· Public charity
Catapult Film Fund
Catapult Film Fund provides development funding to help story-driven and cinematicdocumentary films get off the ground.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- $10k–50k14 grants · $325k
- $50k–250k3 grants · $193k
| Recipient | Amount |
|---|---|
| Film Independent | $75,000 |
| Women Make Movies | $67,500 |
| Utah Film Center | $50,000 |
| Camera News Inc | $35,000 |
| Walking Iris Media | $35,000 |
| The Filmmaker Fund | $27,500 |
| The Ctr for Indy Documentary | $25,000 |
| Realize Impact | $25,000 |
| Women Make Movies | $25,000 |
| International Documentary Ass | $25,000 |
| Redford Center | $25,000 |
| Cinema Tropical | $25,000 |
| The Ctr for Indy Documentary | $25,000 |
| Film Forum | $15,000 |
| From The Heart Productions | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY23–25, $45k) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 44% of those dollars go to grantees based in above-average-need neighborhoods. Your grants spread fairly evenly across need levels.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +86% since the first grant, against 0% for the ones you funded once.
25 repeat relationships — 10 still active in FY2025, 15 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 76% of grant dollars renewed an existing relationship; $123k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
INTERNATIONAL DOCUMENTARY FOUNDATION INC7× · 2019–2025 · $810k · revenue +4%- WMWOMEN MAKE MOVIES INC7× · 2019–2025 · $675k · revenue +82%
THE CENTER FOR INDEPENDENT DOCUMENTARY INC6× · 2020–2025 · $360k · revenue +125%
Funded once
- SFSan Francisco Film Societyone grant, 2019 · $50k · revenue -9%
- PPPRINCIPE PRODUCTIONS INCone grant, 2019 · $35k · revenue -88%
- KEKARTEMQUIN EDUCATIONAL FILMSone grant, 2020 · $34k · revenue -63%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
A national non-profit media arts organization, american documentary strives to make essential documentaries accessible as a catalyst for public discourse. we collaborate with passionate filmmakers to amplify their voices, nuture the…
Dc dox is a major international film festival in the nation's capital dedicated to promoting documentary film as a leading art form, championing new voices and innovations in non-fiction storytelling, and using film as a catalyst to engage…
SF IndieFest presents important independent narrative, documentary, and short films from around the world.
Advocate for gender equality in the film industry.
The Art of Brooklyn Film Festival is an annual event that brings Brooklyns celebrated film and media makers together with their peers across the country and around the world. AoBFF is a filmmaker-focused event, platform and showcase for…
Recognizing the power of film to inspire, Working Films positions documentaries to increase civic engagement and shift culture at the local, state, and national level.
Devoted to a greater appreciation of indian cinema and culture by showcasing films, supporting emerging filmmakers, and promoting the diverse perspectives of the indian diaspora.
The DC Independent Film Festival (DCIFF) showcases and supports local and international filmmakers and their work across the genres of fiction, animation, experimental and documentary through screening, discussion, professional…
For reference, the grantee most central to the portfolio’s shape is The Center for Independent Documentary Inc and the most unlike its peers is Virginia Commonwealth Universi. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 23 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 4% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
53 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 53 of the 57 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds INTERNATIONAL DOCUMENTARY FOUNDATION INC ↗
- Who funds WOMEN MAKE MOVIES INC ↗
- Who funds THE CENTER FOR INDEPENDENT DOCUMENTARY INC ↗
- Who funds THE FILM COLLABORATIVE INC ↗
- Who funds WALKING IRIS MEDIA ↗
- Who funds UNIONDOCS INC ↗
- Who funds FILM INDEPENDENT ↗
- Who funds UTAH FILM CENTER ↗
- Who funds REDFORD CENTER INC ↗
- Who funds Independent Filmmaker Project Midwest ↗
- Who funds DOCUMENTARY EDUCATIONAL RESOURCES INC ↗
- Who funds MEDIA COLLECTIVE INC ↗
- Who funds From The Heart Productions ↗
- Who funds AFTERIMAGE PUBLIC MEDIA ↗
- Who funds San Francisco Film Society ↗
- Who funds NEW ORLEANS VIDEO ACCESS CENTER INC ↗
- Who funds SWELL FOUNDATION ↗
- Who funds DOC SOCIETY INC ↗
- Who funds FILM FORUM INC ↗
- Who funds METEOR FILMS INC ↗
- Who funds LINK GLOBAL ↗
- Who funds LEVEL GROUND ↗
- Who funds PRINCIPE PRODUCTIONS INC ↗
- Who funds MAYSLES INSTITUTE INC ↗
- Who funds CAMERA NEWS INC ↗
- Who funds KARTEMQUIN EDUCATIONAL FILMS ↗
- Who funds RAGTAG FILM SOCIETY ↗
- Who funds SOUTHERN DOCUMENTARY FUND ↗
- Who funds THE FILMMAKER FUND ↗
- Who funds The Bay Area Video Coalition Incorporated ↗
- Who funds THE COLORADO COLLEGE ↗
- Who funds HOMELANDS RESEARCH GROUP ↗
- Who funds CINEMA TROPICAL INC ↗
- Who funds INDEPENDENT FEATURE PROJECT INC ↗
- Who funds Realize Impact ↗
- Who funds VIDEO VERACITY INC ↗
- Who funds Antenna ↗
- Who funds AUBURN THEOLOGICAL SEMINARY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Chicken & Egg Films Inc · Perspective Media Initiatives Inc · The Ford Foundation · The San Francisco Foundation · Silicon Valley Community Foundation · Harnisch Family Foundation · Sundance Institute · California Humanities · The Denovo Initiative · Cinereach Ltd · Inmaat Foundation · The Rogovy Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Catapult Film Fund funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Center for Independent Documentary Inc — 6% of income from government
- Documentary Educational Resources Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Catapult Film Fund?
Find your warmest path to Catapult Film Fund through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.