· Private foundation
The Guston Fund
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k1 grant · $5k
- $10k–50k6 grants · $100k
- $50k–250k3 grants · $200k
| Recipient | Amount |
|---|---|
| VERMONT STUDIO CENTER INC | $100,000 |
| MARIAN AND EDWARD MACDOWELL INC | $50,000 |
| NEW YORK STUDIO SCHOOL | $50,000 |
| BROOKLYN RAIL INC | $20,000 |
| AMERICAN ACADEMY IN ROME | $20,000 |
| CORPORATION OF YADDO | $20,000 |
| CENTER FOR CULTURAL INNOVATION | $20,000 |
| INTERNATIONAL PRINT CENTER NEW YORK | $10,000 |
| ASPEN INSTITUTE INC | $10,000 |
| JEWISH MUSEUM | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY19–25) land where the poverty rate runs at 12%, against an area that typically sits at 12%. 59% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +14% since the first grant, against +2% for the ones you funded once.
9 repeat relationships — 9 still active in FY2025, 0 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 93% of grant dollars renewed an existing relationship; $20k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TBTHE BROOKLYN RAIL INC4× · 2022–2025 · $490k · revenue +31%
- NYNEW YORK STUDIO SCHOOL3× · 2023–2025 · $225k · revenue +14%
- TJTHE JEWISH MUSEUM2× · 2024–2025 · $105k · revenue +17%
Funded once
- TBThe Broad Institute Incone grant, 2024 · $1.0M · revenue +2%
NATIONAL MULTIPLE SCLEROSIS SOCIETYone grant, 2024 · $157k · revenue -6%- MLMILDRED LANE KEMPER ART MUSEUMone grant, 2019 · $60k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
The mission of rhode island school of design, through its college and museum,is to educate its students and the public in the creation and (see schedule o)appreciation of works of art and design, to discover and transmit knowledge and to…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The new york academy of art is a unique graduate school that combines intensive technical training in the fine arts with active critical discourse. we believe that rigorously trained artists are best able to realize their artistic vision.…
A contemporary art space that provides direct support to artists through exhibition opportunities, live commissions, and public programs. in recent years, the exhibition program has grown to present six major exhibitions per year…
For reference, the grantee most central to the portfolio’s shape is International Print Center New York and the most unlike its peers is National Multiple Sclerosis Society. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
14 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 14 of the 15 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds AMERICAN ENDOWMENT FOUNDATION ↗
- Who funds The Broad Institute Inc ↗
- Who funds VERMONT STUDIO CENTER INC ↗
- Who funds THE BROOKLYN RAIL INC ↗
- Who funds NEW YORK STUDIO SCHOOL ↗
- Who funds NATIONAL MULTIPLE SCLEROSIS SOCIETY ↗
- Who funds MARIAN AND EDWARD MACDOWELL INC ↗
- Who funds THE JEWISH MUSEUM ↗
- Who funds THE CORPORATION OF YADDO ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds United States Artists Inc ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds INTERNATIONAL PRINT CENTER NEW YORK ↗
- Who funds Center for Cultural Innovation ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Helen Frankenthaler Foundation Inc · The Chicago Community Trust · Milton and Sally Avery Arts Foundation · The New York Community Trust · National Philanthropic Trust · American Endowment Foundation · Jewish Communal Fund · Vanguard Charitable Endowment Program · Morgan Stanley Global Impact Funding Trust Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Guston Fund funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Broad Institute Inc — 19% of income from government
- Vermont Studio Center Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Guston Fund?
Find your warmest path to The Guston Fund through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.