· Private foundation
Paul L Wattis Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k2 grants · $8k
- $10k–50k8 grants · $133k
- $50k–250k3 grants · $213k
| Recipient | Amount |
|---|---|
| California College of the Arts | $112,500 |
| Sweetwater Music Hall | $50,000 |
| The Dry Dock Corporation | $50,000 |
| The Salvation Army - Golden State Division | $31,000 |
| Fine Arts Museums of San Francisco | $22,400 |
| Trisha Brown Dance Company | $20,000 |
| Transit Books | $20,000 |
| The Swedenborgian Church | $10,000 |
| Hazel Hawkins Hospital Foundation | $10,000 |
| Pacific Legal Foundation | $10,000 |
| San Benito County Heritage Foundation | $10,000 |
| Hearst Castle Preservation Foundation | $5,000 |
| Little Village Foundation | $2,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $100k) land where the poverty rate runs at 10%, against an area that typically sits at 9%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +35% since the first grant, against +4% for the ones you funded once.
12 repeat relationships — 7 still active in FY2025, 5 since wound down; 6 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 44% of grant dollars renewed an existing relationship; $199k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SMSWEETWATER MUSIC HALL INC5× · 2021–2025 · $250k · revenue ×11
- CPCALIFORNIA POLYTECHNIC STATE UNIVERSITY FOUNDATION2× · 2021–2022 · $125k · revenue +41%
- COCORPORATION OF THE FINE ARTS MUSEUMS4× · 2020–2025 · $122k · revenue +35%
Funded once
- ACAMERICAN CONSERVATORY THEATRE FOUNDATIONone grant, 2021 · $100k · revenue -24%
- TGThe Grabhorn Institute & Arion Pressone grant, 2024 · $100k
- UOUniversity of California Regentsone grant, 2023 · $89k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
The monterey museum of art cultivates curiosity in the visual arts and engages community with the diversity of california art - past, present, and future.
The Organizations primary impact is to preserve and enhance San Franciscos unique architectural and cultural identity.
The hammer museum at ucla believes in the promise of art and ideas to illuminate our lives and build a more just world.
SFP presents internationally acclaimed and emerging performing artists, introduces innovative programs, and builds new and diversified audiences for the arts through education and outreach activities.
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
For reference, the grantee most central to the portfolio’s shape is University of San Francisco and the most unlike its peers is Little Village Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 39 years old; the field is 15. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
25 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 25 of the 38 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds SAN FRANCISCO JAZZ ORGANIZATION ↗
- Who funds SWEETWATER MUSIC HALL INC ↗
- Who funds CALIFORNIA POLYTECHNIC STATE UNIVERSITY FOUNDATION ↗
- Who funds CORPORATION OF THE FINE ARTS MUSEUMS ↗
- Who funds CALIFORNIA COLLEGE OF THE ARTS ↗
- Who funds AMERICAN CONSERVATORY THEATRE FOUNDATION ↗
- Who funds DRY DOCK CORPORATION ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds MINNESOTA STREET PROJECT FOUNDATION ↗
- Who funds Pacific Legal Foundation ↗
- Who funds MARIN ACADEMY ↗
- Who funds University of San Francisco ↗
- Who funds CALIFORNIA PACIFIC MEDICAL CENTER FOUNDATION ↗
- Who funds GRABHORN INSTITUTE ↗
- Who funds Hazel Hawkins Hospital Foundation ↗
- Who funds AMERICAN NEAR EAST REFUGEE AID ↗
- Who funds HISPANICS IN PHILANTHROPY ↗
- Who funds SAN FRANCISCO MUSEUM OF MODERN ART ↗
- Who funds TRANSIT BOOKS ↗
- Who funds E TOWN ↗
- Who funds San Benito County Heritage Foundation ↗
- Who funds HEARING AND SPEECH CENTER OF NORTHERN CALIFORNIA ↗
- Who funds Little Village Foundation ↗
- Who funds HEARST CASTLE PRESERVATION FOUNDATION ↗
- Who funds ASPEN HISTORICAL SOCIETY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Marin Community Foundation · The San Francisco Foundation · National Philanthropic Trust · Vanguard Charitable Endowment Program · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · American Online Giving Foundation Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Paul L Wattis Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Paul L Wattis Foundation?
Find your warmest path to Paul L Wattis Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.