· Private foundation
The Herberger Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k2 grants · $11k
- $10k–50k9 grants · $120k
- $50k–250k6 grants · $630k
| Recipient | Amount |
|---|---|
| SCOTTSDALE ARTS | $155,000 |
| THE PHOENIX THEATRE COMPANY | $125,000 |
| HERBERGER THEATER CENTER | $125,000 |
| VALLEY YOUTH THEATER | $100,000 |
| UTAH FILM CENTER | $75,000 |
| CHILDSPLAY INC | $50,000 |
| LA JOLLA MUSIC SOCIETY | $25,000 |
| WALDORF IN NORTH COASTAL | $20,000 |
| ACT ONE | $15,000 |
| CHECK FOR A LUMP | $10,000 |
| THEATRE & ARTS FOUNDATION OF SAN DIEGO | $10,000 |
| KIDS IN FOCUS | $10,000 |
| DEFENDERS OF CHILDREN | $10,000 |
| ART RENAISSANCE FOUNDATION DBA INITIATIVE | $10,000 |
| ROSIE'S HOUSE | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–24, $61k) land where the poverty rate runs at 10%, against an area that typically sits at 10%. 67% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
28 repeat relationships — 13 still active in FY2024, 15 since wound down; 4 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 92% of grant dollars renewed an existing relationship; $63k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SASCOTTSDALE ARTS5× · 2020–2024 · $785k · revenue +17%
- TPTHE PHOENIX THEATRE COMPANY AND SUBSIDIARY5× · 2020–2024 · $775k · revenue +44%
- BABALLET ARIZONA4× · 2020–2023 · $375k · revenue +54%
Funded once
- PSPHOENIX SYMPHONY ASSOCIATIONgraduatedone grant, 2021 · $100k · revenue +152%
- TFTHE FILM COLLABORATIVE INCone grant, 2022 · $25k · revenue +18%
- SLSCOTTSDALE LEADERSHIP INCone grant, 2023 · $15k · revenue +24%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the Tucson Symphony is to build and enrich community through the experience of live music of the highest quality.
Arizona school for the arts inspires creative thinkers and leaders through providing an innovative concentration in college preparation informed by the performing arts.
Professional production of opera for the public, and education about opera and the performing arts for audiences of all ages.
By intgrating performing arts education programs and musical theatre productions, art express theatre opens up the world of the arts to all ages. it serves over 25,000 people annually thorugh a continuum of introductory to advance…
Nurture and amplify the strength and resonance of arizonas choral artistry through live concert experiences performed by professional singers living in arizona, and via recordings and other media for those outside the state to know and…
Phoenix Center for the Arts provides arts and culture opportunities for all through education, programming and advocacy.
We are arizona's center stage, engaging the community through diverse experiences that ignite emotion, stimulate conversation, and inspire connections with the arts.
Foster excellence in youth by facilitating artistic, cultural, and personal development through choral education and performance.
To inspire, educate and engage curious minds through science.
Phoenix art museum creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. this mission is supported by seven strategic pillars:(continued on schedule o)1. be a space…
Ballet tucson is dedicated to bringing iconic, world-class dance performances and rising star artists to tucson and to sharing explorative experiences that inspire hope and excitement in our community.
See schedule 0founded in 1994, opera santa barbara is the signature provider of professional opera on the california central coast. we aspire to be a cultural leader in the santa barbara region, voicing and advancing our community's spirit…
For reference, the grantee most central to the portfolio’s shape is Phoenix Symphony Association and the most unlike its peers is Rosies House a Music Academy for Children Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 30 years old; the field is 12. You back the established end — and your money leans older still.
The field is 27% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
37 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 37 of the 44 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds SCOTTSDALE ARTS ↗
- Who funds THE PHOENIX THEATRE COMPANY AND SUBSIDIARY ↗
- Who funds ARIZONA OPERA COMPANY ↗
- Who funds BALLET ARIZONA ↗
- Who funds VALLEY YOUTH THEATRE ↗
- Who funds CHILDSPLAY INC ↗
- Who funds ITHEATRE COLLABORATIVE ↗
- Who funds Arizona Theatre Company ↗
- Who funds PHOENIX SYMPHONY ASSOCIATION ↗
- Who funds SCOTTSDALE PHILHARMONIC INC ↗
- Who funds American Heart Association Inc ↗
- Who funds UTAH FILM CENTER ↗
- Who funds ACT ONE ↗
- Who funds Arizona Citizens for the Arts ↗
- Who funds Kids in Focus ↗
- Who funds Rosies House A Music Academy for Children Inc ↗
- Who funds DEFENDERS OF CHILDREN ↗
- Who funds ARIZONA COMMUNITY FOUNDATION ↗
- Who funds Release The Fear Inc ↗
- Who funds Check For a Lump ↗
- Who funds PHOENIX CONSERVATORY OF MUSIC ↗
- Who funds ARIZONA STATE UNIVERSITY FOUNDATION FOR A NEW AMERICAN UNIVERSITY ↗
- Who funds LA JOLLA MUSIC SOCIETY ↗
- Who funds THE FILM COLLABORATIVE INC ↗
- Who funds WALDORF IN NORTH COASTAL INC ↗
- Who funds COSANTI FOUNDATION ↗
- Who funds SCOTTSDALE LEADERSHIP INC ↗
- Who funds Trends Charitable Fund ↗
- Who funds UC SAN DIEGO FOUNDATION ↗
- Who funds MEDICAL DEBT RESOLUTION INC ↗
- Who funds SPUR COMMUNITY FOUNDATION INC ↗
- Who funds ARIZONA FOUNDATION FOR WOMEN INC ↗
- Who funds THE PUTNAM FOUNDATION DBA TIMKEN MUSEUM OF ART ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Virginia G Piper Charitable Trust · Arizona Community Foundation · Margaret T Morris Foundation · Jewish Community Foundation of Greater Phoenix · Thunderbirds Charities · Scottsdale League for the Arts · Scottsdale Arts · Moreno Family Foundation · Flinn Foundation · Sherman and Linda Saperstein Charitable Trust · L Roy Papp Charitable Trust · Charles and Laura Goldstein Philanthropic Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Herberger Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.