· Private foundation
Victory Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k9 grants · $37k
- $10k–50k10 grants · $172k
- $50k–250k8 grants · $722k
| Recipient | Amount |
|---|---|
| SPRINGSIDE CHESTNUT HILL ACADEMY | $175,000 |
| PHILADELPHIA MUSEUM OF ART | $125,000 |
| PRINCESS GRACE FOUNDATION | $100,000 |
| THE KENNEDY CENTER | $97,000 |
| PIG IRON THEATER | $75,000 |
| ALLENS LANE ART CENTER | $50,000 |
| PENNSYLVANIA ACADEMY OF THE FINE ARTS | $50,000 |
| CULTURAL TRUST ART PHILLY | $50,000 |
| ARDEN THEATRE COMPANY | $30,000 |
| BARNES FOUNDATION | $25,000 |
| SOCIETY OF THE FOUR ARTS | $25,000 |
| LANTERN THEATER COMPANY | $25,000 |
| YES AND COLLABORATIVE ARTS | $15,000 |
| FABRIC WORKSHOP AND MUSEUM | $12,000 |
| SAN FRANSISCO BAY AREA THEATER | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY18–24) land where the poverty rate runs at 19%, against an area that typically sits at 9%. 98% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +19% since the first grant, against +17% for the ones you funded once.
36 repeat relationships — 18 still active in FY2024, 18 since wound down; 9 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 77% of grant dollars renewed an existing relationship; $215k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PMPHILADELPHIA MUSEUM OF ART7× · 2018–2024 · $1.6M · revenue +28%
- SCSPRINGSIDE CHESTNUT HILL ACADEMY6× · 2018–2024 · $695k · revenue +34%
- PGPRINCESS GRACE FOUNDATION - USA6× · 2018–2024 · $472k · revenue +136%
Funded once
- CTCULTURAL TRUST GREATER PHILA ARTPHILLY 2016one grant, 2023 · $50k
- TPTHEATRE PHILADELPHIA (ALLIANCE OF GREATER PHILA)one grant, 2023 · $27k
Sundance Instituteone grant, 2019 · $13k · revenue -29%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To promote the cultural richness of philadelphia and to bring the most distinguished work in the arts to audiences in the philadelphia region
We connect the people and places of philadelphia through art and partnership. the organization is a free-standing platform that endeavors to show forward-thinking, high-quality contemporary visual and performance art in the city. the…
The mission of pittsburgh public theater is to provide artistically diverse theatrical experiences of the highest quality. pittsburgh public theater also strives to serve, challenge, stimulate, and (continued on schedule o)
See schedule o.inspired by our home city, baltimore center stage acts as a cultural catalyst for all communities to access theater in every form and engage in compelling conversations. programming: capture the collective imagination and…
To cultivate an enduring appreciation for dance through world-class performances, to inspire the next generation with exceptional education and professional training, and to connect with the community through meaningful and inclusive…
Washington performing arts champions the arts as a unifying force. through collaborations with artists, educators, community leaders, and institutional partners, we bring wide-ranging artistic programs to stages, schools, and neighborhoods…
Play on philly provides underserved children in philadelphia, a transformative music education experience that develops and inspires the behaviors and personal skills needed for a successful life.
See schedule o for the description of pittsburgh ballet theatre inc.'s primary mission.the ballet is pittsburgh's source and ambassador for extraordinary ballet experiences that give life to the classical tradition, nurture new ideas and,…
It is the mission of the f. m. kirby center to foster the development of the arts by promoting, producing, and causing to be produced theatrical productions, exhibits and other entertainment as deemed to have a benefical impact. continued…
The apollo theater is a commissioner and presenter; catalyst for new artists, audiences, and creative workforce; and partner in the projection of the african american narrative and its role in the development of american and global…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
Pennsylvania college of art & design is a professional art college offering a bfa degree, certificates, credentials, and curricula that enable students of all ages to pursue art as their life's work.
For reference, the grantee most central to the portfolio’s shape is Greater Philadelphia Cultural Alliance and the most unlike its peers is Drexel University. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 48 years old; the field is 17. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
53 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 53 of the 72 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds SPRINGSIDE CHESTNUT HILL ACADEMY ↗
- Who funds JOHN F KENNEDY CENTER FOR THE PERFORMING ARTS ↗
- Who funds PRINCESS GRACE FOUNDATION - USA ↗
- Who funds THE BARNES FOUNDATION ↗
- Who funds PENNSYLVANIA ACADEMY OF THE FINE ARTS ↗
- Who funds GREATER PHILADELPHIA CULTURAL ALLIANCE ↗
- Who funds The Society of the Four Arts Inc ↗
- Who funds Broadway Dreams Foundation Corporation ↗
- Who funds THEATRE PHILADELPHIA ↗
- Who funds Carnegie Mellon University ↗
- Who funds ARTPHILLY ↗
- Who funds ARDEN THEATRE COMPANY ↗
- Who funds ALLENS LANE ART CENTER ↗
- Who funds ENCHANTMENT THEATRE COMPANY ↗
- Who funds THE WILMA THEATER ↗
- Who funds SAMUEL S FLEISHER ART MEMORIAL INC ↗
- Who funds THEATRE HORIZON INC ↗
- Who funds LANTERN THEATER COMPANY ↗
- Who funds Yes And Collaborative Arts ↗
- Who funds OPERA PHILADELPHIA ↗
- Who funds THE ACADEMY OF VOCAL ARTS ↗
- Who funds Sundance Institute ↗
- Who funds BROADWAY CARESEQUITY FIGHTS AIDS INC ↗
- Who funds WOODMERE ART MUSEUM ↗
- Who funds ACTING WITHOUT BOUNDARIES ↗
- Who funds The Fabric Workshop and Museum ↗
- Who funds SETTLEMENT MUSIC SCHOOL OF PHILADELPHIA ↗
- Who funds TALLER PUERTORRIQUENO INC ↗
- Who funds PHILADELPHIA SCENIC WORKS ↗
- Who funds PHILADELPHIA THEATRE COMPANY ↗
- Who funds CURTIS INSTITUTE OF MUSIC ↗
- Who funds THE CENTER FOR EMERGING VISUAL ARTISTS LTD ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Philadelphia Cultural Fund Inc · The William Penn Foundation · The Philadelphia Foundation · Independence Foundation · Henry Dolfinger 2 Trust Uw · Wyncote Foundation · Lindback Cr & Mf Foundation Tw Main · The University of the Arts · The Barra Foundation Inc · The Pew Charitable Trusts · Connelly Foundation · The Lida Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Victory Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Victory Foundation?
Find your warmest path to Victory Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.