· Private foundation
Richard J Stern Foundation for the Arts Commerce Bank Trustee
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k19 grants · $96k
- $10k–50k41 grants · $827k
- $50k–250k14 grants · $1.5M
- $250k+1 grant · $300k
| Recipient | Amount |
|---|---|
| KANSAS CITY SYMPHONY | $300,000 |
| LYRIC OPERA OF KANSAS CITY INC | $200,000 |
| LYRIC OPERA OF KANSAS CITY INC | $200,000 |
| LYRIC OPERA OF KANSAS CITY INC | $200,000 |
| PERFORMING ARTS FOUNDATION OF KANSAS CITY DBA FOLLY THEATER | $178,677 |
| KANSAS CITY ART INSTITUTE | $125,000 |
| WILLIAM JEWELL COLLEGE (HARRIMAN-JEWELL SERIES) | $100,000 |
| NELSON GALLERY FOUNDATION | $100,000 |
| KAUFFMAN CENTER FOR THE PERFORMING ARTS | $80,000 |
| KANSAS CITY ART INSTITUTE | $65,000 |
| KANSAS CITY BALLET ASSOCIATION | $60,000 |
| NELSON GALLERY FOUNDATION | $50,000 |
| UNICORN THEATRE | $50,000 |
| KANSAS CITY REPERTORY THEATRE INC | $50,000 |
| LYRIC OPERA OF KANSAS CITY INC | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY20–25) land where the poverty rate runs at 14%, against an area that typically sits at 7%. 99% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +52% since the first grant, against +12% for the ones you funded once.
60 repeat relationships — 50 still active in FY2025, 10 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 98% of grant dollars renewed an existing relationship; $43k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- LOLYRIC OPERA OF KANSAS CITY INC6× · 2020–2025 · $4.0M · revenue +76%
- KCKANSAS CITY SYMPHONY6× · 2020–2025 · $2.1M · revenue +21%
- KCKANSAS CITY BALLET ASSOCIATION6× · 2020–2025 · $908k · revenue +91%
Funded once
- USUNION STATION KANSAS CITY INCone grant, 2023 · $50k · revenue +12%
- TRTHE RABBIT HOLE KCgraduatedone grant, 2021 · $25k · revenue +111%
- DGDO GOOD PRODUCTIONS INCgraduatedone grant, 2021 · $15k · revenue ×23
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Kansas City Public Theatre provides access to the arts through year-round theatre entertainment free of charge to the public This mission is carried out in two activities first by producing aesthetically and ideologically diverse new works…
The performance of fine classical music in both public and education outreach program concerts, utilizing talented local musicians, and frequently in partnership with other arts and community organizations.
The kansas city atrtists coalition is a nonprofit organization that promotes visual arts awareness
To bring the best of the performing arts to the Kansas City community.
Our mission is to attract diverse people, nuture artists, and strengthen kansas city economically by producing cultural, education, accessible, and affordable events that connect audiences, artists, businesses, and civic organizations. the…
The mission of the lees summit symphony orchestra is to provide excellent musical experiences that enhance the quality of life for the community.
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
Kpc provides a gathering place where people come together to express themselves creatively, exchange ideas, share culture and connect with one another
Providing innovative works of one act and chamber operas for the public at large, and free or low cost performances for schools and nursing homes.
The kansas city civic orchestra, founded in 1959 by a group of local musicians to give themselves and other musicians an opportunity to perform in an orchestra, to provide community enrichment, interaction, and experience with symphonic…
The mission of Omaha Performing Arts is to enrich the community through presentation of the highest quality arts and entertainment experiences; education and community engagement programs; and stewardship of three world-class venues - the…
For reference, the grantee most central to the portfolio’s shape is Kansas City Young Audiences Inc and the most unlike its peers is Wylliams-Henry Productions. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 34 years old; the field is 24. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
62 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 62 of the 81 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds LYRIC OPERA OF KANSAS CITY INC ↗
- Who funds KANSAS CITY SYMPHONY ↗
- Who funds KANSAS CITY BALLET ASSOCIATION ↗
- Who funds KANSAS CITY ART INSTITUTE ↗
- Who funds THE NELSON GALLERY FOUNDATION ↗
- Who funds KAUFFMAN CENTER FOR THE PERFORMING ARTS ↗
- Who funds KANSAS CITY REPERTORY THEATRE INC ↗
- Who funds PERFORMING ARTS FOUNDATION OF KANSAS CITY ↗
- Who funds PARK UNIVERSITY ↗
- Who funds CHARLOTTE STREET FOUNDATION ↗
- Who funds UNICORN THEATRE ↗
- Who funds STARLIGHT THEATRE ASSOCIATION OF KANSAS CITY INC ↗
- Who funds KANSAS CITY CHORALE ↗
- Who funds ENGLEWOOD ARTS ↗
- Who funds THE COTERIE INC ↗
- Who funds KANSAS CITY YOUNG AUDIENCES INC ↗
- Who funds Greater Kansas City Community Foundation ↗
- Who funds KANSAS CITY ACTORS THEATRE INC ↗
- Who funds THE YOUTH SYMPHONY ASSOCIATION ↗
- Who funds Arts Engagement Foundation of Kansas City ↗
- Who funds KEMPER MUSEUM OPERATING FOUNDATION ↗
- Who funds KANSAS CITY FRIENDS OF ALVIN AILEY ↗
- Who funds THE STUDIOS INC ↗
- Who funds HEART OF AMERICA SHAKESPEARE FESTIVAL ↗
- Who funds METROPOLITAN ARTS COUNCIL OF GREATER KANSAS CITY ↗
- Who funds OWEN COX DANCE GROUP ↗
- Who funds THE FRIENDS OF CHAMBER MUSIC ↗
- Who funds MUSIC-ARTS INSTITUTE ↗
- Who funds MUSICAL THEATER HERITAGE INC ↗
- Who funds HEARTLAND MENS CHORUS ↗
- Who funds JOHNSON COUNTY COMMUNITY COLLEGE FOUNDATION ↗
- Who funds Mid-America Arts Alliance ↗
- Who funds Wylliams-Henry Productions ↗
- Who funds NORTHEAST COMMUNITY CENTER ↗
- Who funds BACH ARIA SOLOISTS INC ↗
- Who funds KANSAS CITY JAZZ ORCHESTRA ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Muriel McBrien Kauffman Family Foundation · The Francis Family Foundation · Greater Kansas City Community Foundation · Jewish Community Foundation of Greater Kansas City · Metropolitan Arts Council of Greater Kansas City · The H & R Block Foundation · Copaken Family Foundation · The Sunderland Foundation · William T Kemper Foundation Commerce Bank Trustee · The Estelle S and Robert a Long Ellis Foundation · Miller-Mellor Association · R a Long Foundation 600 Plaza West Bldg
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Richard J Stern Foundation for the Arts Commerce Bank Trustee funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.