· Private foundation
The Marc Dunworth Foundation for the Performing Arts
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2019 to 2024.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| Individual grant recipient | $255 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY23–23, $400) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +53% since the first grant, against +28% for those funded once.
4 repeat relationships: 0 still active in FY2024, 4 since wound down; 1 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 0% of grant dollars renewed an existing relationship; $255 went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- TPThe Puppeteers of America Inc3× · 2020–2023 · $3k · revenue +78%
- CFCENTER FOR PUPPETRY ARTSINC3× · 2020–2022 · $1k · revenue +50%
- AHAmerican Heart Association Inc2× · 2020–2021 · $147 · revenue +53%
Funded once
- VPVARIOUS PAYPAL DONATIONSone grant, 2023 · $3k
- SLSCOTT LAND SCHOOLone grant, 2022 · $2k
- PSPUPPET SHOWPLACE INCgraduatedone grant, 2020 · $2k · revenue +96%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The puppet co was established to create puppet theatre, especially for children and family audiences, as a synthesis of the visual and performing arts; through interpretive programs including classes, demonstrations, and exhibits, to…
The organization's mission is to inspire play and cultivate connections through puppetry.
Dpc uses awe-inspiring puppetry as a vehicle for a better tomorrow. dpc collaborates with the local commmunity to create inclusive spaces that bring together detroit and hamtramck residents with artists from around the country. the works…
To educate through the art of puppetry.
Creating innovative puppetry performances utilizing musical, literary, and puppetry traditions.
Vision: We believe that an unbridled imagination is a force of magic with the power to provoke a more courageous and compassionate world.Mission: Pipeline makes theater of the imagination. Our company thrives on adventure and believes no…
To promote the art of puppetry.
To explore a variety of cultures and foster an appreciation of the wisdom of traditions, the beauty of spirit and art of diverse communities through puppet performances, exhibits and classes.
Pangea World Theater strives to build a just world by creating multi-disciplinary theater that embodies decolonizing practices of solidarity, sustainability and equity.
Stages makes plays and tells stories that invite everyone to live more deeply and love more boldly.
How this is measured
11 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 11 of the 22 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds The Puppeteers of America Inc ↗
- Who funds NETWORK FOR GOOD ↗
- Who funds PUPPET SHOWPLACE INC ↗
- Who funds CENTER FOR PUPPETRY ARTSINC ↗
- Who funds EUGENE O'NEILL MEMORIAL THEATER CENTER INC ↗
- Who funds OPEN HEART MAGIC ↗
- Who funds American Heart Association Inc ↗
- Who funds Lake Katherine Nature Center and Botanic Gardens ↗
- Who funds UNIMA USA INC ↗
- Who funds SCOUNDREL AND SCAMP THEATRE INC ↗
- Who funds Ronald McDonald House Global ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Jane Henson Foundation · The Jim Henson Foundation · National Philanthropic Trust · The Bank of America Charitable Foundation Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Marc Dunworth Foundation for the Performing Arts funds: left to right is the share of its income from government, bottom to top the share from The Marc Dunworth Foundation for the Performing Arts. Bigger dots raise more.
- Puppet Showplace Inc: 4% of income from government
- Eugene O'neill Memorial Theater Center Inc: 1% of income from government
How this is measured
Play a game based on Marc Dunworth Foundation for the Performing Arts’ filings →