· Public charity
Equity in the Arts Fund
The organization is organized and operated exclusively for the benefit, of and to carry out the charitable and educational functions of the cleveland foundation.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2023.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| ASSEMBLY FOR THE ARTS | $45,000 |
| ENVIRONMENTAL HEALTH WATCH INC | $27,000 |
| BALANCE POINT STUDIOS | $27,000 |
| E66TH STREET SERVICES | $23,000 |
| BUCK OUT FOUNDATION | $22,000 |
| PEEL DEM LAYERS BACK | $15,000 |
| DUFFY LITURGICAL DANCE ENSEMBLE | $15,000 |
| DJAPO CULTURAL ARTS INSTITUTE INC | $15,000 |
| LIFE EXCHANGE CENTER | $15,000 |
| LATINUS THEATER EXPERIENCE COMPANY | $10,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY20–22, $23k) land where the poverty rate runs at 17%, against an area that typically sits at 15%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 7% of Equity in the Arts Fund’s grant dollars are earmarked for a different county than the recipient’s own address. By recipient address, 98% of the giving stays in OH; by stated purpose, 89%.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +70% since the first grant, against 0% for those funded once.
12 repeat relationships: 5 still active in FY2023, 7 since wound down; 5 grantees were first funded in FY2023 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2023, 50% of grant dollars renewed an existing relationship; $106k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- AFASSEMBLY FOR THE ARTS3× · 2020–2023 · $115k · revenue +487%
- DLDUFFY LITURGICAL DANCE ENSEMBLE3× · 2020–2023 · $50k · revenue +70%
- JDJULIA DE BURGOS CULTURAL ARTS CENTER2× · 2020–2022 · $50k · revenue +43%
Funded once
- ACATNSC CENTER FOR HEALING & CREATIVE LEADERSHIPone grant, 2020 · $30k
- KQKINGS & QUEENS OF ARTone grant, 2022 · $20k
- AOART OF ME PRODUCTIONSone grant, 2022 · $20k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
To establish a forum for community engagement and educational outreach through collaboration with emerging and established artists and the creation, production and presentation of a diverse array of theatre, music, dance, and exhibitions…
The mission of the cleveland museum of art (cma) is to fulfill its dual roles as one of the world's most distinguished comprehensive art museums and as one of northeastern ohio's principal civic and cultural institutions. the museum,…
To be a national model for how a presenting organization serves its community, leveraging the worlds best modern and contemporary dance to inspire and educate audiences, local dancers, and community members.
Dobama theatre, inc. is dedicated to premiering important new plays by established & emerging playwrights in professional productions of the highest quality. through theatrical production, community engagement, and education programming,…
The sculpture center is one of the only cultural instituitons providing critical resources to sculptors along their journey through creation, exhibition, mentorship, conversation and engagement, and development and support opportunities.
Ocb ignites audience passion and participation in contemporary dance through performance, outreach programs and community engagement.
Moca's mission- art now, in progress - embodies our nature as a living, adaptive platform for artistic experimentation, public exchange, and civic connection. our vision - artists & art lead us to the unfamiliar, where we open and connect…
EQUITY ARTS is a center for the creative economy that advances racial equity and wealth-building for artists and entrepreneurs. This reparative ownership model preserves space for synergistic exchanges between value-aligned partners. The…
Exclusively for charitable, religious, educational
Borderlight's mission is to present visionary international theatre and build cross-cultural understanding.
How this is measured
36 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 36 of the 39 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds ASSEMBLY FOR THE ARTS ↗
- Who funds DUFFY LITURGICAL DANCE ENSEMBLE ↗
- Who funds JULIA DE BURGOS CULTURAL ARTS CENTER ↗
- Who funds LATINUS THEATER EXPERIENCE COMPANY ↗
- Who funds CLEVELAND PUBLIC THEATRE INC ↗
- Who funds EAST 66TH STREET SERVICES INC ↗
- Who funds CUYAHOGA COMMUNITY COLLEGE FOUNDATION ↗
- Who funds DJAPO CULTURAL ARTS INSTITUTE INC ↗
- Who funds CLEVELAND PRINT ROOM INC ↗
- Who funds BROADWAY SCHOOL OF MUSIC & THE ARTS ↗
- Who funds FOLUKE CULTURAL ARTS CENTER INC ↗
- Who funds BALANCE POINT STUDIOS ↗
- Who funds ENVIRONMENTAL HEALTH WATCH ↗
- Who funds GREATER CLEVELAND URBAN FILM FDN ↗
- Who funds MVMT Dance Co ↗
- Who funds ART OF ME PRODUCTIONS ↗
- Who funds Loiter ↗
- Who funds THE FAB FOUNDATION ↗
- Who funds Life Exchange Center ↗
- Who funds BIRTHING BEAUTIFUL COMMUNITIES ↗
- Who funds NEAR WEST THEATRE INC ↗
- Who funds ESPERANZA INC ↗
- Who funds COMITE MEXICANO INC ↗
- Who funds PEEL DEM LAYERS BACK ↗
- Who funds CLEVELAND PUBLIC LIBRARY FOUNDATION ↗
- Who funds ELIZA BRYANT VILLAGE ↗
- Who funds AFRICAHOUSE INTERNATIONAL ↗
- Who funds CAMPUS DISTRICT INC ↗
- Who funds Negro League Baseball Legends Hall of Fame Baseball Heritage Museum ↗
- Who funds KARAMU HOUSE INC ↗
- Who funds Twelve Literary Arts ↗
- Who funds MOJUBA DANCE COLLECTIVE ↗
- Who funds LITTLE LUMPYS CENTER FOR EDUCATIONAL INITIATIVES ↗
- Who funds COLLECTIVEXPRESS INCORPORATED ↗
- Who funds THE CLEVELAND PLAY HOUSE ↗
- Who funds PALS FOR HEALING ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Cleveland Foundation · The George Gund Foundation · The Char and Chuck Fowler Family Foundation · Saint Lukes Foundation of Cleveland Ohio · Turrell Fund · In Our Backyards Inc · Treu Mart Fund · The Abington Foundation · Jack Joseph & Morton Mandel Foundation · Murphy Family Foundation · Third Federal Foundation · The Reinberger Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Equity in the Arts Fund funds: left to right is the share of its income from government, bottom to top the share from Equity in the Arts Fund. Bigger dots raise more.
How this is measured
Play a game based on Equity in the Arts’ filings →