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Screen Actors Guild-American Federation of Television and Radio Artists Found

The sag-aftra foundation (the "foundation") provides vital assistance and educational programming to the professionals of sag-aftra while serving the public at large through its signature children's literacy program.

$2.7M
Granted FY2025still arriving
7
Grants FY2025still arriving
2
States reached
$350k
Largest
01What it funds
01100% classified

What it funded, over time

Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.

Membership Benefit$7.3MHuman Services$600kArts & Culture$425kYouth Development$10k
02FY2025 · 7 grants

Where the money goes

Grants by size, and the largest recipients.

How this is measured
The 7 grants below total $580,000, the rows itemized in this filing. The $2,705,203 headline is the total grant expense on the return; the other $2,125,203 is giving the schedule does not break out (grants under the $5,000 itemization floor, grants to individuals, grants on other schedules). Every figure below describes the itemized rows only.

By grant size · FY2025

  • $10k–50k5 grants · $80k
  • $50k–250k1 grant · $150k
  • $250k+1 grant · $350k
$25,000
Median grant
2
States reached
$67M
Total assets
Largest grants
RecipientAmount
ENTERTAINMENT COMMUNITY FUND$350,000
MUSEUM OF THE MOVING IMAGE$150,000
MOTION PICTURE & TELEVISION FUND$25,000
GHETTO FILM SCHOOL$25,000
DEBBIE ALLEN DANCE ACADEMY$10,000
ACADEMY FOUNDATION$10,000
THE VITA PROGRAM OF AEA AND SAG-AFTRA$10,000
02The need
03

Does the money reach high-need areas?

Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.

show:

Its human-services grants (FY17–25, $250k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.

area typical 12%MOTION PICTURES & TELEVISION FUND: $50k → 14%MOTION PICTURE & TELEVISION FUND: $50k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%MOTION PICTURE & TELEVISION FUND: $25k → 14%0%20%40%50%more need →
grant to an above-average-need area below average· circle size = grant amount
How this is measured
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP.
How this is measured
US grants placed by each grantee’s ZIP, which can differ from where services are delivered. Need from public data (U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA), shown as context about the area, never attributed to the funder’s giving.
03Its grantees
repeat funding

Who it funds again

Organizations funded in more than one year, against those funded once.

100%of every dollar goes to organizations it has funded before.
$8.3M · 4 repeat orgs$35k to everyone else

Grantees it renews have grown median revenue +107% since the first grant, against +32% for those funded once.

4 repeat relationships: 4 still active in FY2025, 0 since wound down; 3 grantees were first funded in FY2025 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

4
1

Total granted

$8.3M
$5k

Median revenue growth · since first grant

+107%
+32%

Still filing today

100%
100%

New vs renewed · share of each year

In FY2025, 95% of grant dollars renewed an existing relationship; $30k went to new ones.

50%100%’17’18’19’20’21’22’23’24’25
RenewedFirst-time

Where new relationships form · theme of each grantee’s first grant

’17’18’19’20’21’22’23’24’25
Arts & CultureMembership BenefitHuman ServicesEducationOther
How this is measured
First-time means a grantee’s first year in the filing window; renewed means funded in an earlier year too. The renewed share climbs naturally as a portfolio matures, so the signal is a year that bucks it (a wave of new grantees). The earliest year is left-censored: relationships that predate the data read as new. Theme is the grantee’s IRS cause.

Backed again, and grew

  • TA
    THE ACTORS' FUND OF AMERICA
    8× · 2017–2025 · $7.6M · revenue +80%
  • MP
    MOTION PICTURE AND TELEVISION FUND
    8× · 2017–2025 · $250k · revenue +77%
  • TG
    THE GHETTO FILM SCHOOL INC
    8× · 2018–2025 · $200k · revenue +177%

Funded once

  • LW
    LULA WASHINGTON CONTEMPORARY DANCE FOUNDATIONgraduated
    one grant, 2017 · $5k · revenue +32%
How this is measured

Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.

04Its field

Closest unfunded matches

The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.

1
Academy of Motion Picture Arts and Sciences

To recognize and uphold excellence in the motion picture arts and sciences, inspire imagination, and connect the world through the medium of motion pictures.

—
2
Academy Museum Foundation

The academy museum of motion pictures advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. welcoming visitors from los angeles…

Arts & Culture
3
Amda Inc (American Musical and Dramatic Academy)

Amda is committed to providing an unsurpassed performing arts education to a diverse community of creative artists. amda seeks to be both the school and the stage, where students are given the support and the freedom to find their voice…

—
4
The American Film Institute

The american film institute ("afi") is a national institute providing leadership in screen education and the recognition and celebration of excellence in the art of film, television and digital media.

