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· Private foundation

Williamson Foundation for Music

Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.

$136k
Granted FY2025still arriving
48
Grants FY2025still arriving
8
States reached
$12k
Largest
01What it funds
01100% classified

What it funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.

Arts & Culture$1.0MEducation$28k
02FY2025 · 48 grants

Where the money goes

Grants by size, and the largest recipients.

By grant size · FY2025

  • Under $10k47 grants · $125k
  • $10k–50k1 grant · $12k
$2,248
Median grant
8
States reached
$2.1M
Total assets
Largest grants
RecipientAmount
Individual grant recipient$11,556
SCOTTISH FIDDLERS OF CALIFORNIA$7,000
FESTIVAL CORDES ET PICS$7,000
BANG ON A CAN$4,500
Individual grant recipient$3,500
YOUTH MUSIC MONTEREY$3,500
ENONE$3,500
CENTRUM FOUNDATION$3,500
FONTAINEBLEAU ASSOCIATIONS$3,500
Individual grant recipient$3,500
MOON & STARS FOUNDATION$3,500
GENERATIONS IN JAZZ FOUNDATION$3,500
PEAKS TO PLAINS SUZUKI$3,500
MUSICALTA$3,500
NEXT FESTIVAL OF EMERGING ARTISTS INC$3,500
02The need
03

Does the money reach high-need areas?

Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.

US giving: 57% of grant dollars ($610k). The need read here covers only this US portion; the 43% that went abroad ($456k) is mapped below.

show:

Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 12%, against an area that typically sits at 10%. 70% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.

area typical 10%MUSICALTA ROUFFACH FRANCE: $4k → 12%INTERNATIONAL CELLO INSTITUTE: $7k → 11%MUSIQUE A GROIX: $4k → 11%FONTAINEBLEAU ART SCHOOL: $4k → 6%VALLEY OF THE MOON: $4k → 8%GENERATION IN JAZZ FOUNDATION: $4k → 9%SIERRA FIDDLE CAMP: $4k → 11%YOUTH MUSIC MONTEREY: $7k → 12%SCOTTISH FIDDLERS OF CALIFORNIA: $7k → 14%ICEBERG NEW MUSIC: $4k → 6%O'HARA FINE INSTRUMENTS: $5k → 6%AT THE WORLDS EDGE MUSIC FOUNDATION INC: $4k → 14%NEXT FESTIVAL OF EMERGING ARTISTS: $4k → 9%LUCIANO BOIDI: $4k → 21%PEAKS TO PLAINS SUZUKI: $4k → 5%MARROWSTONE: $4k → 9%CENTRUM: $4k → 11%FONTAINEBLEAU ASSOCIATIONS: $4k → 7%KINHAVEN MUSIC SCHOOL: $4k → 16%YELLOW BARN: $4k → 11%NEW MUSIC ON THE POINT: $4k → 12%MUSICALTA ROUFFACH FRANCE: $4k → 12%INTERNATIONAL CELLO INSTITUTE: $4k → 11%FONTAINEBLEAU ART SCHOOL: $4k → 6%VALLEY OF THE MOON: $4k → 8%GENERATION IN JAZZ FOUNDATION: $4k → 9%SIERRA FIDDLE CAMP: $4k → 11%YOUTH MUSIC MONTEREY: $5k → 12%SCOTTISH FIDDLING SCHOOL OF CA: $4k → 14%BANG ON A CAN: $7k → 20%MARROWSTONE: $4k → 9%CENTRUM: $4k → 11%KINHAVEN MUSIC SCHOOL: $4k → 16%YELLOW BARN: $4k → 11%NEW MUSIC ON THE POINT: $4k → 12%INTERNATIONAL CELLO INSTITUTE: $4k → 11%FONTAINEBLEAU ART SCHOOL: $4k → 6%VALLEY OF THE MOON: $4k → 8%GENERATIONS IN JAZZ: $4k → 9%SIERRA FIDDLE CAMP: $4k → 11%YOUTH MUSIC MONTEREY: $4k → 12%BANG ON A CAN: $5k → 20%NEXT EDGE ARTS: $4k → 8%MOON & STARS FOUNDATION: $4k → 12%BANG ON A CAN: $4k → 20%OSCAR YANEZ: $10k → 12%ANDREA CHAVEZ: $7k → 12%INTERNATIONAL MUSIC SESSIONS: $7k → 17%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount
How this is measured
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP.

Which US states its grants reach

VT
WA
MN
IL
WI
MI
NY
OR
OH
PA
NJ
CT
CA
CO
AZ
NC
TX
FL

Beyond the US: 43% of all-years giving ($456k)

20 countries, by the recipient’s country on the filing.

grant dollars sentlessmore
France$184k · 52 grants
Slovenia$56k · 15 grants
Canada$53k · 16 grants
Italy$39k · 23 grants
Belgium$31k · 11 grants
United Kingdom$19k · 11 grants
Netherlands$15k · 7 grants
Turkey$12k · 6 grants
New Zealand$11k · 3 grants
Austria$10k · 5 grants
How this is measured
US grants placed by each grantee’s ZIP, which can differ from where services are delivered. Need from public data (U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA), shown as context about the area, never attributed to the funder’s giving. International giving is mapped by the recipient’s country from the same 990 filings; comparable need data isn’t available at that grain.
03Its grantees
repeat funding

Who it funds again

Organizations funded in more than one year, against those funded once.

