· Public charity
Community Art Stabilization Trust
To create stable physical spaces for arts and cultural organizations to facilitate equitable urban transformation.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
| Recipient | Amount |
|---|---|
| CITY AND COUNTY OF SAN FRANCISCO | $642,169 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY17–18, $33k) land where the poverty rate runs at 10%, against an area that typically sits at 8%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +168% since the first grant, against -10% for those funded once.
10 repeat relationships: 0 still active in FY2024, 10 since wound down; 1 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 0% of grant dollars renewed an existing relationship; $642k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- CUCOMMUNITIES UNITED FOR RESTORATIVE YOUTH JUSTICE DBA CURYJ2× · 2017–2018 · $33k · revenue +724%
- EAEastSide Arts Alliance2× · 2017–2018 · $21k · revenue +168%
- MIMUSIC IS EXTRAORDINARY INC2× · 2017–2018 · $21k · revenue +113%
Funded once
- PAPerforming Arts Workshop Inc2× · 2019–2024 · $300k · revenue -60%
- URUnited Rootsone grant, 2018 · $56k · revenue -99%
COMMUNITY INITIATIVESgraduatedone grant, 2018 · $33k · revenue +136%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Rhythmix Cultural Works RCW is a community cultural arts center that brings people of all ages together for high quality arts experiences in music, dance, theater, exhibits and arts education. RCW seeks to promote cultural awareness,…
Supports and produces collaborative, multdisciplinary projects with local and international reach from an arab-american perspective.
To uplift the ancestral and primordial power of dance as an act of resistance, collective healing, and social transformation.Embodiment Project envisions a world where dance is integrated as a critical dimension of social and cultural…
Brava! for Women in the Arts, a professional arts organization, owns and operates the Brava Theater Center. At BRAVA we produce, present and cultivate the artistic expression of women, people of color, youth, LGBTQ and other unheard voices.
ARTRONIKA is a collective of Los Angeles based artists that produce immersive arts programming showcasing an array of South Asian talent and culture. Through innovative and inclusive events, we reimagine traditional music, art, and…
How this is measured
19 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 19 of the 20 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds CAST 447 MINNA LLC ↗
- Who funds Performing Arts Workshop Inc ↗
- Who funds SOCIAL GOOD FUND INC ↗
- Who funds United Roots ↗
- Who funds COMMUNITIES UNITED FOR RESTORATIVE YOUTH JUSTICE DBA CURYJ ↗
- Who funds ALENA MUSEUM INC ↗
- Who funds COMMUNITY INITIATIVES ↗
- Who funds EastSide Arts Alliance ↗
- Who funds ROCK PAPER SCISSORS COLLECTIVE ↗
- Who funds CREATE PEACE PROJECT ↗
- Who funds MUSIC IS EXTRAORDINARY INC ↗
- Who funds The 30th and West Live Work Community Arts Center Inc ↗
- Who funds Womens Audio Mission ↗
- Who funds Project Bandaloop ↗
- Who funds OAKLAND THEATER PROJECT ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds Attitudinal Healing Connection Inc dba The Center for ArtEsteem ↗
- Who funds Oakland Ballet Company ↗
- Who funds Pro Arts Inc ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: East Bay Community Foundation · Center for Cultural Innovation · The San Francisco Foundation · The Zellerbach Family Foundation · Walter and Elise Haas Fund · The William & Flora Hewlett Foundation · Akonadi Foundation · Fleishhacker Foundation · Phyllis C Wattis Foundation · Kenneth Rainin Foundation · Tides Foundation · The California Endowment
How this is measured
How much its grantees rely on government
Each dot is one organization Community Art Stabilization Trust funds: left to right is the share of its income from government, bottom to top the share from Community Art Stabilization Trust. Bigger dots raise more.
How this is measured
Play a game based on Community Art Stabilization’s filings →