Washington · Nonprofit
REBOOT THEATRE COMPANY
REBOOT THEATRE COMPANY (Washington) receives grants from 6 organizations whose IRS filings report $123,405 to it, the largest being ARTSFUND ($70,000). 3 of them have funded it in more than one year.
- Revenue FY2025
- $195k
- Funders on record
- 6
- Grants received
- $123k
- Net assets
- $270k
What Reboot Theatre Company does
Mission
Reboot Theatre Company is dedicated to expanding its reach for more artists and audiences to be seen, heard and represented. Reboot Theatre Company continues to move the needle forward on storytelling by providing live theatre entertainment to the greater Seattle, Puget Sound, community. We test new interpretations of established theatre works through nontraditional casting, design, and methods yet to be discovered. We believe in changing hearts and minds, provoking conversations, cultivating diverse talent, and helping artists be who they are and become who they want to be through our productions
As stated on its FY2025 Form 990.
Programs
Stage Programming: Reboot Theatre Company presented two stage productions in conjunction with our resident theatre, Theatre Off Jackson. In 2025, we presented two productions: 1. A bold reimagining of Lionel Bart's OLIVER!, exploring themes of social inequality, exploitation, and youthful rebellion in Victorian London's gritty underworld, and 2. An out-of-this-world production of Cole Porter's Anything Goes!, boldly go where no Reboot show has gone before. These productions involved 80 volunteers, including cast, band, crew, production and creative, and played to 1,700 patrons, approximately 240 of whom attended on free/complimentary tickets.
$82,451 spent$42,151 earned by the program100% of program spendingOther program services, not described on the e-filed return.
$0 spent0% of program spending
The 2 programs described on its FY2025 Form 990, listed largest first by expense. Program spending in total: $82,451.
The organization over time
Each line starts at 100 in 2022, so what you read is the shape rather than the size: 150 means half as much again as 2022, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.
Balance sheet
Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2024 to 2025, from $175k to $276k (+57%).
How it's funded, over time
Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.
Government-grant reliance: 2025 36%. Grants only. Government contracts and fees sit inside program revenue.
80% of REBOOT THEATRE COMPANY’s revenue is contributions — more donation-reliant than the typical peer (64% for the typical peer).
Surplus & reserves
Operating surplus or deficit each year, and months of liquidity in hand. 0 of the last 4 reported years ran a deficit.
reserve
Leadership and staff
The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.
Board chair
Xandria Easterday Callahan
President of the Board
As listed on its FY2025 Form 990.
Who funds it, year by year
2018 → 2023: the base broadened from 1 funder to 2 funders, grant income rose $11k → $20k.
3 of 6 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 19% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.
From the IRS filings of REBOOT THEATRE COMPANY’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
How concentrated its funding is
REBOOT THEATRE COMPANY leans on a few funders — its largest provides 57% of grant income and the top three 83%; half comes from just 1 funder.
the vertical line marks half of all grant income — 1 funder to its left
92% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund REBOOT THEATRE COMPANY.
Largest funder’s share by year: 2018 100% · 2019 100% · 2020 100% · 2021 100% · 2022 100% · 2023 100% — broadly stable.
“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Where its funders are
90% of REBOOT THEATRE COMPANY's grant income comes from Washington funders.
In-state vs out-of-state, by year
Funder states come from each funder’s own filing. $24k arriving through sponsors registered in 3 states is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Against its field
REBOOT THEATRE COMPANY runs a healthier operating margin than three-quarters of the 11,634 arts & culture nonprofits its size.
this organization peer median middle 50% of peers· 11,634 arts & culture nonprofits $100k–$1M, FY2025
Organizations like REBOOT THEATRE COMPANY
Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.
In Washington
Nationally
Read directly from this organization’s own Form 990, as neutral context.
Where the money goes
83% of spending goes to programs.
Governance
Public support
99%
Share of support from the public (Schedule A) — the basis for its public-charity status.
Footprint & structure
Files a return copy in 1 state
Screen this organization
A dated, signed PDF of the compliance screen for REBOOT THEATRE COMPANY: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.
Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf
Questions and answers
- Who funds REBOOT THEATRE COMPANY?
- REBOOT THEATRE COMPANY (Washington) receives grants from 6 organizations whose IRS filings report $123,405 to it, the largest being ARTSFUND ($70,000). 3 of them have funded it in more than one year.
- How many funders does REBOOT THEATRE COMPANY have?
- IRS filings report 6 organizations giving $123,405 in grants to REBOOT THEATRE COMPANY, 3 of which have funded it in more than one year.
- Who is the largest funder of REBOOT THEATRE COMPANY?
- ARTSFUND is the largest funder on record, with $70,000 in grants. The full list of funders is on this page.
- How can an organization like REBOOT THEATRE COMPANY find more funders?
- Start with the funders already giving here, then look at the foundations that back similar organizations in Washington. The funding by cause and by state pages list the largest funders for a given area and how to approach them.
Play a game about who funds Reboot Theatre Company →
These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2022–2025), and the filings of 6 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing