· Private foundation
The Elizabeth George Foundation Co Susan E George
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| Individual grant recipient | $30,000 |
| Individual grant recipient | $30,000 |
| Individual grant recipient | $27,500 |
| Individual grant recipient | $26,400 |
| Individual grant recipient | $25,000 |
| Sterling Holy White Mountain | $25,000 |
| Mandy Moe Pwint Tu | $25,000 |
| Individual grant recipient | $23,750 |
| Individual grant recipient | $23,000 |
| Individual grant recipient | $22,300 |
| Individual grant recipient | $22,200 |
| Individual grant recipient | $20,500 |
| Individual grant recipient | $20,000 |
| SEATTLE ARTS LECTURES | $20,000 |
| Individual grant recipient | $20,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–25, $20k) land where the poverty rate runs at 16%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
28 repeat relationships — 25 still active in FY2025, 3 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 83% of grant dollars renewed an existing relationship; $97k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
Wordcrafters in Eugene4× · 2018–2025 · $60k · revenue +33%- OJOPERATION JUMP START2× · 2023–2025 · $30k · revenue +8%
- CTCHILDREN'S THEATER OF MADISON INC5× · 2018–2025 · $30k · revenue +209%
Funded once
- OFORANGEWOOD FOUNDATIONgraduatedone grant, 2018 · $60k · revenue +27%
- IGIndividual grant recipientone grant, 2018 · $39k
- IGIndividual grant recipientone grant, 2023 · $35k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To provide quality educational opportunities in the theatre arts for young people of all abilities and levels of interest to produce quality theatre for and by the young with appeal to all ages to expose the community to diverse ideas and…
Artists repertory theatre's mission is to produce intimate, provacative theatre and provide a home for a diverse community of artists and audiences to take creative risks.
Inspired by the intelligence and emotional wisdom of young people, we create professional theatre for youth and families, foster inclusive community, and nurture meaningful learning through the arts. We provide these experiences through…
Profile theatres mission is to produce a season of first-class productions and community engagement activities centered around a season-long featured writer whose vision broadens our perspective on the world and deepens our collective…
Young Playwrights Theater (YPT) is committed to using theater & writing to foster dialogue, arts education, literacy & conflict resolution in communities.
Nurtures the intellectual, artistic and personal development of children aged 3-18 through drama education, performing opportunities and live theatre experiences.
The mission of oregon children's theater is to create exceptional theater experiences that transform lives. we do this by producing professional stage plays for young audiences, and through arts education classes and programs.
A Seattle-based improv theater with the mission to foster creativity, build community, and inspire personal growth through the art of comedy.
Empowering and inspiring a new generation of changemakers through theatre. at scct, we define a changemaker as: someone who has empathy for others and is driven to make the world a better place. someone who is inquisitive, open minded, and…
Children's Theatre Company exists to create extraordinary theater experiences that educate, challenge, and inspire young people and their communities.
Playmakers laboratory (pml) is an ensemble of actor/educators who create an alternative learning environment in which children share their personal voices and celebrate the power of their imaginations. pml accomplishes this through…
Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…
For reference, the grantee most central to the portfolio’s shape is Seattle Repertory Theatre and the most unlike its peers is Wordcrafters in Eugene. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
14 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 14 of the 156 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · The Sheri and Les Biller Family Foundation · Grousemont Foundation · Mightycause Charitable Foundation · Seattle Foundation · The Blackbaud Giving Fund · Jpmorgan Chase Foundation · Morgan Stanley Global Impact Funding Trust Inc · Network for Good · National Philanthropic Trust · The Bank of America Charitable Foundation Inc · Vanguard Charitable Endowment Program
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Elizabeth George Foundation Co Susan E George funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Wordcrafters in Eugene — 6% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Elizabeth George Foundation Co Susan E George?
Find your warmest path to The Elizabeth George Foundation Co Susan E George through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.