· Private foundation
Doris Duke Foundation for Islamic Art
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- $10k–50k3 grants · $85k
- $50k–250k14 grants · $1.3M
- $250k+5 grants · $2.9M
| Recipient | Amount |
|---|---|
| CENTER FOR ASIAN AMERICAN MEDIA | $913,000 |
| PEW RESEARCH CENTER | $531,250 |
| UNIVERSITY OF SOUTHERN CALIFORNIA | $530,000 |
| CENTER FOR CULTURAL AND TECHNICAL INTERCHANGE BETWEEN EAST AND WEST | $500,000 |
| SUNDANCE INSTITUTE | $435,000 |
| GAMES FOR CHANGE INC | $200,000 |
| ISLAMIC SCHOLARSHIP FUND | $173,000 |
| EL HIBRI FOUNDATION | $128,386 |
| THE NEW SCHOOL | $125,000 |
| FILM MAKERS COLLABORATIVE INCORPORATED | $100,000 |
| THE PEW CHARITABLE TRUSTS | $100,000 |
| FILM MAKERS COLLABORATIVE INCORPORATED | $100,000 |
| INTERNATIONAL DOCUMENTARY ASSOCIATION INC | $83,000 |
| INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS FOUNDATION | $50,000 |
| CENTER FOR ASIAN AMERICAN MEDIA | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–22, $586k) land where the poverty rate runs at 10%, against an area that typically sits at 10%. 62% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 18% of Doris Duke Foundation for Islamic Art’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +24% since the first grant, against +17% for the ones you funded once.
51 repeat relationships — 12 still active in FY2024, 39 since wound down; 7 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 52% of grant dollars renewed an existing relationship; $1.8M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- CFCenter for Asian American Media3× · 2021–2024 · $2.3M · revenue +88% · 29% of their budget
- TFTHE FILMMAKERS COLLABORATIVE INC4× · 2020–2024 · $633k · revenue +167%
- EFEL-HIBRI FOUNDATION4× · 2020–2024 · $605k · revenue +17%
Funded once
- MPMUSLIM PUBLIC AFFAIRS COUNCIL FOUNDATIONone grant, 2023 · $660k · revenue +1%
- SAST ANN'S WAREHOUSE INCone grant, 2022 · $250k · revenue -16%
- FTFiji Theater Company Inc dba Ping Chong and Companyone grant, 2021 · $125k · revenue +17%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To invest in america's finest artists and illuminate the value of artists to society.
Siff is a seattle-based 501(c)(3) arts nonprofit dedicated to the creation of vibrant experiences and spaces that champion film discovery and arts education.
Stages makes plays and tells stories that invite everyone to live more deeply and love more boldly.
To collect, display and interpret objects in craft art and design.
To produce bold theatre experiences that reach across artistic, physical and social boundries. We aim to increase empathy and open-mindedness by illuminating nuanced perspectives and unspoken truths behind the salient issues of our time.…
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
The moving picture institute is a nonprofit production company and talent incubator that creates high-impact films designed to entertain, inspire, and educate audiences with captivating stories about human freedom.
Utah film center inspires and engages diverse audiences to initiate conversation and community building through curated film exhibition, educational programs, and artist support.
Arts Midwest works collaboratively with private and public arts supporters to support, inform, and celebrate arts organizations and creative communities across the Midwest. Our mission is to build unprecedented opportunity across the…
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
Established in 1971, the mission of the new york foundation for the arts (nyfa) is to empower artists in all disciplines, as well as cultural workers, to achieve success on their own terms by providing critical support, resources, and…
Provision of pro bono legal and consulting services to qualifying individuals/companies in the creative arts.
For reference, the grantee most central to the portfolio’s shape is The Aspen Institute Inc and the most unlike its peers is ART120. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 38 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
81 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 81 of the 91 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Center for Asian American Media ↗
- Who funds CHAPEL & YORK US FOUNDATION INC ↗
- Who funds AMERICAN UNIVERSITY ↗
- Who funds MUSLIM PUBLIC AFFAIRS COUNCIL FOUNDATION ↗
- Who funds HONOLULU MUSEUM OF ART ↗
- Who funds THE FILMMAKERS COLLABORATIVE INC ↗
- Who funds EL-HIBRI FOUNDATION ↗
- Who funds STORYCORPS INC ↗
- Who funds The Pew Charitable Trusts ↗
- Who funds HIGHLIGHTS FOUNDATION INC ↗
- Who funds Pew Research Center ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds WORLD TRADE CENTER PERFORMING ARTS CENTER INC ↗
- Who funds CENTER FOR CULTURAL & TECHNICAL INTERCHANGE BTWN EAST & WEST INC ↗
- Who funds INSTITUTE FOR SOCIAL POLICY AND UNDERSTANDING ↗
- Who funds INTERNATIONAL WOMEN'S MEDIA FOUNDATION ↗
- Who funds Sundance Institute ↗
- Who funds SOMALI FAMILY SERVICE OF SAN DIEGO ↗
- Who funds Starfish Accelerator Foundation ↗
- Who funds OLD TOWN SCHOOL OF FOLK MUSIC ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds THE TRUST FOR PUBLIC LAND ↗
- Who funds JANNUS INC ↗
- Who funds PROTEUS FUND INC ↗
- Who funds UNITY PRODUCTIONS FOUNDATION ↗
- Who funds LUTHERAN FAMILY SERVICES OF NE INC ↗
- Who funds Islamic Scholarship Fund ↗
- Who funds INTERNATIONAL DOCUMENTARY FOUNDATION INC ↗
- Who funds COMMONWEALTH THEATRE CENTER INC ↗
- Who funds THE CONNECTICUT PLAYERS FOUNDATION INC D/B/A LONG WHARF THEATRE ↗
- Who funds The New School ↗
- Who funds ST ANN'S WAREHOUSE INC ↗
- Who funds INNER-CITY MUSLIM ACTION NETWORK ↗
- Who funds WORLD WITHOUT HATE INC ↗
- Who funds TWIN CITIES PUBLIC TELEVISION INC ↗
- Who funds BRIC ARTS MEDIA BKLYN INC ↗
- Who funds DUKE UNIVERSITY ↗
- Who funds GAMES FOR CHANGE INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ford Foundation · The William & Flora Hewlett Foundation · Doris Duke Charitable Foundation Inc · Rockefeller Philanthropy Advisors Inc · John D and Catherine T Macarthur Foundation · The Andrew W Mellon Foundation · The Shubert Foundation Inc · Democracy Fund Inc · Tides Foundation · Booth Ferris Foundation Xxxxx4008 · The Chicago Community Trust · The Henry Luce Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Doris Duke Foundation for Islamic Art funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Filmmakers Collaborative Inc — 1% of income from government
- The Connecticut Players Foundation Inc D/B/a Long Wharf Theatre — 1% of income from government
- Young Audiences of New Jersey Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.