· Private foundation
Andrew and Irma Hilton Foundation Inc
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k7 grants · $32k
- $10k–50k4 grants · $46k
| Recipient | Amount |
|---|---|
| METROPOLITAN OPERA | $16,000 |
| MARTHA GRAHAM DANCE CO | $10,000 |
| 122 EAST 66TH STREET FOUNDATION | $10,000 |
| GIRLS INCORPORATED | $10,000 |
| FAMILY LEGAL CARE | $7,500 |
| GINA GIBNEY DANCE INC | $7,500 |
| JACOBS PILLOW | $5,500 |
| LINCOLN CENTER THEATER | $5,000 |
| NEW YORK CITY BALLET | $5,000 |
| LCU FUND FOR WOMEN'S EDUCATION | $1,000 |
| FRIENDS OF THE WESTON LIBRARY | $500 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY17–25, $8k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +59% since the first grant, against +23% for those funded once.
12 repeat relationships: 6 still active in FY2025, 6 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 63% of grant dollars renewed an existing relationship; $29k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- JPJACOB'S PILLOW DANCE FESTIVAL INC4× · 2018–2025 · $34k · revenue +119%
- 1E122 EAST 66TH STREET FOUNDATION INC5× · 2021–2025 · $17k · revenue +65%
- NYNEW YORK CITY BALLET INC3× · 2023–2025 · $15k · revenue +32%
Funded once
Cornell Universityone grant, 2021 · $10k · revenue +23%- WEWESTON EMERGENCY MEDICAL SERVICESone grant, 2024 · $5k
- MMMETROPOLITAN MUSEUM OF ARTgraduatedone grant, 2019 · $5k · revenue +76%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
Producing and developing plays and musicals.
To make the mind more curious, the heart more open, and the spirit more joyful through excellent audio programming that is deeply rooted in new york.
Presenting, commissioning, performing, recording and teaching contemporary music. bang on a can believes in exposing exciting new music as broadly and accessibly as possible. through it's summer institute, bang on a can hopes to bring this…
Theatre can lead to extraordinary moments of shared imagination. it enables us to stand in anothers shoes to better understand ourselves and the world around us. it shows us who we are, who we have been, who we could be. the nt delivers on…
Miami new drama is a nonprofit professional theater company based in miami beach, florida, dedicated to the development and production of new theatrical work and to theater-making as a means of social engagement, cultural conversation, and…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…
How this is measured
21 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 21 of the 30 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds JACOB'S PILLOW DANCE FESTIVAL INC ↗
- Who funds 122 EAST 66TH STREET FOUNDATION INC ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds GINA GIBNEY DANCE INC ↗
- Who funds CEDILLE CHICAGO NFP ↗
- Who funds ROUNDABOUT THEATRE COMPANY INC ↗
- Who funds MANHATTAN THEATRE CLUB INC ↗
- Who funds Cornell University ↗
- Who funds GIRLS INC ↗
- Who funds FAMILY LEGAL CARE INC ↗
- Who funds THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds WESTON VOLUNTEER FIRE DEPARTMENT INC ↗
- Who funds The American Classical Orchestra Inc ↗
- Who funds WESTPORT COUNTRY PLAYHOUSE INC ↗
- Who funds LCU FUND FOR WOMEN'S EDUCATION INC ↗
- Who funds FILM AT LINCOLN CENTER INC ↗
- Who funds CHARITY FOR CHILDREN INC ↗
- Who funds BROOKGREEN GARDENS ↗
- Who funds EMERGE INC ↗
- Who funds WESTON POLICE BENEVOLENT ASSOCIATION ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Jewish Communal Fund · National Philanthropic Trust · Vanguard Charitable Endowment Program · The Bank of America Charitable Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization Andrew and Irma Hilton Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from Andrew and Irma Hilton Foundation Inc. Bigger dots raise more.
- Westport Country Playhouse Inc: 2% of income from government
- Jacob's Pillow Dance Festival Inc: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to Andrew and Irma Hilton Foundation Inc?
Find your warmest path to Andrew and Irma Hilton Foundation Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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