· Private foundation
LGT Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k1 grant · $5k
- $10k–50k5 grants · $89k
- $50k–250k4 grants · $577k
| Recipient | Amount |
|---|---|
| CERF | $200,000 |
| Haystack Mountain School of Crafts | $184,000 |
| Penland School of Crafts | $140,000 |
| Toledo Museum of Art | $52,500 |
| Madison Square Park Conservancy | $30,000 |
| Ox-Bow School of Art Artists Reside | $20,250 |
| Museum of Fine Arts -Houston | $15,000 |
| Surface Design Association | $12,000 |
| ArtTable Inc | $12,000 |
| Aspen Institute | $5,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–25) land where the poverty rate runs at 12%, against an area that typically sits at 12%. 33% of its dollars go to grantees based in above-average-need neighborhoods. Its grants skew toward lower-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 6% of LGT Foundation’s grant dollars are earmarked for a different county than the recipient’s own address. By recipient address, 24% of the giving stays in NY; by stated purpose, 17%.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +54% since the first grant, against +7% for those funded once.
18 repeat relationships: 7 still active in FY2025, 11 since wound down; 3 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 68% of grant dollars renewed an existing relationship; $213k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- KFKOHLER FOUNDATION INC2× · 2019–2021 · $2.2M · revenue +213%
- MMMETROPOLITAN MUSEUM OF ART3× · 2019–2024 · $417k · revenue +76%
CRAFT EMERGENCY RELIEF FUND INC4× · 2020–2025 · $300k · revenue +127%
Funded once
- TATATE AMERICAS FOUNDATIONone grant, 2017 · $496k · revenue -55%
- IGIndividual grant recipientone grant, 2022 · $275k
- MFMenil Foundation Incgraduatedone grant, 2018 · $80k · revenue +51%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The baltimore museum of art connects art to baltimore and baltimore to the world, embodying a commitment to artistic excellence and social equity in every decision from art presentation, interpretation, and collecting, to the composition…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
How this is measured
42 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 42 of the 56 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds KOHLER FOUNDATION INC ↗
- Who funds JOHN MICHAEL KOHLER ARTS CENTER INC ↗
- Who funds TATE AMERICAS FOUNDATION ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds CRAFT EMERGENCY RELIEF FUND INC ↗
- Who funds Haystack Mountain School of Crafts ↗
- Who funds MADISON SQUARE PARK CONSERVANCY INC ↗
- Who funds Penland School Of Craft ↗
- Who funds THE MUSEUM OF FINE ARTS HOUSTON ↗
- Who funds Menil Foundation Inc ↗
- Who funds ARTTABLE INC ↗
- Who funds THE TOLEDO MUSEUM OF ART ↗
- Who funds INTERNATIONAL STUDIO & CURATORIAL PROGRAM INC ↗
- Who funds Maryland Institute ↗
- Who funds THE ISAMU NOGUCHI FOUNDATION AND GARDEN MUSEUM ↗
- Who funds RHODE ISLAND SCHOOL OF DESIGN ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds GREENWICH HOUSE INC ↗
- Who funds The Fabric Workshop and Museum ↗
- Who funds SURFACE DESIGN ASSOCIATION ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds United States Artists Inc ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds CRAFT IN AMERICA ↗
- Who funds FULLER CRAFT MUSEUM INC ↗
- Who funds URBANGLASS NEW YORK CONTEMPORARY GLASS CENTER INC ↗
- Who funds AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds SOCRATES SCULPTURE PARK INC ↗
- Who funds THE ALDRICH CONTEMPORARY ART MUSEUM INC ↗
- Who funds National Basketry Organization Inc ↗
- Who funds PETERS VALLEY SCHOOL OF CRAFT INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Windgate Charitable Foundation Inc · The Andy Warhol Foundation for the Visual Arts Inc · Milton and Sally Avery Arts Foundation · Studio in a School Association Inc · The Henry Luce Foundation Inc · The Hyde and Watson Foundation · Hillman Family Foundations · The Andrew W Mellon Foundation · Alan M & Mildred S Ravenal Foundation · The Pierre & Tana Matisse Foundation Inc · Helen Frankenthaler Foundation Inc · Terra Foundation for American Art
How this is measured
How much its grantees rely on government
Each dot is one organization LGT Foundation funds: left to right is the share of its income from government, bottom to top the share from LGT Foundation. Bigger dots raise more.
- The Aldrich Contemporary Art Museum Inc: 9% of income from government
- Hunterdon Art Museum: 9% of income from government
- Fuller Craft Museum Inc: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to LGT Foundation?
Find your warmest path to LGT Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
Play a game based on LGT’s filings →