· Private foundation
Four Friends Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k7 grants · $33k
- $10k–50k19 grants · $360k
- $50k–250k12 grants · $833k
| Recipient | Amount |
|---|---|
| CEDARS SINAI WOMEN'S GUILD | $110,000 |
| INSIDE OUT LITERARY ARTS | $104,400 |
| URBAN ARTS PARTNERSHIP | $103,200 |
| WILLIE MAE ROCK CAMP FOR GIRLS | $100,600 |
| L A COUNTY MUSEUM OF ART | $65,000 |
| CITY MEALS ON WHEELS | $50,000 |
| BRONX DOCUMENTARY CENTER | $50,000 |
| UPBEAT NYC INC | $50,000 |
| THE ARTS CONNECTION INC | $50,000 |
| THE NOEL POINTER FOUNDATION | $50,000 |
| JEWISH HOSPICE & CHAPLAINCY NETWORK | $50,000 |
| BROOKLYN CONSERVATORY OF MUSIC | $50,000 |
| NATIONAL DANCE INSTITUTE | $30,461 |
| CHRYSALIS | $30,000 |
| MOSAIC YOUTH THEATRE OF DETROIT | $25,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–24, $178k) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 30% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +36% since the first grant, against -7% for the ones you funded once.
32 repeat relationships — 15 still active in FY2024, 17 since wound down; 22 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 51% of grant dollars renewed an existing relationship; $591k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- UOUniversity of Michigan3× · 2019–2021 · $2.8M · revenue +140%
INSIDEOUT LITERARY ARTS PROJECT5× · 2019–2024 · $249k · revenue +104%- UAUrban Arts Partnership2× · 2023–2024 · $178k · revenue +18%
Funded once
- MAMARIAN AND EDWARD MACDOWELL INCgraduatedone grant, 2020 · $100k · revenue +118%
- CCCARLETON COLLEGEone grant, 2018 · $99k
- GBGIRL BE HEARD INSTITUTEone grant, 2023 · $75k · revenue -47%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Move|nyc| is a civic arts and social justice organization committed to cultivating a more diverse and inclusive society through transforming the field of professional dance. more than an arts organization, move|nyc| is a movement for…
Nysci's mission is to nurture generations of passionate learners, critical thinkers, and active citizens through design make play - an approach to learning and engagement that is deeply rooted in research on stem learning and guides the…
From classrooms to careers, studio in a school expands access to visual arts education and professions in the arts by partnering with practicing artists, schools, and cultural institutions.
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
For more than a century, diller-quaile has offered an environment where music can flourish in all its aspects, enriching the lives of students of all ages and cultural backgrounds. the belief that music is a fundamental part of human life…
For over 150 years, the 92nd street y, new york has been serving its communities and the larger world by bringing people together (continued on schedule o)and providing exceptional, groundbreaking programs in the performing and visual…
Lookingglass theatre company is a national leader in the creation and presentation of innovative, cutting-edge theatrical work. lookingglass interweaves movement, circus arts and narrative in original and captivating ways. guided by an…
The masters school celebrates active participation, deep understanding, and meaningful connection. a community of diverse individuals, we gather to learn, to strive, to dare, to do - to be a power for good in the world.
To offer accessible, high-quality performing arts education that sparks personal growth and builds inclusive communities. its vision is to transform performing arts education in an inclusive community accessible to all.
Prepares gifted graduates of prestigious music programs for successful careers in orchestras and ensembles.
School in the square ("s2") engages, educates and empowers adolescents to respond mindfully and creatively to life's opportunities and challenges. s2 is a place where students, families and educators are seen, heard, and inspired and where…
For reference, the grantee most central to the portfolio’s shape is Girl Be Heard Institute and the most unlike its peers is The Noel Pointer Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 26 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 2% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
62 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 62 of the 89 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds University of Michigan ↗
- Who funds INSIDEOUT LITERARY ARTS PROJECT ↗
- Who funds Urban Arts Partnership ↗
- Who funds WILLIE MAE ROCK CAMP FOR GIRLS INC ↗
- Who funds CITYMEALS-ON-WHEELS ↗
- Who funds GS DONOR ADVISED PHILANTHROPY FUND FOR WEALTH MANAGEMENT INC ↗
- Who funds JEWISH FAMILY SERVICE ↗
- Who funds MARIAN AND EDWARD MACDOWELL INC ↗
- Who funds FILM AT LINCOLN CENTER INC ↗
- Who funds ARTSCONNECTION INC ↗
- Who funds American Museum of Natural History ↗
- Who funds NATIONAL DANCE INSTITUTE ↗
- Who funds CENTRAL PARK CONSERVANCY INC ↗
- Who funds The Art Students League Of New York Inc ↗
- Who funds THE MICHAEL J FOX FOUNDATION FOR PARKINSON'S RESEARCH ↗
- Who funds GIRL BE HEARD INSTITUTE ↗
- Who funds Dancing Classrooms Inc ↗
- Who funds MILTON ACADEMY ↗
- Who funds THE BROOKLYN QUEENS CONSERVATORY OF MUSIC ↗
- Who funds The Charlie Cart Project ↗
- Who funds JEWISH HOSPICE & CHAPLAINCY NETWORK ↗
- Who funds THE BRONX DOCUMENTARY CENTER ↗
- Who funds THE NOEL POINTER FOUNDATION INC ↗
- Who funds STEM FROM DANCE INC ↗
- Who funds ACADEMY FOUNDATION ↗
- Who funds UPBEAT NYC INC ↗
- Who funds WNET ↗
- Who funds THE AMERICAN SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS ↗
- Who funds UNITED STATES FUND FOR UNICEF ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Pinkerton Foundation · The Pierre & Tana Matisse Foundation Inc · The Hyde and Watson Foundation · The New York Community Trust · Brooklyn Community Foundation · The Ford Foundation · Altman Foundation · Youth Improving Non-Profits for Children · Jewish Communal Fund · Lily Auchincloss Foundation Inc · The Jean & Louis Dreyfus Foundation Inc · The Keith Haring Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Four Friends Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Milton Academy — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.