· Private foundation
The Asbjorn Lunde Foundation Inc
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2024
- Under $10k3 grants · $18k
- $10k–50k5 grants · $55k
- $50k–250k2 grants · $225k
| Recipient | Amount |
|---|---|
| ORCHESTRA OF ST LUKE'S | $125,000 |
| AMERICAN FRIENDS OF THE NATIONAL PORTRAIT GALLERY | $100,000 |
| CURRIER MUSEUM OF ART | $15,000 |
| KBFUS | $10,000 |
| HUDSON HALL | $10,000 |
| HUDSON HALL | $10,000 |
| NEWARK HISTORICAL SOCIETY | $10,000 |
| FRIENDS OF DUANE PARK | $7,500 |
| CHURCH STREET SCHOOL FOR MUSIC & ART | $7,500 |
| AMERICAN FRIENDS OF THE MAURITSHUIS | $2,500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–24) land where the poverty rate runs at 13%, against an area that typically sits at 10%. 94% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +123% since the first grant, against +41% for those funded once.
8 repeat relationships: 6 still active in FY2024, 2 since wound down; 2 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 62% of grant dollars renewed an existing relationship; $110k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- SASTERLING AND FRANCINE CLARK ART INSTITUTE3× · 2020–2023 · $577k · revenue +123%
- SLST LUKES CHAMBER ENSEMBLE INC5× · 2020–2024 · $302k · revenue +97%
- FOFRIENDS OF DUANE PARK INC4× · 2021–2024 · $30k · revenue +208%
Funded once
- TOTHE OLANA PARTNERSHIPone grant, 2023 · $35k · revenue -26%
- TNTHE NORWEGIAN EMIGRANT MUSEUM INCone grant, 2021 · $25k
UNIVERSITY OF MASSACHUSETTS AMHERST FOUNDATION INCgraduatedone grant, 2023 · $10k · revenue +397%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
To invest in america's finest artists and illuminate the value of artists to society.
A pioneering advocate for cultural equity, the bronx council on the arts nurtures the development of diverse artists and arts organizations and build strong cultural connections in and beyond the bronx.
The mission of new york city center is to be new york city's leading center for dance and musical theater. dedicated to making the arts accessible to the broadest possible audience, city center seeks to create a welcoming environment and…
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
Established in 1971, the mission of the new york foundation for the arts (nyfa) is to empower artists in all disciplines, as well as cultural workers, to achieve success on their own terms by providing critical support, resources, and…
Supports the nyu institute of fine arts, a division of the nyu graduate school of arts and science; which is devoted to graduate teaching and research in the history of art and archeology and the conservation of works of art.
NYFOS is dedicated to creating intimate song concerts of great beauty and originality, weaving music, poetry, history and humor into unforgettable evenings of compelling theater, entertaining, educating and creating community among…
The new york academy of art is a unique graduate school that combines intensive technical training in the fine arts with active critical discourse. we believe that rigorously trained artists are best able to realize their artistic vision.…
The irish repertory theatre (the "theatre") mission is to bring works by irish and irish american masters and contemporary playwrights to american audiences, to provide a context for understanding the contemporary irish american experience…
The new york studio school is committed to giving a significant education to the aspiring artist, a preamble to a lifetime's engagement in drawing, painting, and sculpture. (see schedule o for continuation)
The american federation of arts initiates and organizes a national and international program of art exhibitions, publications, and educational activities to benefit the museum community and enrich the public's experience and understanding…
How this is measured
14 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 14 of the 22 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds STERLING AND FRANCINE CLARK ART INSTITUTE ↗
- Who funds MYRIAD USA INC ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
- Who funds AMERICAN FRIENDS OF THE NATIONAL PORTRAIT GALLERY (LONDON) FOUNDATION INC ↗
- Who funds THE OLANA PARTNERSHIP ↗
- Who funds FRIENDS OF DUANE PARK INC ↗
- Who funds CHURCH STREET SCHOOL FOR MUSIC AND ART ↗
- Who funds UNIVERSITY OF MASSACHUSETTS AMHERST FOUNDATION INC ↗
- Who funds THE NETHERLAND-AMERICA FOUNDATION INC ↗
- Who funds HUDSON VALLEY SHAKESPEARE FESTIVAL INC ↗
- Who funds BALBOA ART CONSERVATION CENTER ↗
- Who funds MUSIC THAT HEALS INC ↗
- Who funds Bindlestiff Family Variety Arts Inc ↗
- Who funds THE RUSSIAN ARTS THEATRE AND STUDIO ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: National Philanthropic Trust · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Asbjorn Lunde Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from The Asbjorn Lunde Foundation Inc. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Asbjorn Lunde Foundation Inc?
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Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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