· Private foundation
The Muriel Pollia Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k31 grants · $104k
- $10k–50k17 grants · $323k
- $50k–250k6 grants · $528k
| Recipient | Amount |
|---|---|
| PEOPLE FOR THE AMERICAN WAY | $175,000 |
| VANDERBILT UNIVERSITY | $100,000 |
| LIBRARY FOUNDATION | $85,000 |
| NEW YORK LIVE ARTS | $60,000 |
| HUMANITAS | $55,000 |
| HOUSTON FOOD BANK | $53,000 |
| GOODMAN THEATRE | $45,000 |
| THE ROTHKO CHAPEL | $25,000 |
| INTERSECTION FOR THE ARTS | $25,000 |
| FORWARD TOGETHER WISCONSIN | $25,000 |
| Individual grant recipient | $25,000 |
| THE DOLORES HUERTA FOUNDATION | $22,000 |
| HOLLYWOOD HIGH SCHOOL | $20,500 |
| FALLEN FRUIT-FULCRUM ARTS | $20,000 |
| NEW GEORGIA PROJECT | $20,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY21–25, $13k) land where the poverty rate runs at 16%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
50 repeat relationships: 37 still active in FY2025, 13 since wound down; 17 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 87% of grant dollars renewed an existing relationship; $122k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
Vanderbilt University6× · 2020–2025 · $408k · revenue +65%- NYNEW YORK LIVE ARTS INC5× · 2021–2025 · $263k · revenue +36%
DOLORES C HUERTA FOUNDATION6× · 2020–2025 · $231k · revenue +10%
Funded once
- LDLIVING DESERT THEgraduatedone grant, 2020 · $60k · revenue +100%
- ACART COUNCIL INCone grant, 2021 · $50k
- UOUNIVERSITY OF LA VERNEone grant, 2020 · $30k · revenue -5%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
Artpace san antonio is a nonprofit residency program which supports texas, national, and international artists in the creation of new art. see schedule o for continuation.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
Via art fund is a nonprofit organization where art patrons join forces as partners in a new model of philanthropy to support visionary initiatives in art.
A contemporary art space that provides direct support to artists through exhibition opportunities, live commissions, and public programs. in recent years, the exhibition program has grown to present six major exhibitions per year…
Counterpublic is a triennial exhibition reimaginging the possibilities of art in public life.
White columns identifies significant emerging and under-represented visual artists and encourages their creative and professional development through the presentation of group and solo exhibitions, an online curated artists registry, and…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
See schedule osculpturecenter leads the conversation on contemporary art by supporting artistic innovation and independent thought highlighting sculpture's specific potential to change the way we engage with the world. positioning artists'…
How this is measured
66 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 66 of the 98 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds PEOPLE FOR THE AMERICAN WAY ↗
- Who funds Vanderbilt University ↗
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds DOLORES C HUERTA FOUNDATION ↗
- Who funds The Houston Food Bank ↗
- Who funds Rothko Chapel ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds LIVING DESERT THE ↗
- Who funds Intersection for the Arts ↗
- Who funds FULCRUM ARTS ↗
- Who funds The Laundromat Project Inc ↗
- Who funds Daraja Education Fund ↗
- Who funds CHICAGO THEATRE GROUP INC ↗
- Who funds Forward Together Wisconsin ↗
- Who funds THE HOMETOWN PROJECT INC ↗
- Who funds WAVE FARM INC ↗
- Who funds NEW GEORGIA PROJECT INC ↗
- Who funds THE POSSE FOUNDATION INC ↗
- Who funds UNIVERSITY OF LA VERNE ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds NXTHVN INC ↗
- Who funds PORTLAND ART MUSEUM ↗
- Who funds STREET SYMPHONY PROJECT INC ↗
- Who funds MASS DESIGN GROUP LTD ↗
- Who funds TED FOUNDATION INC ↗
- Who funds SANDY HOOK PROMISE FOUNDATION ↗
- Who funds CORNERSTONE THEATER COMPANY ↗
- Who funds FOOD FORWARD INC ↗
- Who funds PARTNERS IN HEALTH A NONPROFIT CORPORATION ↗
- Who funds Earshot Jazz Society of Seattle ↗
- Who funds THE INSTITUTE FOR FIGURING ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Andrew W Mellon Foundation · Tides Foundation · The Annenberg Foundation · The Andy Warhol Foundation for the Visual Arts Inc · The Ford Foundation · California Community Foundation · Arison Arts Foundation · Jerome Foundation Inc · The Scherman Foundation Inc · The Ralph M Parsons Foundation · The San Francisco Foundation · The Wilhelm Family Foundation Co Cascade Wilhelm
How this is measured
How much its grantees rely on government
Each dot is one organization The Muriel Pollia Foundation funds: left to right is the share of its income from government, bottom to top the share from The Muriel Pollia Foundation. Bigger dots raise more.
- Portland Art Museum: 1% of income from government
- Nxthvn Inc: 1% of income from government
- Sandy Hook Promise Foundation: 0% of income from government
- Year Up Inc: 0% of income from government
- Partners in Health a Nonprofit Corporation: 0% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Muriel Pollia Foundation?
Find your warmest path to The Muriel Pollia Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
Play a game based on Muriel Pollia’s filings →