· Private foundation
Jutostgraham Family Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k1 grant · $5k
- $10k–50k4 grants · $100k
- $50k–250k1 grant · $100k
| Recipient | Amount |
|---|---|
| Campaign Legal Center | $100,000 |
| Association to Benefit Children | $25,000 |
| Bard College | $25,000 |
| Pen American Center | $25,000 |
| Individual grant recipient | $25,000 |
| Modern Artlife Foundation | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY22–25, $250k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +63% since the first grant, against +21% for the ones you funded once.
14 repeat relationships — 5 still active in FY2025, 9 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 98% of grant dollars renewed an existing relationship; $5k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PFPARTNERS FOR JUSTICE INC4× · 2021–2024 · $900k · revenue +349%
- NYNEW YORK THEATRE WORKSHOP INC4× · 2021–2024 · $324k · revenue +62%
BARD COLLEGE5× · 2020–2025 · $310k · revenue +151%
Funded once
- UFUTAH FILM CENTERone grant, 2024 · $150k · revenue 0%
- PCPROSTATE CANCER FOUNDATIONone grant, 2021 · $50k · revenue +7%
- T5THE 52ND STREET PROJECT INCgraduatedone grant, 2024 · $50k · revenue +75%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Mtc's work includes producing and developing new work on and off-broadway, nurturing artists throughout their careers, and positively impacting the lives of many through innovative education programs. we are committed to equity, diversity…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
The mission of the organization is to foster the development of creative individuals as writers and artists and to promote public appreciation of excellence in the literary and graphic arts by publishing a magazine containing fiction,…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
The apollo theater is a commissioner and presenter; catalyst for new artists, audiences, and creative workforce; and partner in the projection of the african american narrative and its role in the development of american and global…
See schedule operformance space new york is committed to promoting the arts (including performance, visual and all other contemporary arts), fostering artistic development (including through direct grants), advancing diversity in the field…
For reference, the grantee most central to the portfolio’s shape is Greater Washington Community Foundation and the most unlike its peers is The Tom Gold Dance Foundation 51 West 81ST Street. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 33 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
23 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 23 of the 30 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PARTNERS FOR JUSTICE INC ↗
- Who funds NEW YORK THEATRE WORKSHOP INC ↗
- Who funds BARD COLLEGE ↗
- Who funds THE CAMPAIGN LEGAL CENTER INC ↗
- Who funds Metropolitan Opera Association Inc ↗
- Who funds ASSOCIATION TO BENEFIT CHILDREN ↗
- Who funds UTAH FILM CENTER ↗
- Who funds THE PIEDMONT ENVIRONMENTAL COUNCIL ↗
- Who funds NATIONAL POETRY SERIES INC ↗
- Who funds The New York Public Library Astor Lenox and Tilden Foundations ↗
- Who funds PROSTATE CANCER FOUNDATION ↗
- Who funds THE 52ND STREET PROJECT INC ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds GREATER WASHINGTON COMMUNITY FOUNDATION ↗
- Who funds THE SANTA MADDALENA FOUNDATION INC CO BARBARA SPENCE ↗
- Who funds CHARITIES AID FOUNDATION AMERICA ↗
- Who funds Clemente Course in the Humanities Inc ↗
- Who funds EN GARDE ARTS INC ↗
- Who funds THE NEW 42ND STREET INC ↗
- Who funds NANTUCKET DREAMLAND FOUNDATION INC ↗
- Who funds THE TOM GOLD DANCE FOUNDATION 51 WEST 81ST STREET ↗
- Who funds MODERN ARTLIFE FOUNDATION ↗
- Who funds THE COMMUNITY MUSIC SCHOOL OF THE PIEDMONT INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: National Philanthropic Trust · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Jutostgraham Family Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Nantucket Dreamland Foundation Inc — 4% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
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Find your warmest path to Jutostgraham Family Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.