· Private foundation
Waldo & Alice Ayer Trust
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2019 to 2025.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| PORTSMOUTH PRO MUSICA | $6,000 |
| CONCORD COMMUNITY MUSIC SCHOOL | $5,000 |
| MANCHESTER COMMUNITY MUSIC SCHOOL | $5,000 |
| Individual grant recipient | $5,000 |
| THE WALDEN SCHOOL | $5,000 |
| UPBEAT NH UNITED WAY OF GREATER NASHUA | $1,764 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY19–25) land where the poverty rate runs at 8%, against an area that typically sits at 7%. 82% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +29% since the first grant, against +5% for those funded once.
10 repeat relationships: 4 still active in FY2025, 6 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 60% of grant dollars renewed an existing relationship; $11k went to new ones.
How this is measured
Backed again, and grew
- CCCONCORD CHORALE INC3× · 2021–2024 · $11k · revenue +29%
- ACASHUELOT CONCERTS3× · 2020–2024 · $9k · revenue +946%
- NCNASHUA CHORAL SOCIETY2× · 2019–2020 · $8k · revenue +20%
Funded once
- AHAPPLE HILL CENTER FOR CHAMBER MUSIC INCone grant, 2024 · $10k · revenue 0%
- MOMUSIC ON NORWAY PONDone grant, 2022 · $5k · revenue +5%
- ACAMARE CANTAREone grant, 2020 · $3k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
music education
Educate member-singers and the public through the performance of renaissance choral music
Classical music concerts.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
Bringing classical music to the Merrimac Valley
Down East Singers is a musical organization specifically incorporated to create opportunities for participation and enrichment for community members, to perform quality choral music under professional leadership, and to bring affordable…
High quality professional chamber-music concerts.
The cambridge community chorus is a nonprofit organization known for its broad repertoire, including the world and north american premieres of new choral works, for the quality of its performances and for its diverse and varied membership…
Public performances of classical choral music with orchestra and music education
Performs classical music for the community
How this is measured
14 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 14 of the 20 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds New Hampshire Charitable Foundation ↗
- Who funds Camereta New England ↗
- Who funds CONCORD CHORALE INC ↗
- Who funds SYMPHONY NEW HAMPSHIRE ↗
- Who funds APPLE HILL CENTER FOR CHAMBER MUSIC INC ↗
- Who funds ASHUELOT CONCERTS ↗
- Who funds NASHUA CHORAL SOCIETY ↗
- Who funds MANCHESTER COMMUNITY MUSIC SCHOOL ↗
- Who funds CONCORD COMMUNITY MUSIC SCHOOL ↗
- Who funds LAKES REGION SYMPHONY ORCHESTRA ↗
- Who funds Portsmouth Pro Musica ↗
- Who funds MUSIC ON NORWAY POND ↗
- Who funds MONADNOCK MUSIC ↗
- Who funds THE KEENE CHORALE INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: New Hampshire Charitable Foundation · Trust Estate Uw Marion C Smyth · Arthur L Getz Charitable Tr · Madelaine G Vonweber Trust Todd Fahey & William Tucker Co-Trustees · The Memton Fund Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Waldo & Alice Ayer Trust funds: left to right is the share of its income from government, bottom to top the share from Waldo & Alice Ayer Trust. Bigger dots raise more.
How this is measured
Play a game based on Waldo & Alice Ayer’s filings →