61%of every dollar goes to organizations it has funded before.
$647k · 44 repeat orgs$419k to everyone else

Grantees it renews have grown median revenue +54% since the first grant, against +41% for those funded once.

44 repeat relationships: 20 still active in FY2025, 24 since wound down; 28 grantees were first funded in FY2025 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

44
142

Total granted

$647k
$356k

Median revenue growth · since first grant

+54%
+41%

Still filing today

25%
1%

New vs renewed · share of each year

In FY2025, 54% of grant dollars renewed an existing relationship; $63k went to new ones.

50%100%’17’18’19’20’21’22’23’24’25
RenewedFirst-time

Where new relationships form · theme of each grantee’s first grant

’17’18’19’20’21’22’23’24’25
Arts & CultureEducationOther
How this is measured
First-time means a grantee’s first year in the filing window; renewed means funded in an earlier year too. The renewed share climbs naturally as a portfolio matures, so the signal is a year that bucks it (a wave of new grantees). The earliest year is left-censored: relationships that predate the data read as new. Theme is the grantee’s IRS cause.

Backed again, and grew

  • BO
    BANG ON A CAN
    9× · 2017–2025 · $37k · revenue +54%
  • YM
    YOUTH MUSIC MONTEREY
    9× · 2017–2025 · $37k · revenue +89%
  • GI
    GENERATIONS IN JAZZ FOUNDATION
    8× · 2017–2025 · $28k · revenue +44%

Funded once

  • IG
    Individual grant recipient
    one grant, 2017 · $24k
  • IG
    Individual grant recipient
    one grant, 2019 · $15k
  • IG
    Individual grant recipient
    one grant, 2019 · $13k
How this is measured

Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.

04Its field

Closest unfunded matches

The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.

1
Midsummer Mozart Festival

The only music festival in North America dedicated to Mozart, our mission embraces both performance of highest artistic excellence and cultivation of new potential audience, including young people to assure the future appreciation of great…

Arts & Culture
2
Foundation for Modern Opera
—
3
San Jose Chamber Music Society

To present chamber music concerts in San Jose performed by top ensembles from the Bay Area, across America, and around the world. To enrich our audience experience through post-concert Q&As, program notes, and meet-the-composer…

—
4
Big Sur Fiddle Camp

The Big Sur Fiddle Camp is a 501(c)3 not-for-profit organization and has been in operation for twelve years. Annually, we have run a specialized music program for about 40 youth, 15 music-loving volunteers, and 15 instructors during each…

Arts & Culture
5
Ross Mckee Foundation for the Musical Arts
—
6
American Chamber Ensemble Inc

The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.

—
7
Roger Shapiro Fund for New Music
Arts & Culture
8
Vanguard Concerts
—
9
Cadence Music & Arts Programs
Arts & Culture
10
Musicmi

At MusicMi we set a mission for ourselves to provide aspiring young musicians from across the country with an opportunity to study with world-class artists and to provide our students with a music education of the highest artistic…

Arts & Culture
11
Pacific Northwest Music Project
Arts & Culture
12
Collaborative Arts Institute of Chicago
Arts & Culture
How this is measured
The grantee most central to the portfolio’s shape is Youth Music Monterey; the most unlike its peers is Palenke Arts. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
04the grantee network

17 grantees tracked through their own filings, 2017–2025.

Each grant beside the grantee’s revenue from every source, year by year.

How this is measured

Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 17 of the 214 grantees resolved in that span have returns of their own we could reconcile.

Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.

0
Load-bearing (≥25% of a budget)
6
Early backer (in before they grew)
17/17
Grantees still filing
11/17
Grew since first funded

Where the money sits, by cause and then by grantee

Individual grant recipient: $31,500 · OtherENONE: $30,797 · OtherIndividual grant recipient: $28,000 · Other+181 more: $690,575 · Other+181 moreBANG ON A CAN: $36,950 · Arts & CultureBANG ON A CANYOUTH MUSIC MONTEREY: $36,500 · Arts & CultureYOUTH MUSIC MONTEREYGENERATIONS IN JAZZ FOUNDATION: $28,000 · Arts & CultureGENERATIONS IN JAZZ FOUNDA…NEW MUSIC ON THE POINT INC: $28,000 · Arts & CultureNEW MUSIC ON THE POINT INCKINHAVEN MUSIC SCHOOL INC: $24,500 · Arts & CultureKINHAVEN MUSIC SCHOOL INCCENTRUM FOUNDATION: $21,000 · Arts & CultureCENTRUM FOUNDATIONYELLOW BARN INC: $21,000 · Arts & CultureYELLOW BARN INCPalenke Arts: $17,500 · Arts & CulturePalenke ArtsSEATTLE YOUTH SYMPHONY ORCHESTRAS: $14,000 · Arts & CultureSEATTLE YOUTH SYMPHONY ORC…+5 more: $23,000 · Arts & Culture+5 moreInternational Cello Institute: $24,500 · EducationFONTAINEBLEAU ASSOCIATIONS: $3,500 · Education
Other$780,872Arts & Culture$250,450Education$28,000

Showing the 200 largest grantees by grant value.

