· Private foundation
The Sheri and Les Biller Family Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2018 to 2024.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2024
- Under $10k37 grants · $68k
- $10k–50k36 grants · $617k
- $50k–250k7 grants · $965k
- $250k+2 grants · $3.1M
| Recipient | Amount |
|---|---|
| CITY OF HOPE | $2,000,000 |
| CAREERWORKS INC | $1,123,211 |
| THE 5TH AVENUE THEATRE | $230,094 |
| EDUCATIONAL SERVICE DISTRICT 112 | $190,000 |
| EDUCATIONAL SERVICE DISTRICT 105 | $190,000 |
| OPERATION HOPE | $150,000 |
| PURCHASER BUSINESS GROUP ON HEALTH | $80,000 |
| LATINO THEATER COMPANY | $75,000 |
| GOALS OF CARE COALITION OF NEW JERSEY INC | $50,000 |
| GEFFEN PLAYHOUSE INC | $45,000 |
| PORTLAND CENTER STAGE | $40,000 |
| PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA IN | $30,000 |
| NATIONAL ACADEMY OF SCIENCES | $25,000 |
| THEATRE COMMUNICATIONS GROUP (TCG) | $25,000 |
| AMERICAN CONSERVATORY THEATER | $25,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY18–24, $112k) land where the poverty rate runs at 13%, against an area that typically sits at 10%. 77% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 17% of The Sheri and Les Biller Family Foundation’s grant dollars are earmarked for a different county than the recipient’s own address. By recipient address, 33% of the giving stays in WA; by stated purpose, 28%.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
90 repeat relationships: 55 still active in FY2024, 35 since wound down; 25 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 94% of grant dollars renewed an existing relationship; $305k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- CICAREERWORKS INC4× · 2020–2024 · $2.4M · revenue +209% · 46% of their budget
- PFPARTNERSHIP FOR LOS ANGELES SCHOOLS3× · 2020–2022 · $414k · revenue +80%
- TPTHE PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA INC6× · 2018–2024 · $162k · revenue +134%
Funded once
- HSHIGHLINE SCHOOLS FOUNDATION FOR EXCELLENCEgraduatedone grant, 2020 · $76k · revenue +58%
- DCDALLAS COLLEGE FOUNDATION INCgraduatedone grant, 2018 · $30k · revenue +518%
- TATHEATER & ARTS FOUNDATION OF SAN DIEGO COUNTY DBA LA JOLLA PLAYHOUSEgraduatedone grant, 2022 · $25k · revenue +69%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The oregon shakespeare festival creates world-class theater, revealing our collective humanity through illuminating interpretations of new and classic plays, and inspiring a love of our art form for current and future generations.
The american theatre guild is dedicated to providing the experience of live theatre to foster passion, inspire creativity and empower youth within our communities.
Stages makes plays and tells stories that invite everyone to live more deeply and love more boldly.
Siff is a seattle-based 501(c)(3) arts nonprofit dedicated to the creation of vibrant experiences and spaces that champion film discovery and arts education.
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
To serve the public by producing world-class opera that preserves, promotes and advances the art form while embodying the diversity, spirit and artistic sensibility unique to los angeles. we envision an engaged and enlightened community in…
Public theatrical performances of bold and daring interpretations of the greatst plays.
Mission: the mission of san diego opera is to deliver exceptional performances and exciting, accessible programs to diverse audiences, focusing on community partnerships, and the transformative and expressive power of the human voice. as…
The aquarium of the pacific's mission is to instill a sense of wonder, respect, and stewardship for the pacific ocean, its inhabitants, and ecosystems.
The association of washington cities builds connections between our state's diverse cities and towns, while providing our members with the support needed to thrive through delivery of data-driven education, nationally recognized pooling…
See schedule okqed serves the people of northern california with a community-supported alternative to commercial media, providing the knowledge needed to make informed decisions; convening community dialogue; bringing the arts to everyone;…
To build a thriving, just and empowered pacific northwest using capital, relationships and voice.
How this is measured
207 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 207 of the 247 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Showing the 200 largest grantees by grant value.
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds CAREERWORKS INC ↗
- Who funds DONOR ADVISED CHARITABLE GIVING INC ↗
- Who funds PARTNERSHIP FOR LOS ANGELES SCHOOLS ↗
- Who funds THEATRE COMMUNICATIONS GROUP INC ↗
- Who funds THE PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA INC ↗
- Who funds LATINO THEATER COMPANY ↗
- Who funds GEFFEN PLAYHOUSE INC ↗
- Who funds SEATTLE REPERTORY THEATRE ↗
- Who funds PURCHASER BUSINESS GROUP ON HEALTH ↗
- Who funds SEATTLE CHILDREN'S THEATRE ASSOCIATION ↗
- Who funds HIGHLINE SCHOOLS FOUNDATION FOR EXCELLENCE ↗
- Who funds UNIVERSITY OF WASHINGTON FOUNDATION ↗
- Who funds PORTLAND CENTER STAGE ↗
- Who funds AMERICAN CONSERVATORY THEATRE FOUNDATION ↗
- Who funds BERKELEY REPERTORY THEATRE ↗
- Who funds GOALS OF CARE COALITION OF NEW JERSEY INC ↗
- Who funds DENVER CENTER FOR THE PERFORMING ARTS ↗
- Who funds King County Sexual Assault Resource Center ↗
- Who funds THE PHOENIX THEATRE COMPANY AND SUBSIDIARY ↗
- Who funds Perseverance Theatre Incorporated ↗
- Who funds FULFILLMENT FUND ↗
- Who funds JVS SOCAL ↗
- Who funds WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS ↗
- Who funds THE PORTLAND PLAYHOUSE ↗
- Who funds THE RAPE FOUNDATION ↗
- Who funds THE ARCHER SCHOOL FOR GIRLS INC ↗
- Who funds SEATTLE FOUNDATION ↗
- Who funds DALLAS COLLEGE FOUNDATION INC ↗
- Who funds Coalition To Transform Advanced Car ↗
- Who funds OJAI PLAYWRIGHTS CONFERENCE ↗
- Who funds CENTER THEATRE GROUP OF LOS ANGELES ↗
- Who funds NORTH COAST REPERTORY THEATRE ↗
- Who funds NATIONAL ACADEMY OF SCIENCES ↗
- Who funds THEATER & ARTS FOUNDATION OF SAN DIEGO COUNTY DBA LA JOLLA PLAYHOUSE ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · Seattle Foundation · The Norcliffe Foundation · Puget Sound Energy Foundation · United Way of King County · Artsfund · The Ahmanson Foundation · The Ralph M Parsons Foundation · Lucky Seven Foundation · The Andrew W Mellon Foundation · Grousemont Foundation · The Annenberg Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Sheri and Les Biller Family Foundation funds: left to right is the share of its income from government, bottom to top the share from The Sheri and Les Biller Family Foundation. Bigger dots raise more.
- Mhp Salud: 66% of income from government
- Save the Children Federation Inc: 30% of income from government
- Epilepsy Foundation of America: 22% of income from government
- Greater Boston Food Bank Inc: 22% of income from government
- Asian Health & Service Center Inc: 18% of income from government
- The Portland Playhouse: 11% of income from government
- Girls Inc of the Pacific Northwest: 4% of income from government
- Portland Center Stage: 1% of income from government
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Sheri and Les Biller Family Foundation?
Find your warmest path to The Sheri and Les Biller Family Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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