· Private foundation
The Newburgh Institute for the Arts and Ideas
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| Metropolitan Musem of Art | $5,000 |
| The Crossings Harold Meltzer Record | $5,000 |
| Complexions Foundation | $1,500 |
| The Vienna Philharmonic Society | $1,500 |
| Untermyer Gardens Conservancy | $1,500 |
| Thornwillow Institute | $1,100 |
| The Pines Foundation | $1,000 |
| Preservation League of New York Sta | $1,000 |
| Composers Now | $400 |
| EAMA | $250 |
| Individual grant recipient | $58 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–19, $500) land where the poverty rate runs at 17%, against an area that typically sits at 8%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
16 repeat relationships — 7 still active in FY2024, 9 since wound down; 4 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 66% of grant dollars renewed an existing relationship; $6k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MMMETROPOLITAN MUSEUM OF ART2× · 2023–2024 · $10k · revenue +19%
- NYNEW YORK LIVE ARTS INC4× · 2017–2023 · $8k · revenue +52%
- TVThe Vienna Philharmonic Society5× · 2018–2024 · $8k · revenue +6%
Funded once
- IGIndividual grant recipientone grant, 2020 · $25k
- AFAMERICAN FRIENDS OF NEW COLLEGE LTDone grant, 2022 · $24k · revenue -30%
- HFHome for Contemporary Theatre and Art Ltd dba HERE Art Centergraduatedone grant, 2017 · $5k · revenue +52%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
NYFOS is dedicated to creating intimate song concerts of great beauty and originality, weaving music, poetry, history and humor into unforgettable evenings of compelling theater, entertaining, educating and creating community among…
Based in ny city the company focuses on producing and developing new opera and music theater works and rviving rarely seen american operas written after world war. teh center for contemporary operas ha sstaged the premiers of over seventy…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
To advocate for and support living composers
New york city opera was famously dubbed "the people's opera" by mayor fiorello laguardia at its founding in 1943. more than 80 years later, city opera continues its historic mission to inspire audiences with innovative and theatrically…
A pioneering advocate for cultural equity, the bronx council on the arts nurtures the development of diverse artists and arts organizations and build strong cultural connections in and beyond the bronx.
For reference, the grantee most central to the portfolio’s shape is New York Landmarks Conservancy Inc and the most unlike its peers is The Foolproof Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 36 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
38 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 38 of the 61 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds President and Fellows of Harvard College ↗
- Who funds AMERICAN FRIENDS OF NEW COLLEGE LTD ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds PRESERVATION LEAGUE OF NEW YORK STATE ↗
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds THORNWILLOW INSTITUTE LTD ↗
- Who funds The Vienna Philharmonic Society ↗
- Who funds MUSEUM OF THE CITY OF NEW YORK ↗
- Who funds Home for Contemporary Theatre and Art Ltd dba HERE Art Center ↗
- Who funds UNTERMYER GARDENS CONSERVANCY INC ↗
- Who funds ELAINE KAUFMAN CULTURAL CENTER LUCY MOSES SCHOOL FOR MUSIC AND DANCE ↗
- Who funds YOUNG CONCERT ARTISTS INC ↗
- Who funds THE CROSSING INC ↗
- Who funds Boston Chamber Music Society Inc ↗
- Who funds THE CENTURY ASSOCIATION ↗
- Who funds FOUNDATION FOR INDEPENDENT ARTISTS INC ↗
- Who funds Complexions Foundation ↗
- Who funds THE NAUMBURG ORCHESTRAL CONCERTS INC ↗
- Who funds COMPOSERS NOW INC ↗
- Who funds FOUNTAIN HOUSE INC ↗
- Who funds THE ACADEMY OF AMERICAN POETS INC ↗
- Who funds SIR JOHN SOANE'S MUSEUM FOUNDATION ↗
- Who funds Groupmuse Foundation Inc ↗
- Who funds THE OLIVER SCHOLARS PROGRAM INC ↗
- Who funds THE INSTITUTE OF CLASSICAL ARCHITECTURE AND ART INC ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds THE PINES FOUNDATION INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Bernhill Fund · The Ford Foundation · The Andrew W Mellon Foundation · The Framarb Foundation · The Newcomb-Hargraves Foundation · J & Ar Foundation · Mid Atlantic Arts Inc · The New York Community Trust · National Philanthropic Trust · Jewish Communal Fund · Vanguard Charitable Endowment Program · Morgan Stanley Global Impact Funding Trust Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Newburgh Institute for the Arts and Ideas funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- President and Fellows of Harvard College — 7% of income from government
- Boston Chamber Music Society Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Newburgh Institute for the Arts and Ideas?
Find your warmest path to The Newburgh Institute for the Arts and Ideas through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.