Each grantee by its size and the funder’s share of it; top left is load-bearing

25%50%75%100%$100k$1.0M$10Mgrantee revenue →↑ funder's share of their budgetBANG ON A CAN: $36,950 over 9y, 0.3% of budgetYOUTH MUSIC MONTEREY: $36,500 over 9y, 2.0% of budgetGENERATIONS IN JAZZ FOUNDATION: $28,000 over 8y, 2.2% of budgetNEW MUSIC ON THE POINT INC: $28,000 over 8y, 2.7% of budgetKINHAVEN MUSIC SCHOOL INC: $24,500 over 7y, 0.3% of budgetInternational Cello Institute: $24,500 over 6y, 14% of budgetCENTRUM FOUNDATION: $21,000 over 6y, 0.1% of budgetYELLOW BARN INC: $21,000 over 6y, 0.8% of budgetPalenke Arts: $17,500 over 5y, 1.6% of budgetSEATTLE YOUTH SYMPHONY ORCHESTRAS: $14,000 over 4y, 1.1% of budgetNEXT EDGE ARTS INC: $7,000 over 2y, 3.0% of budgetScottish Fiddlers of California: $7,000 over 1y, 1.0% of budgetMOON & STARS FOUNDATION: $3,500 over 1y, 1.1% of budgetIceberg New Music Inc: $3,500 over 1y, 4.1% of budgetFONTAINEBLEAU ASSOCIATIONS: $3,500 over 1y, 0.6% of budgetMANHATTAN SCHOOL OF MUSIC: $2,000 over 1y, 0.0% of budget
Grantee by grantee: a decade per organization, before and after funding

A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.

  • Who funds BANG ON A CAN ↗
  • Who funds YOUTH MUSIC MONTEREY ↗
  • Who funds GENERATIONS IN JAZZ FOUNDATION ↗
  • Who funds NEW MUSIC ON THE POINT INC ↗
  • Who funds KINHAVEN MUSIC SCHOOL INC ↗
  • Who funds International Cello Institute ↗
  • Who funds CENTRUM FOUNDATION ↗
  • Who funds YELLOW BARN INC ↗
  • Who funds Palenke Arts ↗
  • Who funds SEATTLE YOUTH SYMPHONY ORCHESTRAS ↗
  • Who funds NEXT EDGE ARTS INC ↗

Co-funders

Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.

National Philanthropic TrustPA7.6× affinity6 shared granteesties to 5 of 5Hover any node to trace its alignments.Compare side by side →

Open a dossier: National Philanthropic Trust · Vanguard Charitable Endowment Program · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation

How this is measured
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. Overlap is association, not proof of shared intent.

How much its grantees rely on government

Each dot is one organization Williamson Foundation for Music funds: left to right is the share of its income from government, bottom to top the share from Williamson Foundation for Music. Bigger dots raise more.

2024
’20’21’22’23’24’25
no gov · 40%1%4%8%15%funder's share of their income ↑0%25%50%75%100%share of the org’s income from government →median 0%
  • Kinhaven Music School Inc: 0% of income from government
no gov moneyreceives it· size = income
4get no government money at all
4report government grants on their 990 we could not trace to a source (not plotted)
0rely on government for over half their income
typical government reliance, FY20–25
How this is measured
Government income is each org’s traced federal awards (USASpending grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that a grant caused the public funding. Coverage is precision-first, a floor rather than a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12 to 24 months.
05Through Plinth

Warm introductions · Powered by PlinthPlus

How do I get to Williamson Foundation for Music?

Find your warmest path to Williamson Foundation for Music through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.

Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.

On method. Every financial figure here is read from IRS e-file XML, the funder’s own 990/990-PF, and from the multi-year returns of the 214 grantees we resolved, each linked to its source. Grantee outcomes are each organization’s own program-service reporting (Form 990, Part III), read as association with funding, never as caused by it. Low-confidence name matches are suppressed rather than guessed. How we build these →

How this is measured
Each figure carries one of six labels. Filed is what the funder reported on its return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears.

Generated from the IRS Form 990-PF e-file return for fiscal year 2025, released 2025. Filings run roughly 12 to 24 months behind; figures are dated accordingly.

Source object · view filing

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