· Private foundation
Sakana Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2021–2025.
Where the money goes
Your grants by size, and where they go.
The 49 grants below total $4,733,792 — the rows itemised in this filing. The $5,103,792 headline is the total grant expense reported on the return, so the remaining $370,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k11 grants · $38k
- $10k–50k20 grants · $426k
- $50k–250k13 grants · $1.2M
- $250k+5 grants · $3.1M
| Recipient | Amount |
|---|---|
| Smithsonian Institution, Office of Advancement | $1,000,000 |
| Schwab Charitable Fund | $1,000,000 |
| Smithsonian Institution Hirshhorn Gifts | $500,000 |
| Friends of the Musee des Arts decoratifs | $326,000 |
| ODC | $250,000 |
| Cantor Arts Center | $200,000 |
| San Francisco Museum of Modern Art | $180,000 |
| Schwab Charitable Fund | $133,333 |
| Portland Art Museum | $125,000 |
| San Francisco Conservatory of Music | $100,000 |
| UC Berkeley Foundation | $80,625 |
| Exploratorium | $75,000 |
| Smithsonian Institution, Office of Advancement | $50,000 |
| Schwab Charitable Fund | $50,000 |
| San Francisco Film Society | $50,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +9% since the first grant, against -17% for the ones you funded once.
25 repeat relationships — 18 still active in FY2024, 7 since wound down; 21 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 38% of grant dollars renewed an existing relationship; $2.2M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TETHE EXPLORATORIUM3× · 2021–2024 · $3.3M · revenue +33%
- JFJOHN F KENNEDY CENTER FOR THE PERFORMING ARTS3× · 2021–2024 · $3.2M · revenue +133%
- FOFRIENDS OF THE MUSEES DES ARTS DECORATIFS INC2× · 2021–2024 · $1.0M · revenue +93% · 48% of their budget
Funded once
- FOFriends of the Musee d'Art decoratifone grant, 2022 · $625k
- AFAMERICAN FRIENDS OF THE ART FUNDone grant, 2021 · $109k · revenue -93%
- MMMercury Museum of Art Incone grant, 2022 · $30k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
Guided by artists, rooted in new mexico, site santa fe celebrates contemporary creative expression.
The hammer museum at ucla believes in the promise of art and ideas to illuminate our lives and build a more just world.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The monterey museum of art cultivates curiosity in the visual arts and engages community with the diversity of california art - past, present, and future.
SFP presents internationally acclaimed and emerging performing artists, introduces innovative programs, and builds new and diversified audiences for the arts through education and outreach activities.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The american federation of arts initiates and organizes a national and international program of art exhibitions, publications, and educational activities to benefit the museum community and enrich the public's experience and understanding…
For reference, the grantee most central to the portfolio’s shape is San Francisco Conservatory of Music and the most unlike its peers is American Museum of Natural History. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 45 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 2% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
51 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 51 of the 65 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE EXPLORATORIUM ↗
- Who funds DONOR ADVISED CHARITABLE GIVING INC ↗
- Who funds JOHN F KENNEDY CENTER FOR THE PERFORMING ARTS ↗
- Who funds FRIENDS OF THE MUSEES DES ARTS DECORATIFS INC ↗
- Who funds SAN FRANCISCO CONSERVATORY OF MUSIC ↗
- Who funds HEADLANDS CENTER FOR THE ARTS ↗
- Who funds ASIAN ART MUSEUM FOUNDATION OF SAN FRANCISCO ↗
- Who funds SAN FRANCISCO MUSEUM OF MODERN ART ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds THE BOARD OF TRUSTEES OF THE LELAND STANFORD JUNIOR UNIVERSITY ↗
- Who funds PORTLAND ART MUSEUM ↗
- Who funds AMERICAN FRIENDS OF THE ART FUND ↗
- Who funds FOR-SITE Foundation ↗
- Who funds NATIONAL THEATRE IN AMERICA INC ↗
- Who funds SAN FRANCISCO OPERA ASSOCIATION ↗
- Who funds American Friends of the Centre Pompidou Inc ↗
- Who funds New Century Chamber Orchestra ↗
- Who funds San Francisco Film Society ↗
- Who funds Mujeres Unidas y Activas ↗
- Who funds Sundance Institute ↗
- Who funds Stern Grove Festival Association ↗
- Who funds Nevada Museum of Art ↗
- Who funds CORPORATION OF THE FINE ARTS MUSEUMS ↗
- Who funds INTERNATIONAL DOCUMENTARY FOUNDATION INC ↗
- Who funds AMERICAN SYMPHONY ORCHESTRA LEAGUE D/B/A LEAGUE OF AMERICAN ORCHESTRAS ↗
- Who funds ACTA NON VERBA YOUTH URBAN FARM PROJECT ↗
- Who funds The Trustees of Princeton University ↗
- Who funds SOCIAL GOOD FUND INC ↗
- Who funds UNIVERSITY OF CALIFORNIA BERKELEY FOUNDATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The San Francisco Foundation · The William & Flora Hewlett Foundation · Jewish Community Federation of San Francisco the Peninsula Marin & Sonoma · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · Marin Community Foundation · Impactassetsinc · Morgan Stanley Global Impact Funding Trust Inc · The Bernard Osher Foundation · John and Marcia Goldman Foundation · Koret Foundation · McNabb Foundation · The Andrew W Mellon Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Warm introductions · Powered by PlinthPlus
How do I get to Sakana Foundation?
Find your warmest path to Sakana Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.