· Private foundation
The Rogovy Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k1 grant · $4k
- $10k–50k12 grants · $245k
| Recipient | Amount |
|---|---|
| PRO PUBLICA INC | $35,000 |
| FILM MAKERS COLLABORATIVE INCORPORATED | $25,000 |
| UTAH FILM CENTER | $25,000 |
| FRIENDS OF BONOBOS | $25,000 |
| WOMEN MAKE MOVIES INC | $25,000 |
| INTERNATIONAL DOCUMENTARY ASSOCIATION | $25,000 |
| KINDLING GROUP NFP | $20,000 |
| REDFORD CENTER INC | $15,000 |
| INTERNATIONAL DOCUMENTARY ASSOCIATION | $15,000 |
| INTERNATIONAL DOCUMENTARY ASSOCIATION | $15,000 |
| CITIZENS FOR RESPONSIBILITY AND ETHICS IN WASHINGT | $10,000 |
| FILM INDEPENDENT INC | $10,000 |
| RATTAPALLAX INCORPORATED | $3,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–20, $1k) land where the poverty rate runs at 15%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +48% since the first grant, against +6% for the ones you funded once.
22 repeat relationships — 7 still active in FY2024, 15 since wound down; 4 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 68% of grant dollars renewed an existing relationship; $79k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
PRO PUBLICA INC7× · 2017–2024 · $195k · revenue +48%- IFINDEPENDENT FEATURE PROJECT INC4× · 2017–2020 · $118k · revenue +8%
- WMWOMEN MAKE MOVIES INC4× · 2017–2024 · $105k · revenue +82%
Funded once
REWILDgraduatedone grant, 2021 · $120k · revenue +101%- APAFTERIMAGE PUBLIC MEDIAone grant, 2023 · $30k · revenue +10%
- GPGreater Philadelphia Film Officeone grant, 2020 · $25k · revenue +7%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Field of Vision is a filmmaker and artist driven organization that commissions, creates and supports original nonfiction films about developing and ongoing stories around the globe. Field of Vision supports work that uses innovative and…
Recognizing the power of film to inspire, Working Films positions documentaries to increase civic engagement and shift culture at the local, state, and national level.
SFFILM is a nonprofit organization whose mission ensures independent voices in film are welcomed, heard, and given the resources to thrive. SFFILM connects and inspires audiences, students and teachers, and filmmakers through our film…
Advocate for gender equality in the film industry.
Reel Earth Films promotes wildlife conservation by creating films that nurture the human connection to nature, spread awareness about life-threatening challenges facing species worldwide, and advance environmental activism and research.
The moving picture institute is a nonprofit production company and talent incubator that creates high-impact films designed to entertain, inspire, and educate audiences with captivating stories about human freedom.
Newport film inspires, educates, and entertains by presenting current and impactful documentaries that build community and propel change.
Authentic arc's mission includes supporting the independent documentary film community and supporting and promoting diversity in the independent documentary film community. authentic arc helps fund unique films that make a meaningful…
Documentary films
The NFPF is a nonprofit organization established in the District of Columbia resulting from an Act of Congress in order to preserve and make publicly accessible our nations film heritage. The NFPF works with archives to preserve American…
Docs in progress is a 501(c)(3) non-profit organization which gives individuals the tools to tell stories through documentary film to educate, inspire, and transform the way people view their world.
Kartemquin's mission is to empower the creation of stories that foster a more engaged and just society -- turning toward and grappling with the most critical issues of our time. we do this by producing documentaries on a wide range of…
For reference, the grantee most central to the portfolio’s shape is Documentary Educational Resources Inc and the most unlike its peers is Btl Project. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 25 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 2% of your grantees by number, and just 6% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
57 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 57 of the 60 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds INTERNATIONAL DOCUMENTARY FOUNDATION INC ↗
- Who funds The Center for Investigative Reporting Inc ↗
- Who funds PRO PUBLICA INC ↗
- Who funds REWILD ↗
- Who funds INDEPENDENT FEATURE PROJECT INC ↗
- Who funds WOMEN MAKE MOVIES INC ↗
- Who funds From The Heart Productions ↗
- Who funds THE FILM COLLABORATIVE INC ↗
- Who funds FILM INDEPENDENT ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds CITIZENS FOR RESPONSIBILITY AND ETHICS IN WASHINGTON INC ↗
- Who funds REDFORD CENTER INC ↗
- Who funds THE KINDLING GROUP ↗
- Who funds OPENSECRETS ↗
- Who funds SOUTHERN DOCUMENTARY FUND ↗
- Who funds UNIONDOCS INC ↗
- Who funds MARCH FOR OUR LIVES FOUNDATION ↗
- Who funds AFTERIMAGE PUBLIC MEDIA ↗
- Who funds Greater Philadelphia Film Office ↗
- Who funds CITY LORE INC ↗
- Who funds UTAH FILM CENTER ↗
- Who funds Mirabel Pictures ↗
- Who funds THE CENTER FOR INDEPENDENT DOCUMENTARY INC ↗
- Who funds LEGASEAS INC ↗
- Who funds THE FILMMAKERS COLLABORATIVE INC ↗
- Who funds KOVNO COMMUNICATIONS INC ↗
- Who funds FRIENDS OF BONOBOS ↗
- Who funds DOC SOCIETY INC ↗
- Who funds CREATIVE VISIONS FOUNDATION ↗
- Who funds NEW YORK WOMEN IN FILM & TELEVISION INC ↗
- Who funds CHARITIES AID FOUNDATION AMERICA ↗
- Who funds WOMEN RISING PRODUCTIONS ↗
- Who funds California Prison Focus ↗
- Who funds The Third Way Foundation Inc ↗
- Who funds DOCUMENTARY EDUCATIONAL RESOURCES INC ↗
- Who funds THE CENTER FOR PUBLIC INTEGRITY ↗
- Who funds CHICKEN & EGG FILMS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Silicon Valley Community Foundation · The Ford Foundation · Perspective Media Initiatives Inc · Jewish Communal Fund · The San Francisco Foundation · Catapult Film Fund · Chicken & Egg Films Inc · Harnisch Family Foundation · Sundance Institute · Tides Foundation · Impactassetsinc · Wellspring Philanthropic Fund Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Rogovy Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Center for Independent Documentary Inc — 6% of income from government
- The Filmmakers Collaborative Inc — 1% of income from government
- Documentary Educational Resources Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.