· Public charity
Artsnow
ARTSNOW strengthens summit county by advancing its arts and culture assets and building connections between arts & culture and the broad community.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2024–2025.
Where the money goes
Your grants by size, and where they go.
The 43 grants below total $824,210 — the rows itemised in this filing. The $896,945 headline is the total grant expense reported on the return, so the remaining $72,735 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k9 grants · $73k
- $10k–50k32 grants · $557k
- $50k–250k2 grants · $194k
| Recipient | Amount |
|---|---|
| SUMMIT ARTSPACE | $143,855 |
| CITY OF GREEN | $50,000 |
| TUESDAY MUSICAL ASSOCIATION | $39,999 |
| THE MOVEMENT PROJECT | $38,000 |
| SUMMIT CHORAL SOCIETY | $26,500 |
| DOWNTOWN AKRON PARTNERSHIP INC | $25,000 |
| BALLET EXCEL OHIO | $25,000 |
| ART RESOURCES TRANSFORMATIONS | $25,000 |
| CUYAHOGA VALLEY ART CENTER | $25,000 |
| RUBBER CITY THEATRE | $25,000 |
| CITY OF STOW | $25,000 |
| MAIN STREET BARBERTON | $20,000 |
| NATIONAL CENTER FOR CHOREOGRAPHY AT THE UNIVERSITY OF AKRON | $20,000 |
| CHRIST COMMUNITY CHAPEL | $18,600 |
| AKRON MAKERSPACE | $15,980 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY25–25, $40k) land where the poverty rate runs at 13%, against an area that typically sits at 13%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
4 repeat relationships — 4 still active in FY2025, 0 since wound down; 34 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 25% of grant dollars renewed an existing relationship; $608k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SASUMMIT ARTSPACE2× · 2024–2025 · $252k · revenue -17%
- CFCENTER FOR APPLIED THEATER AND ACTIVE CULTURE2× · 2024–2025 · $117k · revenue -12% · 58% of their budget
- ASArt Sparks2× · 2024–2025 · $35k · revenue 0%
Funded once
- MTMAGICAL THEATRE COMPANYone grant, 2024 · $25k · revenue +22%
- ACAkron Creative Incone grant, 2024 · $25k · revenue 0%
- AAAKRON ART MUSEUMone grant, 2024 · $25k · revenue +13%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the cleveland museum of art (cma) is to fulfill its dual roles as one of the world's most distinguished comprehensive art museums and as one of northeastern ohio's principal civic and cultural institutions. the museum,…
Wild goose creative's mission is to build a creative community at the intersection of art, risk an meaning. wild goose is about a lot of things: sustainable partnerships and artistic collaborations.it's about giving artists resources and…
The mission of bayarts is to provide a welcoming lakeside environment to stimulate, encourage and support professional and aspiring artists of all ages through collaboration, education and exhibition.
he Gahanna area arts council connects and enriches our community through participation in and engagement with the arts.
We use the power of live performance art to create a unified expression of joy that is shared within our community through engaged educational programming, enhanced corporate partnerships, and inspired civic givebacks. see schedule o for…
MUSE is an inclusive and feminist choral community advocating for peace and social justice. We unite our voices to raise awareness and inspire change in ourselves, our audiences, and our world through partnerships that honor the humanity…
To be a national model for how a presenting organization serves its community, leveraging the worlds best modern and contemporary dance to inspire and educate audiences, local dancers, and community members.
The cleveland arts prize identifies, rewards, publicly honors and promotes those creative artists whose original work and accomplishments have set a standard of excellence to which other artists can aspire. additionally, the cleveland arts…
Vivo's mission is to build community through world-class chamber music performances. vivo's vision is to serve as a launch-pad for local artistic engagement by presenting innovative, community-oriented musical performances throughout…
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
Music Performance - Performing free concerts of new symphonic music
For reference, the grantee most central to the portfolio’s shape is The Community Hall Foundation Inc Dba Akron Civic Theatre and the most unlike its peers is Himalayan Arts Language and Cultura. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 19 years old; the field is 19. You back the younger end — and your money leans older still.
The field is 20% startups (under 5 years old) — 7% of your grantees by number, and just 4% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
42 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 42 of the 50 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds SUMMIT ARTSPACE ↗
- Who funds CENTER FOR APPLIED THEATER AND ACTIVE CULTURE ↗
- Who funds TUESDAY MUSICAL ASSOCIATION ↗
- Who funds THE MOVEMENT PROJECT INC ↗
- Who funds Art Sparks ↗
- Who funds CUYAHOGA VALLEY YOUTH BALLET ↗
- Who funds MAIN STREET BARBERTON INC ↗
- Who funds Summit Choral Society Inc ↗
- Who funds RUBBER CITY SHAKESPEARE COMPANY ↗
- Who funds ART RESOURCES TRANSFORMATIONS ↗
- Who funds MAGICAL THEATRE COMPANY ↗
- Who funds Akron Creative Inc ↗
- Who funds DOWNTOWN AKRON PARTNERSHIP ↗
- Who funds CUYAHOGA VALLEY ART CENTER ↗
- Who funds AKRON ART MUSEUM ↗
- Who funds AKRON SOUL TRAIN ↗
- Who funds NORTHEAST OHIO CENTER FOR CHOREOGRAPHY ↗
- Who funds THE LIPPMAN SCHOOL ↗
- Who funds FRIENDS OF THE SUMMIT ↗
- Who funds PROYECTO RAICES ↗
- Who funds AKRON MAKERSPACE ↗
- Who funds Community AIDS NetworkAkron Pride Initi ↗
- Who funds SOUTH STREET MNISTRIES INC ↗
- Who funds CONSERVANCY FOR CUYAHOGA VALLEY NATIONAL PARK ↗
- Who funds Makeshift Theater Inc ↗
- Who funds GLOBAL TIES AKRON ↗
- Who funds WHITE RABBIT GALLERIES ↗
- Who funds Project Ujima Inc ↗
- Who funds BALLET IN THE CITY INC ↗
- Who funds STAN HYWET HALL & GARDENS INC ↗
- Who funds ASIAN SERVICES IN ACTION INC ↗
- Who funds THE COMMUNITY HALL FOUNDATION INC DBA AKRON CIVIC THEATRE ↗
- Who funds THE PENINSULA ART ACADEMY ↗
- Who funds CUYAHOGA VALLEY CHORAL ARTS INC ↗
- Who funds NEIGHBORHOOD DEVELOPMENT SERVICES INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Akron Community Foundation · Gar Foundation · Mary S & David C Corbin Foundation · The Margaret Clark Morgan Foundation · Sisler McFawn Foundation Pfdn · United Way of Summit and Medina · Lloyd L & Louise K Smith Foundation · Charles E and Mabel M Ritchie Memorial · The Welty Family Foundation · Burton D Morgan Foundation Inc · The Mary and Dr George L Demetros Charitable · Lehner Family Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Artsnow funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.