classical music in both public and education outreach program concerts, utilizing talented local musicians, and frequently in partnership with other arts and community organizations.
The mission of the arts council of metropolitan kansas city (dba artskc - regional arts council) is to advance lives through the arts. it does this through key initiatives that support our work: we bring together people, resources and…
To inspire, entertain and open minds by creating transformative theatre experiences for all.
To provide advocacy services to LGBTQ victims and survivors of domestic violence, sexual assault, and hate crimes.
KC Tenants organizes to ensure that everyone in Kansas City has a safe, accessible, and truly affordable home.
Arts programs for community building
The Kansas City Jazz Orchestra is dedicated to promoting the rich culture of Kansas City through performance and education. We strive to be a leading voice, ensuring that Kansas City's influential jazz tradition continues to thrive and…
For reference, the grantee most central to the portfolio’s shape is Kansas City Young Audiences Inc and the most unlike its peers is Odessa Community Service Center. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 21 years old; the field is 21. You back the younger end — and your money leans older still.
The field is 19% startups (under 5 years old) — 4% of your grantees by number, and just 3% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
44 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 44 of the 61 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Support Kansas City Inc ↗
- Who funds NORTHEAST COMMUNITY CENTER ↗
- Who funds KANSAS CITY BALLET ASSOCIATION ↗
- Who funds KANSAS CITY PUBLIC SCHOOLS EDUCATION FOUNDATION ↗
- Who funds MUSIC-ARTS INSTITUTE ↗
- Who funds RAINBOW CENTER FOR COMMUNICATIVE DISORDERS ↗
- Who funds KC MOTHERS IN CHARGE ↗
- Who funds BLACK REPERTORY THEATRE OF KANSAS CITY ↗
- Who funds Uzazi Village ↗
- Who funds BASE ACADEMY OF MUSIC ↗
- Who funds DELLA LAMB COMMUNITY SERVICES ↗
- Who funds CREDIT & HOMEOWNERSHIP EMPOWERMENT SERVICES ↗
- Who funds FRIENDSHIP INN KC INC ↗
- Who funds Amethyst Place Inc ↗
- Who funds ARTISTS HELPING THE HOMELESS INC ↗
- Who funds RIVER OF REFUGE ↗
- Who funds Heartland Chamber Music LTD ↗
- Who funds KANSAS CITY ARTISTS COALITION INC ↗
- Who funds LAZARUS MINISTRIES KC ↗
- Who funds THE ART IN THE LOOP FOUNDATION ↗
- Who funds THE RABBIT HOLE KC ↗
- Who funds Secret Order Of The Key Incorporated ↗
- Who funds KANSAS CITY YOUNG AUDIENCES INC ↗
- Who funds METROPOLITAN ENSEMBLE THEATRE ↗
- Who funds MIDWEST INNOCENCE PROJECT INC ↗
- Who funds PRESSER ARTS CENTER ↗
- Who funds Kansas City Hospice Inc ↗
- Who funds GREATER KANSAS CITY FRIENDS OF FISH ↗
- Who funds Bishop Sullivan Center Inc ↗
- Who funds BAND OF ANGELS CORP ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Greater Kansas City Community Foundation · The Francis Family Foundation · Muriel McBrien Kauffman Family Foundation · Ewing Marion Kauffman Foundation · Health Forward Foundation · The H & R Block Foundation · United Way of Greater Kansas City Inc · Commerce Bancshares Foundation · Richard J Stern Foundation for the Arts Commerce Bank Trustee · Oppenstein Brothers Foundation · Metropolitan Arts Council of Greater Kansas City · R a Long Foundation 600 Plaza West Bldg
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization George & Ada Ultch Memorial Fund funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.