· Public charity
The Lotos Foundation Inc
See schedule o.the lotos foundation, inc.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2019 to 2025.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
| Recipient | Amount |
|---|---|
| ARTISTS SPACE INC | $10,000 |
| MOVE(NYC) | $10,000 |
| MAMA FOUNDATION FOR THE ARTS | $10,000 |
| DEVELOPING ARTISTS THEATRE CO | $10,000 |
| RED HOOK ART PROJECT | $10,000 |
| CORNELIA CONNELLY CENTER | $10,000 |
| THE WOOSTER GROUP | $10,000 |
| MOVEMENT RESEARCH INC | $10,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY19–21, $24k) land where the poverty rate runs at 17%, against an area that typically sits at 16%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +1% since the first grant, against -1% for those funded once.
15 repeat relationships: 5 still active in FY2025, 10 since wound down; 3 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 63% of grant dollars renewed an existing relationship; $30k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- MFMAMA FOUNDATION FOR THE ARTS INC4× · 2020–2025 · $34k · revenue +158%
- MFMOVE(NYC) FOUNDATION INC3× · 2023–2025 · $26k · revenue +44%
- DWDANCE WORKS INC3× · 2021–2023 · $24k · revenue +10%
Funded once
- JHJEWISH HOME LIFECARE MANHATTANone grant, 2022 · $16k · revenue -9%
- IPIrondale Productions Incone grant, 2022 · $8k · revenue -12%
- T5THE 52ND STREET PROJECT INCone grant, 2019 · $8k · revenue +11%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Nia theatrical production company inc. is dedicatedto educating young artist and bringing arts program to underserved communities in nyc.
The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…
Amda is committed to providing an unsurpassed performing arts education to a diverse community of creative artists. amda seeks to be both the school and the stage, where students are given the support and the freedom to find their voice…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
Dancewave, Inc. is a nonprofit arts organization that transforms the lives of New York City youth through unique exposure to world-class, pre-professional performing arts training.
The new 42nd street, inc. (d/b/a new 42) is a leading performing arts nonprofit whose mission is to make extraordinary performing arts a vital part of everyone's life from the earliest years onward.
The purposes of the corporation are to introduce and foster the arts into the experience, participation and knowledge of children using dance as a catalyst; promote the belief that the arts are primary and vital in our society and should…
Provide high quality low cost performing arts classes to underserved children in Harlem and the surrounding neigborhoods.
New jersey dance theatre ensemble provides the highest quality, pre-professional training to aspiring dancers from new jersey through professional experiences with world-renowned dancers, teachers, choreographers, and musicians. founded in…
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
How this is measured
24 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 24 of the 27 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds Opening Act Inc ↗
- Who funds MAMA FOUNDATION FOR THE ARTS INC ↗
- Who funds Developing Artists Theaters Company Inc ↗
- Who funds MOVE(NYC) FOUNDATION INC ↗
- Who funds DANCE WORKS INC ↗
- Who funds THE BUSHWICK STARR INC ↗
- Who funds DISCALCED INC ↗
- Who funds ALVIN AILEY DANCE FOUNDATION INC ↗
- Who funds GIRLS WRITE NOW INC ↗
- Who funds THE KITCHEN INC ↗
- Who funds NATIONAL CHORAL COUNCIL INC ↗
- Who funds COMMUNITY-WORD PROJECT INC ↗
- Who funds JEWISH HOME LIFECARE MANHATTAN ↗
- Who funds AMERICAN COMPOSERS ORCHESTRA INC ↗
- Who funds MOVEMENT RESEARCH INC ↗
- Who funds THE WOOSTER GROUP INC ↗
- Who funds Irondale Productions Inc ↗
- Who funds THE 52ND STREET PROJECT INC ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds THE MIDORI FOUNDATION INC ↗
- Who funds GINA GIBNEY DANCE INC ↗
- Who funds THE CENTER FOR URBAN PEDAGOGY INC ↗
- Who funds BLOOMINGDALE SCHOOL OF MUSIC ↗
- Who funds SOCIETY OF THE EDUCATIONAL ARTS INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Hyde and Watson Foundation · The Howard Gilman Foundation Inc · Cornelia T Bailey Charitable Trust · The New York Community Trust · Booth Ferris Foundation Xxxxx4008 · Pinkerton Foundation · The Macmillan Family Foundation Inc · Lily Auchincloss Foundation Inc · Youth Improving Non-Profits for Children · The Pierre & Tana Matisse Foundation Inc · The Harkness Foundation for Dance Inc · Jpmorgan Chase Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Lotos Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from The Lotos Foundation Inc. Bigger dots raise more.
How this is measured
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How do I get to The Lotos Foundation Inc?
Find your warmest path to The Lotos Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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