· Public charity
Creative Capital Foundation
Creative capital supports individual artists' projects through awards and career development services.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 9 grants below total $175,066 — the rows itemised in this filing. The $3,379,081 headline is the total grant expense reported on the return, so the remaining $3,204,015 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- $10k–50k8 grants · $125k
- $50k–250k1 grant · $50k
| Recipient | Amount |
|---|---|
| VISION INTO ART PRESENTS | $50,000 |
| SOHO REPERTORY THEATRE INC | $21,841 |
| PIONEER WINTER COLLECTIVE | $20,000 |
| WALKING IRIS MEDIA | $20,000 |
| FOUND SOUND NATION INC | $15,000 |
| PROTOCINEMA | $15,000 |
| PICKUP PERFORMANCE CO | $13,225 |
| SUSTAINABLE NATIVE COMMUNITIES COLLABORATIVE | $10,000 |
| SBDNY INC | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 73% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +29% since the first grant, against +4% for the ones you funded once.
21 repeat relationships — 5 still active in FY2025, 16 since wound down; 4 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 42% of grant dollars renewed an existing relationship; $102k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- UIUNIONDOCS INC3× · 2022–2024 · $50k · revenue +71%
THE CENTER FOR INDEPENDENT DOCUMENTARY INC3× · 2021–2023 · $48k · revenue +136%- SDSOUTHERN DOCUMENTARY FUND2× · 2022–2023 · $45k · revenue +100%
Funded once
United States Artists Incone grant, 2021 · $250k · revenue -24%- TTThe Theatre of the Emerging American Moment Incgraduatedone grant, 2018 · $27k · revenue +103%
- TFTHE FEATH3R THEORY INCone grant, 2022 · $25k · revenue +4%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
ARTNOIR is a global collective and a 501(c)(3) non-profit organization with a mission to celebrate and highlight the work of creatives of color from around the world while catalyzing cultural equity across the arts and culture industries.…
New Dance Alliance is a performing arts nonprofit. Our mission, from the earliest days, has been to support experimental movement-based artists. In recent years, we have shifted our focus, making an explicit commitment to equity and…
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
Pangea World Theater strives to build a just world by creating multi-disciplinary theater that embodies decolonizing practices of solidarity, sustainability and equity.
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
New Expressive Works (N.E.W.) engages audiences with the creative power of multicultural, multi-genre, and multi-disciplinary professional independent performing artists, by providing critical studio space for artistic research, education,…
For reference, the grantee most central to the portfolio’s shape is The FEATH3R Theory Inc and the most unlike its peers is Sustainable Native Communities Collaborative Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 18 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 6% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 5% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
36 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 36 of the 40 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds United States Artists Inc ↗
- Who funds SBDNY Inc ↗
- Who funds SOCIAL GOOD FUND INC ↗
- Who funds VISION INTO ARTS PRESENTS INC ↗
- Who funds UNIONDOCS INC ↗
- Who funds THE CENTER FOR INDEPENDENT DOCUMENTARY INC ↗
- Who funds SOUTHERN DOCUMENTARY FUND ↗
- Who funds SUSTAINABLE NATIVE COMMUNITIES COLLABORATIVE INC ↗
- Who funds PIONEER WINTER COLLECTIVE INC ↗
- Who funds WALKING IRIS MEDIA ↗
- Who funds STORYLINE INC ↗
- Who funds INTERFAITH WORKING GROUP ↗
- Who funds Viver Brasil Dance Company ↗
- Who funds DOCUMENTARY EDUCATIONAL RESOURCES INC ↗
- Who funds Pick Up Performance Co Inc ↗
- Who funds FOUNDATION FOR INDEPENDENT ARTISTS INC ↗
- Who funds MUSEUM OF HUMAN ACHIEVEMENT ↗
- Who funds AGITARTE INC ↗
- Who funds JANE PLACE NEIGHBORHOOD SUSTAINABILITY INITIATIVE ↗
- Who funds THE TANK LTD ↗
- Who funds BLUEBIRD CULTURAL INITIATIVE ↗
- Who funds Cousin Collective Inc ↗
- Who funds The Theatre of the Emerging American Moment Inc ↗
- Who funds THE FEATH3R THEORY INC ↗
- Who funds SOHO REPERTORY THEATRE INC ↗
- Who funds WCV INC ↗
- Who funds PORTLAND INSTITUTE FOR CONTEMPORARY ART ↗
- Who funds NOT AN ALTERNATIVE INC ↗
- Who funds PARTICIPANT INC ↗
- Who funds PROTOCINEMA INC ↗
- Who funds FOUND SOUND NATION INC ↗
- Who funds AUBIN PICTURES INC ↗
- Who funds CAVE ORGANIZATION INC ↗
- Who funds Yaa Samar Dance Theatre ↗
- Who funds SANTA FE FILM INSTITUTE ↗
- Who funds KCHUNG RADIO ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: New England Foundation for the Arts Incorporated · The Andrew W Mellon Foundation · The Ford Foundation · Tides Foundation · The Map Fund Inc · Perspective Media Initiatives Inc · Amalgamated Charitable Foundation Inc · New Music USA Inc · Sundance Institute · The Howard Gilman Foundation Inc · Catapult Film Fund · Inmaat Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Creative Capital Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Center for Independent Documentary Inc — 6% of income from government
- Portland Institute for Contemporary Art — 5% of income from government
- Documentary Educational Resources Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.