· Private foundation
The Newburgh Institute for the Arts and Ideas
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| Metropolitan Musem of Art | $5,000 |
| The Crossings Harold Meltzer Record | $5,000 |
| Complexions Foundation | $1,500 |
| Untermyer Gardens Conservancy | $1,500 |
| The Vienna Philharmonic Society | $1,500 |
| Thornwillow Institute | $1,100 |
| The Pines Foundation | $1,000 |
| Preservation League of New York Sta | $1,000 |
| Composers Now | $400 |
| EAMA | $250 |
| Individual grant recipient | $58 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY19–19, $500) land where the poverty rate runs at 17%, against an area that typically sits at 8%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
16 repeat relationships: 7 still active in FY2024, 9 since wound down; 4 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 66% of grant dollars renewed an existing relationship; $6k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- MMMETROPOLITAN MUSEUM OF ART2× · 2023–2024 · $10k · revenue +19%
- NYNEW YORK LIVE ARTS INC4× · 2017–2023 · $8k · revenue +52%
- TVThe Vienna Philharmonic Society5× · 2018–2024 · $8k · revenue +6%
Funded once
- IGIndividual grant recipientone grant, 2020 · $25k
- AFAMERICAN FRIENDS OF NEW COLLEGE LTDone grant, 2022 · $24k · revenue -30%
- TFThe FIU Foundationone grant, 2019 · $5k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
NYFOS is dedicated to creating intimate song concerts of great beauty and originality, weaving music, poetry, history and humor into unforgettable evenings of compelling theater, entertaining, educating and creating community among…
Based in ny city the company focuses on producing and developing new opera and music theater works and rviving rarely seen american operas written after world war. teh center for contemporary operas ha sstaged the premiers of over seventy…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
To advocate for and support living composers
New york city opera was famously dubbed "the people's opera" by mayor fiorello laguardia at its founding in 1943. more than 80 years later, city opera continues its historic mission to inspire audiences with innovative and theatrically…
A pioneering advocate for cultural equity, the bronx council on the arts nurtures the development of diverse artists and arts organizations and build strong cultural connections in and beyond the bronx.
How this is measured
38 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 38 of the 61 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds President and Fellows of Harvard College ↗
- Who funds AMERICAN FRIENDS OF NEW COLLEGE LTD ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds PRESERVATION LEAGUE OF NEW YORK STATE ↗
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds THORNWILLOW INSTITUTE LTD ↗
- Who funds The Vienna Philharmonic Society ↗
- Who funds MUSEUM OF THE CITY OF NEW YORK ↗
- Who funds UNTERMYER GARDENS CONSERVANCY INC ↗
- Who funds YOUNG CONCERT ARTISTS INC ↗
- Who funds ELAINE KAUFMAN CULTURAL CENTER LUCY MOSES SCHOOL FOR MUSIC AND DANCE ↗
- Who funds THE CROSSING INC ↗
- Who funds Home for Contemporary Theatre and Art Ltd dba HERE Art Center ↗
- Who funds Boston Chamber Music Society Inc ↗
- Who funds THE CENTURY ASSOCIATION ↗
- Who funds FOUNDATION FOR INDEPENDENT ARTISTS INC ↗
- Who funds Complexions Foundation ↗
- Who funds COMPOSERS NOW INC ↗
- Who funds THE NAUMBURG ORCHESTRAL CONCERTS INC ↗
- Who funds FOUNTAIN HOUSE INC ↗
- Who funds THE ACADEMY OF AMERICAN POETS INC ↗
- Who funds SIR JOHN SOANE'S MUSEUM FOUNDATION ↗
- Who funds NEW YORK LANDMARKS CONSERVANCY INC ↗
- Who funds The English Concert In America Inc co Sabal & Associates ↗
- Who funds THE PINES FOUNDATION INC ↗
- Who funds THE INSTITUTE OF CLASSICAL ARCHITECTURE AND ART INC ↗
- Who funds THE OLIVER SCHOLARS PROGRAM INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Bernhill Fund · The Ford Foundation · The Andrew W Mellon Foundation · The Framarb Foundation · The Newcomb-Hargraves Foundation · J & Ar Foundation · Mid Atlantic Arts Inc · The New York Community Trust · National Philanthropic Trust · Jewish Communal Fund · Vanguard Charitable Endowment Program · Morgan Stanley Global Impact Funding Trust Inc
How this is measured
How much its grantees rely on government
Each dot is one organization The Newburgh Institute for the Arts and Ideas funds: left to right is the share of its income from government, bottom to top the share from The Newburgh Institute for the Arts and Ideas. Bigger dots raise more.
- President and Fellows of Harvard College: 7% of income from government
- Boston Chamber Music Society Inc: 2% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Newburgh Institute for the Arts and Ideas?
Find your warmest path to The Newburgh Institute for the Arts and Ideas through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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