· Public charity
The University of the Arts
The arts have the power to transform society.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2023.
Where the money goes
Your grants by size, and where they go.
The 65 grants below total $9,454,090 — the rows itemised in this filing. The $43,014,289 headline is the total grant expense reported on the return, so the remaining $33,560,199 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2023
- Under $10k1 grant · $6k
- $10k–50k9 grants · $338k
- $50k–250k46 grants · $5.6M
- $250k+9 grants · $3.5M
| Recipient | Amount |
|---|---|
| TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA | $534,400 |
| TEMPLE UNIVERSITY | $500,090 |
| FABRIC WORKSHOP AND MUSEUM | $479,640 |
| PHILADELPHIA THEATRE COMPANY | $375,000 |
| BLACKSTAR PROJECTS | $348,651 |
| PEOPLE'S LIGHT AND THEATRE COMPANY | $343,400 |
| MANN CENTER FOR THE PERFORMING ARTS | $329,944 |
| PHILADELPHIA MURAL ARTS ADVOCATES | $297,300 |
| THE BARNES FOUNDATION | $268,000 |
| PIG IRON THEATRE COMPANY | $248,681 |
| THE CROSSING | $223,000 |
| PHILADELPHIA ORCHESTRA ASSOCIATION | $192,000 |
| BRYN MAWR COLLEGE PERFORMING ARTS SERIES | $181,500 |
| PHILADELPHIA FRINGEARTS | $180,000 |
| OPERA COMPANY OF PHILADELPHIA | $171,050 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–23, $1.6M) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 62% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
98 repeat relationships — 54 still active in FY2023, 44 since wound down; 10 grantees were first funded in FY2023 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2023, 91% of grant dollars renewed an existing relationship; $825k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TUTemple University - Of The Commonwealth System of Higher Education7× · 2017–2023 · $1.8M · revenue +5%
- PMPHILADELPHIA MUSEUM OF ART6× · 2017–2023 · $1.5M · revenue +14%
- TBTHE BARNES FOUNDATION5× · 2017–2023 · $1.4M · revenue +47%
Funded once
- KLKUN-YANG LINDANCERSone grant, 2018 · $180k
- PTPIFFARO THE RENAISSANCE BANDgraduatedone grant, 2017 · $99k · revenue +67%
- CACHORAL ARTS SOCIETY OF PHILADELPHIAgraduatedone grant, 2017 · $72k · revenue +52%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To promote the cultural richness of philadelphia and to bring the most distinguished work in the arts to audiences in the philadelphia region
The mission of artphilly is to amplify philadelphia's arts and culture by commissioning, presenting, producing, and promoting art of all kinds for local audiences and the world. its vision is to spotlight(continued on schedule o)the city…
The mission of pittsburgh public theater is to provide artistically diverse theatrical experiences of the highest quality. pittsburgh public theater also strives to serve, challenge, stimulate, and (continued on schedule o)
To cultivate an enduring appreciation for dance through world-class performances, to inspire the next generation with exceptional education and professional training, and to connect with the community through meaningful and inclusive…
Public Trust is a non-profit organization on the campus of the University of Pennsylvania that fosters learning, creativity, and collaboration in support of justice and equality.
Pennsylvania college of art & design is a professional art college offering a bfa degree, certificates, credentials, and curricula that enable students of all ages to pursue art as their life's work.
To present world class chamber music ensembles and soloists, promising emerging artists, and innovative programs; and to foster an appreciation for chamber music in the pittsburgh community by offering educational programs and experiences.
Theatre philadelphia is a leadership organization that celebrates and promotes professional theatre in the greater philadelphia region, primarily via the barrymore awards for excellence in theatre.
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
The alliance is dedicated to the advancement and appreciation of innovative contemporary craft and to inspiring dynamic interactions between audiences and artists in a setting of historic and aesthetic significance.
Washington performing arts champions the arts as a unifying force. through collaborations with artists, educators, community leaders, and institutional partners, we bring wide-ranging artistic programs to stages, schools, and neighborhoods…
To collect, display and interpret objects in craft art and design.
For reference, the grantee most central to the portfolio’s shape is Philadelphia Contemporary and the most unlike its peers is Moore College of Art and Design. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 44 years old; the field is 14. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.8% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
112 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 112 of the 126 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA ↗
- Who funds Temple University - Of The Commonwealth System of Higher Education ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds THE BARNES FOUNDATION ↗
- Who funds The Fabric Workshop and Museum ↗
- Who funds THE WILMA THEATER ↗
- Who funds PIG IRON THEATRE COMPANY INC ↗
- Who funds MANN CENTER FOR THE PERFORMING ARTS ↗
- Who funds THE PEOPLE'S LIGHT & THEATRE COMPANY ↗
- Who funds PHILADELPHIA MURAL ARTS ADVOCATES INC ↗
- Who funds Francesco Von Mendelssohn Fund Inc ↗
- Who funds DREXEL UNIVERSITY ↗
- Who funds FRINGEARTS ↗
- Who funds PHILADELPHIA ORCHESTRA ASSOCIATION ↗
- Who funds Asian Arts Initiative ↗
- Who funds Please Touch Museum ↗
- Who funds OPERA PHILADELPHIA ↗
- Who funds ARCADIA UNIVERSITY ↗
- Who funds NATIONAL CONSTITUTION CENTER ↗
- Who funds PARTNERS FOR SACRED PLACES INC ↗
- Who funds THE COLLEGE OF PHYSICIANS OF PHILADELPHIA ↗
- Who funds THE UNIVERSITY OF THE ARTS ↗
- Who funds SAMUEL S FLEISHER ART MEMORIAL INC ↗
- Who funds THE CLAY STUDIO ↗
- Who funds SWARTHMORE COLLEGE ↗
- Who funds CURTIS INSTITUTE OF MUSIC ↗
- Who funds BRYN MAWR COLLEGE ↗
- Who funds FRIENDS OF THE JAPANESE HOUSE AND GARDEN ↗
- Who funds THE VILLAGE OF ARTS AND HUMANITIES ↗
- Who funds THE FRANKLIN INSTITUTE ↗
- Who funds EASTERN STATE PENITENTIARY HISTORIC SITE INC ↗
- Who funds PHILADELPHIA THEATRE COMPANY ↗
- Who funds THE CROSSING INC ↗
- Who funds THE NATIONAL SOCIETY OF COLONIAL DAMES OF AMERICA IN PA ↗
- Who funds TILT INSTITUTE FOR THE CONTEMPORARY IMAGE ↗
- Who funds THE LIBRARY COMPANY OF PHILADELPHIA ↗
- Who funds SETTLEMENT MUSIC SCHOOL OF PHILADELPHIA ↗
- Who funds BLACKSTAR PROJECTS INC ↗
- Who funds THEATRE HORIZON INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Philadelphia Cultural Fund Inc · The William Penn Foundation · The Pew Charitable Trusts · The Philadelphia Foundation · Independence Foundation · The Barra Foundation Inc · Henry Dolfinger 2 Trust Uw · Lindback Cr & Mf Foundation Tw Main · Wyncote Foundation · Connelly Foundation · Pennsylvania Humanities Council · John S and James L Knight Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The University of the Arts funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.