· Private foundation
Distracted Globe Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k24 grants · $83k
- $10k–50k40 grants · $616k
- $50k–250k5 grants · $483k
| Recipient | Amount |
|---|---|
| ARTEQUITY COMMUNITY | $153,000 |
| ZACCHO S F | $120,000 |
| SAFE SPACE PICTURES FOUNDATION | $100,000 |
| 52ND STREET PROJECT INC | $60,000 |
| DEEP MEDICINE CIRCLE | $50,000 |
| ELEPHANT CIRCLE | $40,500 |
| WOOLLY MAMMOTH THEATRE CO | $30,000 |
| POWERCORPSPHL | $30,000 |
| UNDER THE RADAR FESTIVAL INC | $30,000 |
| TEACH WITH AFRICA | $30,000 |
| NOTCH THEATRE COMPANY | $30,000 |
| PERSEVERANCE THEATRE INCORPORATED | $20,000 |
| BROOKLYN ACADEMY OF MUSIC INC | $20,000 |
| CLUBBED THUMB INC | $20,000 |
| BARENBOIM-SAID FOUNDATION USA | $20,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $163k) land where the poverty rate runs at 10%, against an area that typically sits at 11%. 29% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +29% since the first grant, against +8% for the ones you funded once.
46 repeat relationships — 28 still active in FY2025, 18 since wound down; 36 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 38% of grant dollars renewed an existing relationship; $732k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- T5THE 52ND STREET PROJECT INC7× · 2017–2025 · $270k · revenue +3%
- LMLA MAMA EXPERIMENTAL THEATRE CLUB INC7× · 2017–2025 · $163k · revenue +77%
- NYNEW YORK THEATRE WORKSHOP INC7× · 2017–2025 · $105k · revenue +58%
Funded once
- NFNOCHE FLAMENCA INCone grant, 2022 · $50k · revenue -1%
- OTOAKLAND THEATER PROJECTone grant, 2024 · $50k · revenue 0%
- MBMONICA BILL BARNES & COMPANY INCone grant, 2024 · $40k · revenue 0%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Pangea World Theater strives to build a just world by creating multi-disciplinary theater that embodies decolonizing practices of solidarity, sustainability and equity.
Studio Theatre produces exceptional contemporary theatre in deliberately intimate spaces, fostering a more thoughtful, more empathetic, and more connected community, in Washington DC and beyond.
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
The Theater of the Emerging American Moment, Inc. (The TEAM), is a Brooklyn-based theatre ensemble whose mission is to collaboratively create new works about the experience of living in America today, and to generate dialogue about our…
Mixed Blood Theatre Company uses theater to disrupt injustice. We are a social justice organization catalyzing action and change through art. Our work is guided by deep community engagement and rooted in radical hospitality.
Profile theatres mission is to produce a season of first-class productions and community engagement activities centered around a season-long featured writer whose vision broadens our perspective on the world and deepens our collective…
Creative residency programs, artist development workshops, advanced training opportunities, and mentorship for professional actors and people who wish to participate in the performing arts.
To provide an artistic home for the development and production of contemporary plays that engage and challenge a diverse audience.
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
As creative producers, we are devoted to the production and presentation of groundbreaking experiences in contemporary performance that use innovative approaches to collaboration, technology, and social engagement. As a service…
For reference, the grantee most central to the portfolio’s shape is Oakland Theater Project and the most unlike its peers is The Covid Plasma Initiative Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 27 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 7% of your grantees by number, and just 8% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
154 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 154 of the 165 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE 52ND STREET PROJECT INC ↗
- Who funds LA MAMA EXPERIMENTAL THEATRE CLUB INC ↗
- Who funds artEquity Community ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds COMMONWEAL ↗
- Who funds SAFE SPACE PICTURES FOUNDATION ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds BROOKLYN ACADEMY OF MUSIC INC ↗
- Who funds Woolly Mammoth Theatre Company Inc ↗
- Who funds NOTCH THEATRE COMPANY ↗
- Who funds Clubbed Thumb Inc ↗
- Who funds UNDER THE RADAR FESTIVAL INC ↗
- Who funds New DramatistsInc ↗
- Who funds TALKING BAND ↗
- Who funds GLOBAL KIDS INC ↗
- Who funds SPACE ON THE FARMINC ↗
- Who funds MABOU MINES DEVELOPMENT FOUNDATION INC ↗
- Who funds Deep Medicine Circle ↗
- Who funds NOCHE FLAMENCA INC ↗
- Who funds OAKLAND THEATER PROJECT ↗
- Who funds Freshgrass Public Foundation ↗
- Who funds ELEPHANT CIRCLE ↗
- Who funds MONICA BILL BARNES & COMPANY INC ↗
- Who funds AMERICAN CONSERVATORY THEATRE FOUNDATION ↗
- Who funds Perseverance Theatre Incorporated ↗
- Who funds NEW YORK SHAKESPEARE FESTIVAL ↗
- Who funds PowerCorpsPHL ↗
- Who funds BREAD & PUPPET THEATRE INC ↗
- Who funds THE TANK LTD ↗
- Who funds Hispanic Heritage Foundation ↗
- Who funds TEACH WITH AFRICA ↗
- Who funds LIVING ARTS INTERNATIONAL INC ↗
- Who funds THEATRE COMMUNICATIONS GROUP INC ↗
- Who funds SYNAESTHETIC THEATRE CO CHRIS NICHOLS ↗
- Who funds INDEPENDENT FEATURE PROJECT INC ↗
- Who funds Home for Contemporary Theatre and Art Ltd dba HERE Art Center ↗
- Who funds BARENBOIM-SAID FOUNDATION (USA) ↗
- Who funds EN GARDE ARTS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Jkw Foundation Tr Ua 092597 · The Shubert Foundation Inc · The Howard Gilman Foundation Inc · The Andrew W Mellon Foundation · The Ford Foundation · The Lucille Lortel Foundation Inc · New England Foundation for the Arts Incorporated · Tides Foundation · The Map Fund Inc · Doris Duke Charitable Foundation Inc · Axe-Houghton Foundation · Booth Ferris Foundation Xxxxx4008
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Distracted Globe Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Double Edge Theatre Productions Inc — 2% of income from government
- Hope for Haiti Inc — 0% of income from government
- Bread & Puppet Theatre Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Distracted Globe Foundation?
Find your warmest path to Distracted Globe Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.