· Private foundation
Edlis - Neeson Foundation Nfp
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k2 grants · $8k
- $10k–50k4 grants · $67k
- $50k–250k3 grants · $369k
- $250k+4 grants · $10M
| Recipient | Amount |
|---|---|
| MUSEUM OF CONTEMPORARY ART | $9,000,000 |
| LYRIC OPERA OF CHICAGO | $528,000 |
| ASPEN ART MUSEUM | $480,000 |
| Individual grant recipient | $329,300 |
| MUSEUM OF CONTEMPORARY ART | $200,000 |
| THE ASPEN INSTITUTE | $85,500 |
| NEW MUSEUM | $83,750 |
| RENAISSANCE SOCIETY | $25,000 |
| WHITNEY MUSEUM OF AMERICAN ART | $20,000 |
| TATE AMERICAS FOUNDATION | $12,000 |
| CIRCLE OF HOPE - WELLSPRING HEALTH ACCESS (87-1195144) | $10,000 |
| ANDERSON RANCH ART CENTER | $5,000 |
| ASPEN PUBLIC RADIO | $2,500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY17–19, $111k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
29 repeat relationships: 11 still active in FY2025, 18 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 100% of grant dollars renewed an existing relationship; $10k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- MOMUSEUM OF CONTEMPORARY ART8× · 2017–2025 · $10M · revenue +0% · 37% of their budget
- NMNew Museum of Contemporary Art9× · 2017–2025 · $4.6M · revenue +6%
- LOLyric Opera of Chicago8× · 2017–2025 · $3.2M · revenue +33%
Funded once
- DCDIA CENTER FOR THE ARTS INCgraduatedone grant, 2017 · $502k · revenue +150%
AMERICAN CIVIL LIBERTIES UNION FOUNDATION INCgraduatedone grant, 2017 · $100k · revenue +102%- AFAMERICAN FRIENDS OF UNRWA ASSOCIATIONone grant, 2017 · $100k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
To collect, display and interpret objects in craft art and design.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The mission of the organization is to foster the development of creative individuals as writers and artists and to promote public appreciation of excellence in the literary and graphic arts by publishing a magazine containing fiction,…
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
The international center of photography is a museum and school dedicated to the understanding and appreciation of photography. icp creates programs of the highest quality to advance knowledge of the medium. these include exhibitions,…
Guided by artists, rooted in new mexico, site santa fe celebrates contemporary creative expression.
Rooted in the liberal arts & sciences & lutheran expression of the christian faith, & is committed to offering a challenging education that develops qualities of mind, spirit, & body necessary for a rewarding life of leadership & service…
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
Our mission is to educate, inspire, and empower creative and design leaders.
How this is measured
45 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 45 of the 62 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds New Museum of Contemporary Art ↗
- Who funds Lyric Opera of Chicago ↗
- Who funds ASPEN ART MUSEUM ↗
- Who funds CHICAGO OPERA THEATER ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds CHICAGO PUBLIC MEDIA INC ↗
- Who funds THE ABRAHAM INITIATIVES INC ↗
- Who funds FRIENDS OF THE JEWISH MUSEUM OF VIENNA INC ↗
- Who funds TATE AMERICAS FOUNDATION ↗
- Who funds CHICAGO ARCHITECTURE BIENNIAL INC ↗
- Who funds AMERICAN CIVIL LIBERTIES UNION FOUNDATION INC ↗
- Who funds ANDERSON RANCH ARTS CENTER ↗
- Who funds Americans for the Arts Inc ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds CHICAGO FOUNDATION FOR WOMEN ↗
- Who funds NPR FOUNDATION ↗
- Who funds THE BUDDY PROGRAM INC ↗
- Who funds Sundance Institute ↗
- Who funds THE ROGER BALDWIN FOUNDATION OF ACLU INC ↗
- Who funds UNIVERSITY OF COLORADO FOUNDATION ↗
- Who funds J STREET ↗
- Who funds CROW CANYON ARCHAEOLOGICAL CENTER ↗
- Who funds PLANNED PARENTHOOD FEDERATION OF AMERICA INC ↗
- Who funds Pathfinders ↗
- Who funds ROCKY MOUNTAIN PLANNED PARENTHOOD INC ↗
- Who funds DALLAS CONTEMPORARY ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Chicago Community Trust · Jewish Communal Fund · The Broad Art Foundation · Cardinal Four Foundation Inc · Arison Arts Foundation · The Cowles Charitable Trust · John D and Catherine T Macarthur Foundation · The Ayco Charitable Foundation · National Philanthropic Trust · Vanguard Charitable Endowment Program · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · Morgan Stanley Global Impact Funding Trust Inc
How this is measured
How much its grantees rely on government
Each dot is one organization Edlis - Neeson Foundation Nfp funds: left to right is the share of its income from government, bottom to top the share from Edlis - Neeson Foundation Nfp. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
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Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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