· Public charity
The Herzer Foundation
Providing financial support for prevention of childhood diseases, child abuse and artistic development of children and to other 501(c)(3) tax-exempt organizations that carry out similar programs.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2022.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2022
- Under $10k4 grants · $22k
- $50k–250k3 grants · $368k
| Recipient | Amount |
|---|---|
| HAMMER MUSEUM | $207,252 |
| THE BRENT SHAPIRO FOUNDATION | $100,000 |
| LACMA | $60,250 |
| TOWER CANCER RESEARCH FOUNDATION | $9,900 |
| A SENSE OF HOME | $6,000 |
| CHILDREN MENDING HEARTS | $5,000 |
| VISIONARY WOMEN | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–22, $73k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +89% since the first grant, against +34% for the ones you funded once.
8 repeat relationships — 5 still active in FY2022, 3 since wound down; 2 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 96% of grant dollars renewed an existing relationship; $16k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TBTHE BRENT SHAPIRO FOUNDATION FOR DRUG AWARENESS4× · 2018–2022 · $185k · revenue +69%
- MAMUSEUM ASSOCIATES3× · 2019–2022 · $130k · revenue +89%
- CRCLIMATE REALITY ACTION FUND4× · 2018–2021 · $100k · revenue +492%
Funded once
THE BREAST CANCER RESEARCH FOUNDATION INCgraduatedone grant, 2018 · $50k · revenue +30%- LALOS ANGELES POLICE FOUNDATIONgraduatedone grant, 2018 · $25k · revenue +30%
- TWTHE WALLIS ANNENBERG LEGACY FOUNDATIONgraduatedone grant, 2021 · $25k · revenue +973%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The organization is a non-partisan, membership based speakers' forum that connects business leaders, community members, and engaged individuals with shared interest in local, national, and global affairs. it provides an open and accessible…
The academy museum of motion pictures advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. welcoming visitors from los angeles…
Lace both champions and challenges the art of our time by fostering artists who innovate, explore, and risk. we move within and beyond our four walls to provide opportunities for diverse publics to engage deeply with contemporary art. in…
Artpace san antonio is a nonprofit residency program which supports texas, national, and international artists in the creation of new art. see schedule o for continuation.
Apex Art Curatorial Program is a resolutely noncommercial visual art exhibition space which provides curators and artists with a venue dedicated to ideas that are often too provocative or too small in scope for display elsewhere. Apex Art…
We believe opera is a uniquely compelling, entertaining and emotionally thrilling art form. our mission is to bring together growing audiences to experience opera's transformative power.
Arts for la leads communities, artists and organizations to advocate for an equitable, healthy, and creative los angeles region through the arts.
For reference, the grantee most central to the portfolio’s shape is Los Angeles County Museum of Natural History Foundation and the most unlike its peers is Taurus World Stunt Awards (Usa) Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 28 years old; the field is 14. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
32 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ARMAND HAMMER MUSEUM OF ART AND CULTURAL CENTER INC ↗
- Who funds THE BRENT SHAPIRO FOUNDATION FOR DRUG AWARENESS ↗
- Who funds MUSEUM ASSOCIATES ↗
- Who funds CLIMATE REALITY ACTION FUND ↗
- Who funds THE BREAST CANCER RESEARCH FOUNDATION INC ↗
- Who funds LOS ANGELES POLICE FOUNDATION ↗
- Who funds THE WALLIS ANNENBERG LEGACY FOUNDATION ↗
- Who funds PATRONS FOR NOTRE-DAME DE PARIS ↗
- Who funds COALITION FOR THE HOMELESS INC ↗
- Who funds CENTER FOR THE STUDY OF YOUNG PEOPLE IN GROUPS ↗
- Who funds Young Eisner Scholars ↗
- Who funds WE ARE FAMILY FOUNDATION ↗
- Who funds VISIONARY WOMEN ↗
- Who funds PROJECT ANGEL FOOD ↗
- Who funds DEBBIE ALLEN DANCE INC DEBBIE ALLEN DANCE ACADEMY ↗
- Who funds Equality Now Inc ↗
- Who funds One Voice ↗
- Who funds APOLLO THEATER FOUNDATION INC ↗
- Who funds TOWER CANCER RESEARCH FOUNDATION ↗
- Who funds CHILDREN MENDING HEARTS INC ↗
- Who funds A SENSE OF HOME ↗
- Who funds LOS ANGELES COUNTY MUSEUM OF NATURAL HISTORY FOUNDATION ↗
- Who funds ALTASEA AT THE PORT OF LOS ANGELES ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds THE GIVING BACK FUND ↗
- Who funds We the Women ↗
- Who funds TIDES CENTER ↗
- Who funds WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS ↗
- Who funds FLYING HERO CLUB INC ↗
- Who funds USA WATER POLO INC ↗
- Who funds CHILDREN'S INSTITUTE INC ↗
- Who funds TAURUS WORLD STUNT AWARDS (USA) FOUNDATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: California Community Foundation · The Annenberg Foundation · The Todd M Morgan Foundation · Chuck Lorre Family Foundation · Joseph Drown Foundation · Johnny Carson Foundation · Jewish Community Foundation of Los Angeles · Silicon Valley Community Foundation · National Philanthropic Trust · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · Morgan Stanley Global Impact Funding Trust Inc · American Endowment Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Herzer Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.