· Private foundation
Ann & Gordon Getty Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k38 grants · $107k
- $10k–50k93 grants · $1.7M
- $50k–250k24 grants · $1.3M
| Recipient | Amount |
|---|---|
| WORLD WILDLIFE FUND INC | $100,000 |
| UNIVERSITY OF SAN FRANCISCO | $100,000 |
| COMMON CAUSE EDUCATION FUND | $62,500 |
| REDF | $55,000 |
| TIDES FOUNDATION | $50,000 |
| ENVIRONMENTAL DEFENSE FUND INCORPORATED | $50,000 |
| MEDECINS SANS FRONTIERS USA INC | $50,000 |
| GREATER FARALLONES ASSOCIATION | $50,000 |
| THE MALALA FUND | $50,000 |
| AS YOU SOW | $50,000 |
| NATIONAL DOMESTIC VIOLENCE HOTLINE | $50,000 |
| REVIVE & RESTORE | $50,000 |
| DEFENDERS OF WILDLIFE | $50,000 |
| TESSERACT RESEARCH CENTER INC | $50,000 |
| REFUGEE & IMMIGRANT CENTER FOR EDUCATION & LEGAL SERVICES | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–24, $183k) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
145 repeat relationships — 116 still active in FY2024, 29 since wound down; 20 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 83% of grant dollars renewed an existing relationship; $510k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- ASAMERICAN SYMPHONY ORCHESTRA LEAGUE D/B/A LEAGUE OF AMERICAN ORCHESTRAS2× · 2020–2021 · $3.5M · revenue +70% · 31% of their budget
- OAOPERA AMERICA INC2× · 2020–2021 · $2.3M · revenue +47%
- TYTHE YOUNG PEOPLE'S CHORUS OF NEW YORK CITY INC5× · 2020–2024 · $1.2M · revenue +57%
Funded once
- SFSAN FRANCISCO SYMPHONYone grant, 2020 · $2.0M · revenue +4%
- SFSan Francisco Performances Incone grant, 2020 · $85k · revenue +18%
- TCTHE CARNEGIE HALL CORPORATIONgraduatedone grant, 2020 · $70k · revenue +51%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
New century chamber orchestra, a virtuoso, conductorless string ensemble founded in 1992, presents performances of extraordinary quality in the san francisco bay area with a commitment to innovation, education, and accessibility.
To serve the public by producing world-class opera that preserves, promotes and advances the art form while embodying the diversity, spirit and artistic sensibility unique to los angeles. we envision an engaged and enlightened community in…
To seek and nurture exceptional young string musicians, foster and further their performance and professional skills development, and provide them with performance opportunities and monetary support.
To present the highest-quality performances of great music, bringing national and international distinction to the orchestra and its community; to delight and educate audiences of all ages and backgrounds, and enhance the cultural vitality…
To be a sustainable musical institution that brings the intimate experience of a world-class chamber orchestra performance to the greater philadelphia area,enriching the musical life of the city and region by the integrity and excellence…
The orchestra pursues its mission, "to enrich and connect our community through intimate and transformative musical experiences which exemplify and foster artistic excellence, education and innovation," through the blend of traditional…
The only music festival in North America dedicated to Mozart, our mission embraces both performance of highest artistic excellence and cultivation of new potential audience, including young people to assure the future appreciation of great…
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
The Culver City Symphony Orchestra strives to enlighten and inspire the diverse citizenry of Culver City and the Los Angeles area through the presentation of orchestral music concerts, to present works of American composers, and to…
For reference, the grantee most central to the portfolio’s shape is San Francisco Symphony and the most unlike its peers is The Foundation for Aids Research. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 43 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.7% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
405 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 405 of the 421 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds The Crowden Music Center ↗
- Who funds AMERICAN SYMPHONY ORCHESTRA LEAGUE D/B/A LEAGUE OF AMERICAN ORCHESTRAS ↗
- Who funds SAN FRANCISCO CONSERVATORY OF MUSIC ↗
- Who funds OPERA AMERICA INC ↗
- Who funds SAN FRANCISCO SYMPHONY ↗
- Who funds THE YOUNG PEOPLE'S CHORUS OF NEW YORK CITY INC ↗
- Who funds WORLD WILDLIFE FUND INC ↗
- Who funds University of San Francisco ↗
- Who funds EARTHJUSTICE ↗
- Who funds Defenders of Wildlife ↗
- Who funds MEDECINS SANS FRONTIERES USA INC ↗
- Who funds AS YOU SOW ↗
- Who funds THE WILDERNESS SOCIETY ↗
- Who funds ENVIRONMENTAL DEFENSE FUND INCORPORATED ↗
- Who funds NATURAL RESOURCES DEFENSE COUNCIL INC ↗
- Who funds THE UNION OF CONCERNED SCIENTISTS INC ↗
- Who funds OCEAN CONSERVANCY ↗
- Who funds COMMON CAUSE EDUCATION FUND ↗
- Who funds THE MALALA FUND ↗
- Who funds REDF ↗
- Who funds BEST FRIENDS ANIMAL SOCIETY ↗
- Who funds REFUGEE & IMMIGRANT CENTER FOR EDUCATION & LEGAL SERVICES ↗
- Who funds Humane World for Animals Inc ↗
- Who funds SEA SHEPHERD CONSERVATION SOCIETY ↗
- Who funds ELTON JOHN AIDS FOUNDATION INC ↗
- Who funds REVIVE & RESTORE ↗
- Who funds TESSERACT RESEARCH CENTER INC ↗
- Who funds Strategic Aid Partners Inc ↗
- Who funds SHATTERPROOF A NONPROFIT CORPORATION ↗
- Who funds THE MARINE MAMMAL CENTER ↗
- Who funds MARINE CONSERVATION BIOLOGY INSTITUTE ↗
- Who funds ANIMAL LEGAL DEFENSE FUND INC ↗
- Who funds PENINSULA HUMANE SOCIETY & SPCA ↗
- Who funds INTERNATIONAL COMMUNITY FOUNDATION ↗
- Who funds Lawyers' Committee for Civil Rights Under Law ↗
- Who funds NATIONAL PHILANTHROPIC TRUST ↗
- Who funds AMERICAN CONSERVATORY THEATRE FOUNDATION ↗
- Who funds THE NATURE CONSERVANCY ↗
- Who funds OCEANA INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Aaron Copland Fund for Music Inc Co Alter Kendrick & Baron LLP · The Amphion Foundation Inc Co Alter Kendrick & Baron LLP · The Bernard Osher Foundation · New Music USA Inc · The William & Flora Hewlett Foundation · Colburn Foundation · Jewish Community Federation of San Francisco the Peninsula Marin & Sonoma · The San Francisco Foundation · The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation) · Marin Community Foundation · Ross McKee Foundation for the Musical Arts · Mid Atlantic Arts Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Ann & Gordon Getty Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Mercy Corps — 47% of income from government
- Transition House Inc — 39% of income from government
- Massachusetts Institute of Technology — 35% of income from government
- Trustees of Boston University — 12% of income from government
- From the Top Inc — 6% of income from government
- Shatterproof a Nonprofit Corporation — 2% of income from government
- Sea Turtle Conservancy — 1% of income from government
- National Foundation for Advancement in the Arts Inc — 0% of income from government
- Boston Symphony Orchestra Inc — 0% of income from government
- Amherst College Trustees — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Ann & Gordon Getty Foundation?
Find your warmest path to Ann & Gordon Getty Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.