· Public charity
Metropolis - Avc Inc
A texas non-stock, not-for-profit corporation in accordance with section 501(c)(3) of the internal revenue code was organized to own and operate a 308 unit apartment complex for low-income persons and very low-income persons.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2022 to 2024.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
By grant size · FY2024
- $10k–50k3 grants · $45k
- $50k–250k2 grants · $100k
| Recipient | Amount |
|---|---|
| WINCHESTER AREA TEMPORARY TRANSITIONAL | $50,000 |
| PAPPY MARTIN LEGACY JAZZ COLLECTIVE | $50,000 |
| HEALTH ALLIANCE FOR AUSTIN MUSICIANS | $25,000 |
| ARCADIA PROJECT | $10,000 |
| ANNA JULIA COOPER SCHOOL | $10,000 |
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +70% since the first grant, against -12% for those funded once.
5 repeat relationships: 4 still active in FY2024, 1 since wound down; 1 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 93% of grant dollars renewed an existing relationship; $10k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- WAWINCHESTER AREA TEMPORARY THERMAL SHELTER INC2× · 2023–2024 · $150k · revenue +11%
PAPPY MARTIN LEGACY JAZZ COLLECTIVE INC2× · 2023–2024 · $100k · revenue +70%
Health Alliance for Austin Musicians2× · 2023–2024 · $55k · revenue +59%
Funded once
- MLMOBILE LOAVES & FISHES INCone grant, 2023 · $75k · revenue +10%
- WCWESTERN CULTURAL HERITAGE FOUNDATION INCone grant, 2022 · $23k
Central Texas Food Bank Incone grant, 2023 · $20k · revenue -12%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The Festival of Texas Fiddling is dedicated to the preservation, presentation, and performance, and education about of all styles of fiddling and fiddle-associated music played historically and currently in the State of Texas.
The mission of Texas Public Radio is to engage, inspire and inform, bringing people together to better understand their community and world.
Founded in 1993, American Festival for the Arts (AFA) provides high quality community-based music education programs and performance opportunities designed primarily for youth and, through its concert series and outreach, seeks to broaden…
Onstage and in the way we produce, The Feast creates an aesthetically and materially abundant American Theatre. We present professional theatre to the general public.
The sound wall music initiative is dedicated to promoting and celebrating the art of music in the auburn/opelika area. we strive to enhance our community through life performances support for music education and artist development.
The alamosa live music association is a dynamic, non- profit community arts organization enriching the lives of artists, audiences, and the community; and fostering economic development and tourism by providing opportunities for cultural…
Alaska residents benefit from free public admission to an arts and culture festival; the week-long festival encourages non-professional musicians and performers, and has been operating since 1975.
To create and harness joy for building better futures.
How this is measured
11 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds WINCHESTER AREA TEMPORARY THERMAL SHELTER INC ↗
- Who funds PAPPY MARTIN LEGACY JAZZ COLLECTIVE INC ↗
- Who funds MOBILE LOAVES & FISHES INC ↗
- Who funds Health Alliance for Austin Musicians ↗
- Who funds SANTA FE PLAYHOUSE ↗
- Who funds ANNA JULIA COOPER SCHOOL ↗
- Who funds WESTERN CULTURAL HERITAGE FOUNDATION INC ↗
- Who funds Central Texas Food Bank Inc ↗
- Who funds FREDERICKSBURG ROTARY CLUB FOUNDATION INC ↗
- Who funds ARCADIA PROJECT ↗
- Who funds OUTPOST PRODUCTIONS INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Metropolis - Avc Inc funds: left to right is the share of its income from government, bottom to top the share from Metropolis - Avc Inc. Bigger dots raise more.
How this is measured
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