· Private foundation
The Pollock-Krasner Foundation Inc
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k1 grant · $2k
- $10k–50k76 grants · $2.4M
- $50k–250k5 grants · $356k
| Recipient | Amount |
|---|---|
| METROPOLITAN MUSEUM OF ART | $150,000 |
| FUNDACION CALLIA | $55,940 |
| RABINOVICH THE ESTATE OF RAQUEL | $50,000 |
| Individual grant recipient | $50,000 |
| Individual grant recipient | $50,000 |
| MATHIS AMANDA C | $48,000 |
| Individual grant recipient | $47,000 |
| Individual grant recipient | $45,000 |
| Individual grant recipient | $45,000 |
| Individual grant recipient | $45,000 |
| Individual grant recipient | $43,000 |
| Individual grant recipient | $42,000 |
| Individual grant recipient | $40,000 |
| Individual grant recipient | $40,000 |
| Individual grant recipient | $40,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
US giving: 74% of grant dollars ($20M). The need read here covers only this US portion; the 26% that went abroad ($6.8M) is mapped below.
Its human-services grants (FY24–25, $80k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
Beyond the US: 26% of all-years giving ($6.8M)
43 countries, by the recipient’s country on the filing.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +24% since the first grant, against +24% for those funded once.
50 repeat relationships: 23 still active in FY2025, 27 since wound down; 59 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 23% of grant dollars renewed an existing relationship; $2.1M went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- VSVERMONT STUDIO CENTER INC6× · 2017–2025 · $288k · revenue +120%
- ISINTERNATIONAL STUDIO & CURATORIAL PROGRAM INC8× · 2017–2025 · $270k · revenue +30%
NEW YORK FOUNDATION FOR THE ARTS INC9× · 2017–2025 · $240k · revenue +208%
Funded once
- TPThe Pierpont Morgan Librarygraduatedone grant, 2017 · $135k · revenue +109%
PORTLAND ART MUSEUMone grant, 2024 · $125k · revenue -17%- SBSTONY BROOK FOUNDATION INCgraduatedone grant, 2023 · $100k · revenue +193%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The arnot art museum is an exhibiting and collecting fine arts museum, accredited by the american association of museums. the museum exhibits its permanent collection of 17th-19th century european paintings and sculpture; 19th century…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
Dedicated to the creation, presentation and advancement of contemporary art through its exhibitions, educational programming and studio art program.
How this is measured
46 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 46 of the 883 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Showing the 200 largest grantees by grant value.
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds VERMONT STUDIO CENTER INC ↗
- Who funds INTERNATIONAL STUDIO & CURATORIAL PROGRAM INC ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds CHARLOTTE STREET FOUNDATION ↗
- Who funds THE CORPORATION OF YADDO ↗
- Who funds THE SCULPTURE CENTER INC ↗
- Who funds The Bronx Museum of the Arts ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds FINE ARTS WORK CENTER IN PROVINCETOWN INC ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds PORTLAND ART MUSEUM ↗
- Who funds STONY BROOK FOUNDATION INC ↗
- Who funds MADISON SQUARE PARK CONSERVANCY INC ↗
- Who funds MARIAN AND EDWARD MACDOWELL INC ↗
- Who funds SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE INC ↗
- Who funds STORM KING ART CENTER ↗
- Who funds INTERNATIONAL FOUNDATION FOR ART RESEARCH INC ↗
- Who funds ARTTABLE INC ↗
- Who funds ARTCOUNCIL INC DBA ARTADIA ↗
- Who funds CREATIVE CAPITAL FOUNDATION ↗
- Who funds MUSEUM OF ARTS AND DESIGN ↗
- Who funds WAVE HILL INCORPORATED ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Milton and Sally Avery Arts Foundation · The Andy Warhol Foundation for the Visual Arts Inc · Arison Arts Foundation · Ag Foundation · The Cowles Charitable Trust · Helen Frankenthaler Foundation Inc · Hillman Family Foundations · The Andrew W Mellon Foundation · The Kraus Family Foundation · May and Samuel Rudin Family Foundation Inc · Lily Auchincloss Foundation Inc · Jewish Communal Fund
How this is measured
How much its grantees rely on government
Each dot is one organization The Pollock-Krasner Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from The Pollock-Krasner Foundation Inc. Bigger dots raise more.
- Fine Arts Work Center in Provincetown Inc: 27% of income from government
- The Aldrich Contemporary Art Museum Inc: 9% of income from government
- Vermont Studio Center Inc: 2% of income from government
- Portland Art Museum: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Pollock-Krasner Foundation Inc?
Find your warmest path to The Pollock-Krasner Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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