Arts & Culture
5
Academy of Television Arts and Sciences

The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…

—
6
The British Academy of Film and Television Arts North America Inc

The specific purposes for which bafta na is organized is to promote, maintain, improve and advance original and creative work among individuals employed professionally in film and television production and allied industries, to create and…

Arts & Culture
7
Los Angeles International Dance Festival
—
8
American Cinematheque

The american cinematheque believes that cinema is a communal experience with the power to entertain, enlighten and inspire. we build a diverse and engaged film community through immersive film curation, conversation, and presentation. we…

Arts & Culture
9
American Academy of Dramatic Arts

The goal of the academy is to prepare students for acting careers in theatre, television and film and to provide a practical, post-secondary education that emphasizes the skills needed by an actor in today's competitive environment.

Education
10
Screen Actors Guild-American Federation of Television and Radio Artists

Sag-aftra members work together to secure the strongest protections for media artists.

Employment
11
Latino Theater Company

The latino theater company operates the los angeles theatre center, whose mission is to provide a world class arts center for those pursuing artistic excellence; a laboratory where both tradition and innovation are honored and honed; a…

Arts & Culture
12
Moving Picture Institute

The moving picture institute is a nonprofit production company and talent incubator that creates high-impact films designed to entertain, inspire, and educate audiences with captivating stories about human freedom.

Arts & Culture
How this is measured
The grantee most central to the portfolio’s shape is The Actors' Fund of America; the most unlike its peers is American Museum of the Moving Image. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
04the grantee network

8 grantees tracked through their own filings, 2017–2025.

Each grant beside the grantee’s revenue from every source, year by year.

How this is measured

Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover.

Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.

0
Load-bearing (≥25% of a budget)
1
Early backer (in before they grew)
8/8
Grantees still filing
6/8
Grew since first funded

Where the money sits, by cause and then by grantee

THE ACTORS' FUND OF AMERICA: $7,621,767 · Membership BenefitTHE ACTORS' FUND OF AMERICATHE GHETTO FILM SCHOOL INC: $200,000 · Arts & CultureAMERICAN MUSEUM OF THE MOVING IMAGE: $200,000 · Arts & Culture+2 more: $15,000 · Arts & CultureMOTION PICTURE AND TELEVISION FUND: $250,000 · Human ServicesACTORS' EQUITY ASSOCIATION: $10,000 · OtherDEBBIE ALLEN DANCE INC DEBBIE ALLEN DANCE ACADEMY: $10,000 · Education
Membership Benefit$7,621,767Arts & Culture$415,000Human Services$250,000Other$10,000Education$10,000

Each grantee by its size and the funder’s share of it; top left is load-bearing

25%50%75%100%$10M$100Mgrantee revenue →↑ funder's share of their budgetTHE ACTORS' FUND OF AMERICA: $7,621,767 over 8y, 6.9% of budgetMOTION PICTURE AND TELEVISION FUND: $250,000 over 8y, 0.1% of budgetTHE GHETTO FILM SCHOOL INC: $200,000 over 8y, 1.0% of budgetAMERICAN MUSEUM OF THE MOVING IMAGE: $200,000 over 2y, 1.2% of budgetACADEMY FOUNDATION: $10,000 over 1y, 0.0% of budgetACTORS' EQUITY ASSOCIATION: $10,000 over 1y, 0.0% of budget
Grantee by grantee: a decade per organization, before and after funding

A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.

Co-funders

Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.

California Community FoundationCA12.8× affinity4 shared granteesties to 4 of 4Hover any node to trace its alignments.Compare side by side →

Open a dossier: California Community Foundation · National Philanthropic Trust · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation

How this is measured
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. Overlap is association, not proof of shared intent.

How much its grantees rely on government

Each dot is one organization Screen Actors Guild-American Federation of Television and Radio Artists Found funds: left to right is the share of its income from government, bottom to top the share from Screen Actors Guild-American Federation of Television and Radio Artists Found. Bigger dots raise more.

2024
’20’21’22’23’24’25
no gov · 00%1%3%6%10%funder's share of their income ↑0%3%5%8%10%share of the org’s income from government →
    no gov moneyreceives it· size = income
    0get no government money at all
    2report government grants on their 990 we could not trace to a source (not plotted)
    0rely on government for over half their income
    ⤢ axis zoomed · 0–10%
    typical government reliance, FY20–25
    How this is measured
    Government income is each org’s traced federal awards (USASpending grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that a grant caused the public funding. Coverage is precision-first, a floor rather than a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12 to 24 months.

    On method. Every financial figure here is read from IRS e-file XML, the funder’s own 990/990-PF, and from the multi-year returns of the 8 grantees we resolved, each linked to its source. Grantee outcomes are each organization’s own program-service reporting (Form 990, Part III), read as association with funding, never as caused by it. Low-confidence name matches are suppressed rather than guessed. How we build these →

    How this is measured
    Each figure carries one of six labels. Filed is what the funder reported on its return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without an EIN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears.

    Generated from the IRS Form 990 e-file return for fiscal year 2025, released 2025. Filings run roughly 12 to 24 months behind; figures are dated accordingly.

    Source object · view filing

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